Authors — Tomris Laffly
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“Compassion Should Rule the Day, Not Punishment”: Director Cole Webley on His Sundance-Premiering Drama, Omaha
A family of four—an unnamed Dad (John Magaro), his children Ella and Charlie (Molly Belle Wright and Wyatt Solis), and their Golden Retriever—hit the road at the start of Omaha, towards Nebraska. We don’t get to know too much about them at first—just that they have an old car that needs a little push, and they’ve been evicted from their home, forced to collect their most treasured possessions quickly, like they are saving memorabilia during a fire. We don’t even know why they are heading there. Cole Webley’s deeply compassionate gut-punch of a movie, which premiered in the U.S. Dramatic […]
by Tomris Laffly on Jan 31, 2025 -
“There Are No Good Harnesses, Clips and Clamps That Keep a GoPro on a Dog”: Heidi Ewing and Rachel Grady on Their Sundance Doc Premiere, Folktales
For Jesus Camp and Detropia directors Heidi Ewing and Rachel Grady, a film can be born from the most inconspicuous of things, like something they have overheard, or a phrase that stayed with them. Folktales, their stunning documentary set in a folk school in the snow-clad Northern Norway, was no exception. During the early days of Covid, Ewing was catching the end of a podcast when American dog sledder Blair Braverman was talking about her vocation, as well as what happens to your mind when you’re alone for 12 days with a pack of dogs. As a dog and nature […]
by Tomris Laffly on Jan 29, 2025 -
“Be With the Girls, Be Active Listeners, Be in Awe of Their Imagination”: Angela Patton and Natalie Rae on Their Powerful Netflix-Premiering Doc, Daughters
In 2012, Angela Patton delivered a viral TED Talk about her revolutionary Date with Dad prison program—a father-daughter dance between incarcerated dads and their daughters, giving separated families a unique chance to connect and reunite without any physical barriers. The CEO of Girls for a Change—a youth development nonprofit with a mission to empower Black girls in Central Virginia—Patton then found a partner in Natalie Rae, who reached out to collaborate on a film together. The result of their nearly a decade-in-the-making work is Daughters, a heartrending documentary that premiered in Sundance in January 2024, where it was bought by […]
by Tomris Laffly on Aug 22, 2024 -
“…Just Being Aware of How Much Grief There Is In Our Collective Experience All the Time”: Alex Thompson and Kelly O’Sullivan on Ghostlight
Back in January, Sundance 2024 couldn’t have started on a stronger note for those of us who have kicked it off with Alex Thompson and Kelly O’Sullivan’s Ghostlight, a gentle tearjerker and a surprisingly tender comedy, marking the duo’s follow-up to their 2019 feature, Saint Frances. A film on the healing properties of a community of artists and a love letter to the joys of scrappy artmaking, Ghostlight set the right tone from the start for the indie festival with a story about grief, familial bonds and the therapeutic beauty of the artistic process. Written by O’Sullivan and co-directed by […]
by Tomris Laffly on Jun 14, 2024 -
“…The Last Summer Before You Leave Home”: Megan Park on Teenage Life, Working with Margot Robbie’s LuckyChap, and Her Sundance Dramedy, My Old Ass
After her feature directorial debut The Fallout (2021), a film about a high-school shooting, Megan Park was feeling the weight of its emotional aftermath. “When you make a movie, you live in that world for years,” she tells Filmmaker at Sundance Film Festival. “I wanted an escape, and I wanted to be nostalgic.” So she went back home to Canada and started thinking about what became the genesis of My Old Ass, a bittersweet coming-of-age comedy, and, gradually, a reflective tearjerker that left Sundance audiences sobbing. “It was this idea of the last time your whole family sleeps under one […]
by Tomris Laffly on Jan 23, 2024 -
Filming on a Tiny Remote Island and Hoping for Storms: Nora Fingscheidt on Her Saoirse Ronan-Starring Sundance Alcoholism Drama, The Outrun
When writer-director Nora Fingscheidt first encountered Amy Liptrot’s 2016 memoir, The Outrun, and read the story of Liptrot’s journey through alcoholism and her eventual healing on a remote Scottish island, she was living in Los Angeles and feeling somewhat disoriented. “I was a bit lost in this gargantuan city,” she tells Filmmaker recently in Park City, where her film, The Outrun, premiered at the Sundance Film Festival. “I missed Europe a lot. Reading this brutally honest story taking place at the edge of the world, on this tiny remote island, created a big longing in me to go and film […]
by Tomris Laffly on Jan 22, 2024 -
“Is There a Difference Between Theater Improv and Doing a Psychic Reading?”: Lana Wilson On Her Sundance-Premiering Look Into My Eyes
It was 2016, the day after the presidential election, when filmmaker Lana Wilson (Miss Americana, After Tiller, Pretty Baby: Brooke Shields) was filming an omnibus film about the election night in Atlantic City, NJ. To her, the night was like living in a horror movie. It was when she was waiting for her ride back to New York that she noticed a sign that said, $5 Psychic Readings. “I was feeling depressed, sad, confused and really frightened of the future,” Wilson tells Filmmaker recently, before the Sundance premiere of her latest film, Look Into My Eyes. “Without even thinking, I […]
by Tomris Laffly on Jan 22, 2024 -
“…The Relationship Between This Father and Daughter is Forever Changed”: India Donaldson on Her Sundance-Premiering Wilderness Drama, Good One
India Donaldson has been ready to make her narrative feature debut for a while now, with three short films under her belt already. But it was only after the pandemic hit and she moved in with her family for a few months that she found her story around family dynamics in isolation. So she poured that inspiration into Good One, a terrific slow-burn at this year’s Sundance Film Festival (US Dramatic Competition) that follows the 17-year-old Sam (Lily Collias) on a Catskills camping trip with her dad Chris (James Le Gros) and his longtime friend Matt (Danny McCarthy). As the […]
by Tomris Laffly on Jan 21, 2024 -
“We’d Have These Practical Conversations About How Sex Would Be Achieved in These Costumes”: Costume Designer Holly Waddington On the Historical Rule-Breaking of Her Work in Poor Things
A feminine coming-of-age film by way of Frankenstein, Yorgos Lanthimos’ gorgeously designed Poor Things follows Bella Baxter (Emma Stone), an unhappy and suicidal woman brought back to life by the enigmatic scientist Baxter (Willem Dafoe), and then embarking on a feminist journey of equality and sexual liberation. Bella’s voracious appetite for all the colors of life and sex (as well as Lanthimos’ signature maximalist touches) infuses Poor Things with boundless exuberance, matched by costume designer Holly Waddington’s extraordinary work—both late-19th-century, and fiercely modern and rule-breaking. “I realized that I would need the clothes to really move with her, not just […]
by Tomris Laffly on Jan 15, 2024 -
“The Crueler My Friends Are, the Funnier I Think They Are”: Emerald Fennell on Saltburn
“I wanted to make something about a desire so intense that it destroys everything around it,” says Oscar-winning writer-director Emerald Fennell of Saltburn, her opulent sophomore psychodrama about class, obsession and longing set in an English countryside estate. “That locust cannibal obsession that I think we’ve all felt about someone that makes you completely lose your fucking mind.” In Saltburn, it’s Barry Keoghan’s humble and unknowable Oxford novice Oliver Quick who feels that fixation. His object of desire and fascination is Jacob Elordi’s dreamboat Felix Catton, an upper-class cool guy who welcomes Oliver into his inner circle, and later, to […]
by Tomris Laffly on Nov 16, 2023
