Last winter in a Filmmaker article recapping 2006’s most notable trends in independent film, I used as my lede a discussion of metrics — how, in every business, there’s some kind of unit of evaluation, but how in independent film that yardstick is often hopelessly confused. First-time filmmakers exorcising personal demons or doc makers espousing outside-the-mainstream viewpoints are later shocked and disheartened when their films don’t get picked up by a mini-major and gross Michael Moore numbers. Why don’t, I wrote, filmmakers consider things like the importance of transmitting the film’s message and their own enjoyment and personal growth as […]
I stopped by Other Music this weekend and discovered on the racks photographer Paula Court’s book, New York Noise: Art and Music from the New York Underground 1978-88. I first moved to New York during those years and became Programming Director at The Kitchen during the tail-end of that span, and for me the book, full of striking, energetic portraits of NYC’s key downtown art players, was not just a nostalgic blast-from-the-past but also a welcome confirmation that, yes, there was something special and perhaps unrepeatable about that scene and its casual cross-pollination. The Times Online has an article and […]
BILLY PRICE, THE STAR OF DIRECTOR JENNIFER VENDITTI’S DOCUMENTARY BILLY THE KID.COURTESY ELEPHANT EYE FILMS. You might say that Jennifer Venditti is a people person. After starting out as a fashion stylist, she moved on to casting where she distinguished herself as someone with an eye for the unconventional as well as the beautiful. In 1998, she started JV8inc, a New York-based casting company working in fashion, commercials and film, which has become known for its use of street scouting, finding “real” people for campaigns or movies by going out and pounding the pavements. Since starting JV8, Venditti has worked […]
The Slamdance Film Festival announced the titles for its 14th year. The festival will run alongside Sundance in Park City, Utah Jan. 17-25. This year’s Opening Night Film is Randall Cole‘s Real Time. The full list is below. Narrative Feature Competition FIX, (USA) Written/Directed by Tao Ruspoli This darkly comedic road movie journeys from Beverly Hills to Watts over the course of 12 hours, as documentary filmmakers Bella and Milo race to get Milo’s brother Leo from jail to rehab before 8 p.m. – or Leo goes to prison for three years. FROST, (USA) Written/Directed by Steve ClarkWhen a Manhattan […]
If you read this blog regularly you’ve noticed we’ve been giving updates on the free speech lawsuit the Ann Arbor Film Festival has on the State of Michigan (posts: “Saving Ann Arbor” and “AAFF Update“). Today the festival announced that it has settled its federal lawsuit, filed by the ACLU on its behalf. With the state legislature repealing unconstitutional restrictions on arts funding, AAFF and the ACLU agreed to voluntarily dismiss the lawsuit. According to a statement sent out by the AAFF: “The new guidelines for arts funding, resulting from the AAFF’s lawsuit, mirror the National Endowment for the Arts […]
Surfing around the net tonight I found this amazing homage to Alfred Hitchcock made by Martin Scorsese (and paid for by the champagne Freixenet). Shot by Harris Savides, with additional lensing by Ellen Kuras, and cut by Thelma Schoonmaker, Scorsese tells a “documentarian” that he plans to shoot pages of a lost script he found titled Key To Reserva the way Hitchcock would have. “To preserve a film that has not been made,” he says. Using the familiar music of Bernard Herrmann, Scorsese casts Simon Baker to play the debonair lead and classic sequences from many of Hitchcock’s films appear […]
CHRISTIAN SLATER IN DIRECTOR FRANK CAPPELLO’S HE WAS A QUIET MAN. COURTESY MITROPOULOS FILMS. Whether he’s writing, directing, creating special effects, playing music, or simply recounting anecdotes, Frank Cappello seems to have a compulsive need to entertain. He honed his storytelling skills as a kid reading out his imagined motocross adventures to classmates, and then spent years writing spec scripts while working in special effects. Though the first script he sold, Suburban Commando (1991), became a derided Hulk Hogan vehicle, it was a launchpad for Cappello to direct two genre pictures. American Yakuza (1993) and No Way Back (1995) both […]
Harmony Korine’s latest feature, Mister Lonely, opened recently in England, will open France soon, and is due to arrive in U.S. theaters in the Spring from IFC Films. But Korine has also been filming some other work recently. Here’s a wonderful TV ad he just completed for the British department store chain Thornton’s.
Sundance announced the films in their Premieres, Spectrum, New Frontier and Midnight sections today. Included in the list is the closing night film, Neil Young‘s documentary CSNY Deja Vu, on Crosby, Stills, Nash and Young’s “Freedom of Speech Tour” and The Salt Lake City Gala will feature the world premiere of The Great Buck Howard, directed by Sean McGinly and stars Colin Hanks, John Malkovich and Emily Blunt. Other notable names in the pack are Michel Gondry, Brad Anderson, Barry Levinson, Stacy Peralta, Morgan Spurlock, the Duplass brothers and (wait for it…) Michael Keaton in his directorial debut. Full list […]
A few years ago producer Ted Hope was at the forefront of the indie campaign against the major studios’ “screener policy” — the edict that specialty film companies could not use mailed promotional screeners in their Academy campaigns. Hope, along with producer Jeff Levy-Hinte and a group of allied production companies, won a court battle and the studio policy was reversed. Now, Hope has emailed about another issue concerning screeners — specifically, their impact on the environment. While other parts of the industry are going green, the mailed output of two companies in particular are not. From Ted Hope: After […]