For Robin Carolan, working on his debut film score for Robert Eggers’s 2022 Viking epic The Northman was a “baptism by fire.” After closing his influential electronic record label Tri Angle in 2020, Carolan and Sebastian Gainsborough (who records music under the name Vessel) dove headfirst into researching the ethnography of Nordic music to craft the film’s harsh, mythic sound. They used traditional Nordic instruments and modern experimental techniques to approximate the music of the era, a mandate Eggers routinely insists upon for his period genre films. That directive continues with Eggers’s longtime passion project, Nosferatu, a new telling of […]
by Vikram Murthi on Dec 16, 202425 years ago, Alan Rudolph’s Breakfast of Champions left theaters as quickly as it arrived, barely making a blip during a landmark year in American cinema save for a litany of negative reviews that all but celebrated its failure. (Luc Moullet might have been its sole admirer upon release.) Adapted from the Kurt Vonnegut novel of the same name, Breakfast captures a cross-section of American archetypes on the brink of a collective nervous breakdown; correspondingly, the film also feels like it’s also losing its mind. Rudolph, cinematographer Elliot Davis and editor Suzy Elmiger imbue Breakfast with a manic, comically grotesque […]
by Vikram Murthi on Nov 7, 2024Matt and Mara presents a familiar premise—two old friends with an unresolved romantic connection reconnect years after their lives have diverged—but Canadian writer-director Kazik Radwanski turns this potentially contrived narrative into an organic examination of interpersonal dynamics that’s tailored to the strengths of his performers and longtime creative collaborators Deragh Campbell and Matt Johnson. When Matt (Johnson) grabs the attention of creative writing professor Mara (Campbell) right before she’s about to start class, it’s clear both are looking to break out of their ruts. Mara is out of sync with her musician husband Samir (Mounir Al Shami) amidst the daily […]
by Vikram Murthi on Sep 20, 2024With Chris Wilcha’s recommended documentary Flipside opening today — including at NYC’s IFC Center — from Oscilloscope, we’re reposting Vikram Murthri’s deep dive interview below. — Editor In his first feature, The Target Shoots First, Chris Wilcha documented his tenure at Columbia House, the mail-order music service whose ads famously promised “12 CDs for a penny.” Then a recent NYU philosophy graduate, Wilcha landed the job partly due to his familiarity with “alternative culture,” a burgeoning new market at the time (Nirvana’s In Utero was soon to be released), and brought a sardonic Gen X sensibility to chronicling his time […]
by Vikram Murthi on May 31, 2024The logline for Snack Shack—two teenaged best friends spend the summer of 1991 working at a community pool food stand and get up to shenanigans—suggests a hyper-generic “one crazy summer”-type coming-of-age flick, but the film distinguishes itself with specifics almost immediately. It opens with AJ (Connor Sherry) and Moose (Gabriel LaBelle) at an off-track betting parlor intently watching the races with lit cigarettes dangling from their mouths. They exchange gambling strategies and profane insults before deciding to bet their new winnings on one more long-shot race. They hit big, but upon leaving they see someone swipe their cab, making it […]
by Vikram Murthi on May 14, 2024“How To Watch Birds,” episode five of How To with John Wilson’s final season, presents a familiar trajectory: eponymous documentarian follows through with stated premise before being diverted into a completely different context. Not more than seven minutes into Wilson’s episode about birding he’s interviewing UFO expert Travis Walton, whose alleged abduction story inspired Fire in the Sky (1993), and not long after that he voluntarily agrees to a lie detector test. “Have you ever lied to someone on your show?” asks the administrator. “No,” Wilson replies, following a pregnant pause. When informed he is lying, Wilson quietly mutters, “Fuck.” […]
by Vikram Murthi on Aug 25, 2023Production designer Rick Carter caught the eye of Steven Spielberg when he was art director on The Goonies and first worked with him directly on the pilot of Spielberg’s anthology series Amazing Stories. Spielberg told him the minimal amount of train he needed for the episode; Carter ended up giving him more without increasing the budget. “I think I have an ability to prioritize what’s important so that I can put the resources into [those] elements, whether it’s the set or visual effects or any other aspect of the movie,” says Carter. Starting with Jurassic Park, Carter has served as […]
by Vikram Murthi on Dec 15, 2022While Stéphane Lafleur’s third feature, 2014’s Tu Dors Nicole, chronicled the summer malaise between of aimless Quebecois post-grads, his follow-up, Viking, explores a different, slightly otherworldly strain of existentialism. High school gym teacher David (Steven Laplante) gets the opportunity to revive his dreams of becoming an astronaut by joining a behavioral research team called the Viking Society that will mirror the first manned mission to Mars. This B-team plans to replicate the mission in a controlled environment that resembles the probe—i.e., a Quonset hut in the desert—where they will game out potential interpersonal conflicts between the five-member crew in order […]
by Vikram Murthi on Sep 21, 2022In 2017, the formerly obscure Pavement B-side “Harness Your Hopes” became their number one track on Spotify. It currently has 70 million plays, over twice the amount of “Cut Your Hair,” the group’s highest charting and arguably most popular song during their original run. At Stereogum, Nate Rogers looked into why exactly “Harness Your Hopes” became as prevalent as it had and all signs point to Spotify’s Autoplay feature, which “cues up music that ‘resembles’ what you’ve just been listening to, based on a series of sonic signifiers too complex to describe.” At this point, “Harness Your Hopes” has crossed […]
by Vikram Murthi on Apr 13, 2022Paul Thomas Anderson’s films can all be described as “episodic” in various ways—some more explicitly than others. Boogie Nights, Magnolia and Inherent Vice are divided into subplots and adventures, but even more austere character portraits (There Will Be Blood, The Master, Phantom Thread) have a “and that’s when this happened…” bent. But Licorice Pizza, which follows the tumultuous flirtation between 15-year-old actor/entrepreneur Gary Valentine (Cooper Hoffman) and wayward 20-something Alana Kane (Alana Haim) against the backdrop of early-1970s San Fernando Valley, is the first to adopt a memory-based style, in which various sequences flow into each other like a series […]
by Vikram Murthi on Jan 18, 2022