| Filmmaker Magazine

FIGHTING MAN

David Poland has a nice appreciation up of Street Fight, the great doc about a down and dirty New Jersey mayoral campaign. He’s got the name of the filmmaker wrong — it’s Marshall Curry, not James Baxter — but his take on the film is dead on. Curry was one of our “25 New Faces” this year, and you should look for the film as it screens upcoming on P.O.V.

by Scott Macaulay on Dec 5, 2005

THE BARNEY CHRONICLES

Paul Cullum has a great, out-of-nowhere piece in the New York Times on the unexpected collaboration between avant-garde publishing elder statesman Barney Rosset and Chicago-based filmmaker James Fotopoulos. Rosset ran for years Grove Press, publishing works by such authors as D.H. Lawrence, Henry Miller and William Burroughs, and then successfully defending these works from U.S. obscenity charges. When I was a teenager I picked up the Evergreen Review Reader, an anthology of works culled from his literary magazine, and it opened the door for me to a whole world of radical literature and theater. Cullum’s piece is one of those […]

by Scott Macaulay on Dec 4, 2005

CHRISTMAS PRESENT

For months I’ve been hoping that the self-consciously heroic trailer for Terrence Malick’s upcoming The New World has been a colossal red herring. Now, I’m thrilled that that seems to the be the case. First, Fox’s Roger Friedman called the film “Pocahontas on acid,” and now comes Robbie Freeling at the Reverse Shot blog: “Then again, this is still a Malick film, as challenging as ever in its ambitions, even while perhaps functioning as his most accessible narrative. Less historical revisionism than resolutely personal, transcendentalist tone poem (not much of a surprise there), Malick’s fourth picture is adorned with almost […]

by Scott Macaulay on Dec 4, 2005

ADDICTION AND RECOVERY

Leave it to Caveh Zahedi to win the hearts of indie filmmakers at the Gotham Awards when he accepted the Filmmaker-sponsored “Best Film Not Playing in a Theater Near You” prize. In his remarks he said that too many great indie films don’t make it to the theaters because, frankly, filmmakers are “too tired” after finishing their films and expect, unrealistically, distributors, who are struggling to get their own slates out there, to do all the heavy lifting. Zahedi said that after recuperating a bit after his own shoot and festival jaunt, he got on the phone and asked distributors […]

by Scott Macaulay on Dec 3, 2005

WHAT ARE WE… CHOPPED LIVER?

The Apple-oriented rumor site Think Secret has a must-read piece up in which it claims that Apple will introduce a revised Mac mini at January’s Mac World Expo, a new home computer that will serve as the hub of a new digital delivery service with a new digital rights management system. From the piece: “In an effort to appease media companies wary of the security of digital rights management technology, Apple’s new technology will deliver content such that it never actually resides on the user’s hard drive. Content purchased will be automatically made available on a user’s iDisk, which Front […]

by Scott Macaulay on Dec 3, 2005

APOCALYPSE JONZE

Spike Jonze’s genius new Gap commercial can be found here. Only Jonze could make a Gap ad that, until the last shot, might just as well be a piece of anti-globalization agit-prop. (Thanks to Boing Boing for the link.)

by Scott Macaulay on Dec 2, 2005

DRIVE TIME

This Thanksgiving, I, like many of you, will be on the road, driving to see family and hoping to arrive at a socially acceptable interval before the turkey is carved. SeeingJean Baudrillard’s imperious visage peering out from the Sunday Times Magazine this past weekend (“France is a byproduct of American culture,” he said. “We are all in this; we are globalized.”) and thinking about that long drive reminded me of an old essay of his in Hal Foster’s The Anti-Aesthetic, which was kind of a po-mo bible during my college years. He writes about the automobile and the shift in […]

by Scott Macaulay on Nov 23, 2005

“MY HOPE IS GRANDCHILDREN”

The ubiquitous but broke boyfriend-and-girlfriend filmmakers behind Four-Eyed Monsters get another jolt of publicity today as they become the poster children for Charles Lyons in his New York Times piece on the personal financial perils of indie-film financing. From the piece: “[Arin] Crumley and [Susan] Buice spoke about their 14-month ordeal making Four Eyed Monsters, which dramatizes how they met online, and in which they co-star. The movie was well received at its Slamdance Film Festival premiere in January and screened at 16 other festivals. But like so many independent labors of love, it has yet to attract a theatrical […]

by Scott Macaulay on Nov 20, 2005

KATE MOSS, TOPLESS

I flew back from London this weekend and, at the airport, picked up the new issue of the U.K. magazine Dazed and Confused. It’s typically full of interesting and very of-the-moment stuff, including a piece about photographer Nick Knight and his Showstudio, a website intending to bring the “‘tech hippie’ world of the internet into fashion,” according to the magazine’s Lauren Cochrane. Through December Showstudio is presenting on its site “Moving Fashion,” a commissioned series of very short films — 30 seconds or so — by leading names in the fashion world. The films all incorporate items from the Autumn/Winter […]

by Scott Macaulay on Nov 20, 2005

“A MUST-SEE FOR THINKING AUDIENCES”

I am very excited to see Steve Gaghan’s Syriana, which we tried to nab an early screening of for Matt Ross’s piece on George Clooney in the current issue of Filmmaker. But, they were editing down to the wire so we were simply intrigued and hopeful by the trailer like everyone else. Now, Todd McCarthy promisingly weighs in in the subscription-only Variety: “Those complaining that Hollywood never turns out films of topical or political substance are likely to embrace Syriana, a weighty and deeply intriguing look at the many-tentacled beast that is the international oil industry. Wide-ranging and restlessly probing, […]

by Scott Macaulay on Nov 20, 2005

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