For Myron Kerstein, whose work on Lin-Manuel Miranda’s feature debut Tick, Tick… Boom! earned him a 2022 Oscar nomination for best editing, cutting a musical number is no different than any other scene in a movie. With Wicked, the editor’s third collaboration with director Jon M. Chu (following Crazy Rich Asians and In the Heights), Kerstein had roughly 250 hours of footage to assemble into the two-part adaptation of the long-running and beloved Broadway musical that serves as a prequel to The Wizard of Oz—and honoring both the stage show and the classic 1939 film brought extra challenges to the […]
by Tyler Coates on Dec 12, 2024Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. It’s now primetime for FYC campaigning. I was inundated with digital codes and old-school DVDs early last week; studios know that voters—at least American ones—might have had lots of downtime and perhaps visiting family members to entertain. What better way to treat your guests than showing them A24’s entire 2024 slate (with the exceptions of the still-unreleased Babygirl, The Brutalist and Queer)? There were also a slew of FYC events in Los Angeles ahead of […]
by Tyler Coates on Dec 6, 2024While it’s not uncommon for a filmmaker to earn an Oscar nomination for directing their first narrative feature—directors to do so since the turn of the century include Emerald Fennell, Jordan Peele, Benh Zeiltlin, Tony Gilroy, Rob Marshall and Spike Jonze—it’s very rare for a film debut to win best director. Only six have accomplished the feat: Marty’s Delbert Mann, West Side Story’s Jerome Robbins (sharing the Oscar with co-director Robert Wise), Ordinary People’s Robert Redford, Terms of Endearment’s James L. Brooks, Dances With Wolves’ Kevin Costner and American Beauty’s Sam Mendes. This year, the best director race is packed […]
by Tyler Coates on Dec 5, 2024Director David Lowery admits he loves Christmas (he was born the day after), and that’s part of the reason why he embarked on his latest project: An Almost Christmas Story, a CG animated short for Disney from producer Alfonso Cuarón, who conceived the film with writer Jack Thorne. Set during the holiday season, An Almost Christmas Story sees a young owl named Moon who unexpectedly taken from his family when she accidentally catches a ride in the Christmas tree destined for Rockefeller Center. At that famed location, Moon encounters a young girl named Luna, who is also lost and searching […]
by Tyler Coates on Dec 4, 2024Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. Last March, in the week leading up to the 96th Academy Awards ceremony, I received an invitation from BBC News to chat about Bradley Cooper. An interview with him had recently gone viral for a clip where Cooper teared up while speaking of Leonard Bernstein, whom he played in Maestro. (He earned three Oscar nominations for that film—best picture, actor and original screenplay—but was passed over for his direction). In a brief phone call with […]
by Tyler Coates on Nov 29, 2024Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. At this year’s 35th annual Producers Guild Awards (which took place on Feb. 25, two weeks before the March 3 Oscars), Netflix’s American Symphony took the prize for best documentary feature. The Matthew Heineman-directed film followed musician Jon Batiste’s meteoric year in which he won five Grammys (including album of the year) and premiered a new composition at Carnegie Hall—all while his wife, journalist and artist Suleika Jaouad, fought a rare form of leukemia. One […]
by Tyler Coates on Nov 22, 2024Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. I really didn’t want to write a newsletter about how a Trump victory might disrupt an already chaotic Oscar season, but here we are. When I had multiple publicists reaching out about their films on Thursday morning, proving our post-election malaise was limited to a single day, I realized that the show must go on—and the show, I fear, might become a lot dumber. I can’t help but think back to the 2017 Oscars, in […]
by Tyler Coates on Nov 15, 2024Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. Here we are, on Election Day — or, if you didn’t prioritize reading this newsletter on Tuesday, Election Week — and there’s no better distraction from the realities of the world and its discontents than the movies. Or, at least that’s what I’m telling myself. If your election anxiety was triggered in the middle of Focus Features’ Conclave, you’re not alone. I’m very curious to see how that movie in particular will be received post-election, […]
by Tyler Coates on Nov 9, 2024Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. If there’s one topic more troubling to me than catfiegory fraud — something we’ll get into in a future newsletter, I guarantee — it’s the notion of celebrating Halloween in November. But since Halloween falls on a Thursday this year, I’m afraid I’ll lose this battle; it’s looking like we’ll have two consecutive Halloween weekends this year and there’s nothing I can do about it but throw a side-eye to my friends’ upcoming Instagram posts. […]
by Tyler Coates on Nov 1, 2024When Josh Margolin first heard that his grandmother had nearly become the victim of a phone scam — in which someone pretending to be Margolin attempted to score thousands of dollars from the elder — he immediately felt ill at ease and violated on her behalf. But it didn’t take long for the writer-director to recognize a great story: What if his grandmother had given away her money and, upon realizing the scam, set out to get revenge? The result is Margolin’s feature debut Thelma, starring June Squibb in the eponymous role as a 93-year-old Los Angeles resident who doesn’t […]
by Tyler Coates on Oct 31, 2024