The Tribeca Festival, which runs from June 4 to 15 in 2025, has announced the feature film lineup for this year's edition, including the debut feature from 25 New Face of Independent Film 2022 Walter Thompson-Hernández. From the press release:
The final selections were chosen from a record-breaking number of submissions (13,541). This year’s program includes 118 feature films representing 95 world premieres, 135 filmmakers and 36 countries. 48 (40%) of the features are directed by women and 42 (36%) are directed by BIPOC filmmakers. 44 filmmakers are making their feature debut at this year’s Tribeca Festival and 32 directors are returning with their latest projects.
The lineup:
OPENING NIGHT GALA
Billy Joel: And So It Goes (United States) - World Premiere. A sweeping portrait… Read more
The ACID section of Cannes has announced its lineup for this year's edition. From the press release:
ACID (Association du Cinéma Indépendant pour sa Diffusion) is a collective of filmmakers who support independent films by giving them greater exposure. Their goal? To help original, daring films reach their audience, both in France and abroad. [...] ACID stands out for its unique selection process: filmmakers choose the films they support. Each year, 14 filmmakers see over 600 feature films for the Cannes Film Festival and select 9 of them, to receive invaluable support for their release in theaters and at festivals, both in France and abroad. [...] In 2024, ACID screened its films at some 30 festivals in 20 countries, enabling emerging… Read more
The Woman in the Yard is the latest production from horror factory Blumhouse, but tones down the jump scares in favor of visualizing the dark imaginary of a woman battling depression. It’s not what audiences have come to expect from the studio, and it has garnered wildly divisive reactions from audiences and critics alike. Woman follows single mother Ramona (Danielle Deadwyler), grieving her husband’s death, who is haunted by a female specter in the backyard that is pushing her to self-annihilation. It was a very personal project for first-time screenwriter Sam Stefanak, who was channeling his own demons during the writing process and then had to adapt his words to the specific vision of director Jaume Collet-Serra (returning to horror… Read more
[This is the second of three interviews with key collaborators on Joan Micklin Silver's Crossing Delancey. Click here to read the first part, an interview with screenwriter Susan Sandler, and click here to read an interview with co-star Amy Irving.]
Filmmaker: You'd worked with Joan Micklin Silver before, on Chilly Scenes of Winter. What kind of an actor-director relationship did you have?
Riegert: It was very comfortable. She was a very good writer—she wrote Chilly Scenes of Winter—and knew how to take [on] a script that she didn’t write. She knew how to cast. She had a wonderful eye for talent. I had auditioned for Joan in 1976, when she was starting to shoot Between the Lines, and I was doing a play,… Read more
[This is the second of three interviews with key collaborators on Joan Micklin Silver's Crossing Delancey. Click here to read the first part, an interview with screenwriter Susan Sandler, and check back tomorrow to read the final part, an interview with co-star Peter Riegert.]
Filmmaker: Joan Micklin Silver is a filmmaker whose reputation has really grown over the past decade, and I’m curious what her secret sauce was, for lack of a better term. What do you remember about working with her?
Irving: Joan spent a lot of time figuring out her cast. If you look at all her movies, it’s a good group of actors. She was a New Yorker who went to the theater and paid attention to what an… Read more
When Joan Micklin Silver died on the last day of 2020, cinephiles mourned the passing of a major American filmmaker, a status to which she may have begun to ascend in late 2014, when IFC Center presented a 35mm screening of her third feature Chilly Scenes of Winter with its original title and the director’s preferred ending—the first time in perhaps a decade that the film had resurfaced in New York’s repertory scene. At that time, Vadim Rizov spoke to Silver, then in her late 70s, about her struggles to break into the film industry (“‘At that point in time, women directors just didn’t get jobs. I remember going to see one producer from one of the studios, and he… Read more
Jolene Purdy is always a standout. She gained recognition for her performance as Cherita Chen in the cult classic Donnie Darko, and later appeared in hit shows like Orange Is the New Black, Under the Dome, Breaking Bad, WandaVision, and The White Lotus. She now plays opposite Kevin Bacon in the new Amazon series The Bondsman. On this episode, she talks about how the collaborative nature of that production ignited her creativity and brought out the best in her. She tells us her secret to mastering the art of delivering exposition, why she loves to be directed, how she learned to protect her characters, why Kevin Bacon is “boss,” and much more.
Back To One can be found wherever you get… Read more
Even if you don't count yourself has a diehard Janis Ian fan, the singer-songwriter's songs, such as her 1967 hit "Society's Child," when they appear in Varda Bar-Kar's compelling bio-doc, Janis Ian: Breaking Silence, will strike a memory chord, so ubiquitous they have been across radio playlists for more than half a century. It's a real strength of Bar-Kar's film, which is organized around several of Ian's most memorable albums, including the eponymous 1993 release, that she weaves these compositions into a rich fabric that places Ian's personal life story — her coming out, her relationship with and 2003 marriage to Patricia Snyder, financial disasters and contemporary recognition as an LGBTQ icon — within the larger context of social and… Read more
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