| Filmmaker Magazine

“THE GREATEST” writer-director, Shana Feste

[PREMIERE SCREENING: Saturday, Jan. 17, 3:15 pm — Eccles Theatre, Park City] It probably would have been smarter if I had thought of kids on a subway watching my movie on their iPod — but then I would have come to the inevitable conclusion that they would never be moved by a drama where you can’t see an actors’ eyes and immediately gotten bored and turned it off. I wanted most of all to make a film similar to the character-driven dramas of the late ’70s that I loved so much as a kid. I can’t imagine those play well […]

by Jason Guerrasio on Jan 17, 2009

“500 DAYS OF SUMMER” director, Marc Webb

[PREMIERE SCREENING: Saturday, Jan. 17, 6:15 pm — Eccles Theatre, Park City] I think “story” is the same as it has always been. Maybe the delivery devices change, maybe the venues evolve, maybe the audiences can absorb information faster and maybe they’re more sophisticated in their demands. But the basic craft and fundamentals of story remain unchanged. We certainly didn’t adjust the concept of the film for YouTube, or any small screen for that matter. Maybe on some subconscious level, the short episodic nature of “the days” grew from watching too many YouTube video bursts. But I can’t say for […]

by Jason Guerrasio on Jan 17, 2009

“BARKING WATER” writer-director, Sterlin Harjo

[PREMIERE SCREENING: Saturday, Jan. 17, 2:15 pm — Racquet Club, Park City] I knew before we began making Barking Water that I wanted to try something different. The story is about an older couple who has had a very tumultuous relationship for the past 40 years. The woman, Irene, comes to the man, Frankie, on his deathbed and agrees to take him from the hospital and get him home. The problem, of course, is that Frankie is dying, so the film explores their relationship as she tries to get him home to see his daughter before he dies. Under the […]

by Jason Guerrasio on Jan 17, 2009

JOY DIVISION HERE, FOR ONE WEEK

I may be at Sundance, but it’s still cool to be able to embed Grant Gee’s Joy Division doc for you here, courtesy of Pitchfork. It’s live for one week.

by Scott Macaulay on Jan 17, 2009

QUIET PARK CITY

Wake up, edit a few pieces for our standalone festival page, and then head to the registration office where I get my badge in about one minute’s time. Walk over to a press screening where I enter just as the movie is starting and get a seat. Later, meet some friends and snag a table for six on Main Street for dinner. Another press screening — this time I stroll in during the opening credits and easily score a good seat. Am I at Sundance? Yes, it is quieter this year. It feels like a lot less people are here. […]

by Scott Macaulay on Jan 17, 2009

SAG NIXES GUARANTEED COMPLETION CONTRACTS

Just a couple of days after I noted SAG’s response to the question of whether or not studios could acquire films made under their Guaranteed Completion Contracts, the guild has now decided to stop issuing these waivers to indie films entirely. Dave McNary reports in Variety: With a SAG strike becoming less likely, the Screen Actors Guild has announced it’s pulled the plug on offering waivers to indie film producers that would allow production to continue if there’s a work stoppage. SAG made the brief announcement Friday evening, suspending a program that’s covered over 800 productions in about a year. […]

by Scott Macaulay on Jan 17, 2009

SIN NOMBRE, SUNDANCE TO SUNDANCE

I wrote for the FilmInFocus site a piece on Cary Fukunaga’s journey from Sundance (the festival in 2005 and Labs in 2006) to Sundance (this year’s Dramatic Competition with his film, Sin Nombre). Fukunaga was one of our “25 New Faces,” and we are big fans of his. In the piece, I recount his work at the Labs and hear from the actors about the way in which they worked with on the set.

by Scott Macaulay on Jan 16, 2009

Doris Dörrie, Cherry Blossoms

Though little known outside her home country, Doris Dörrie is arguably one of the most important cultural voices in Germany, both in film and across several other cultural forms. Born in Hanover in 1955, she spent two years in the U.S. in the mid 70s studying drama, philosophy and psychology at the University of the Pacific in Stockton, California, and the New School in NYC. She then returned to Germany to attend the School of Television and Film in Munich, during which time she also worked as a film critic. Dörrie directed a series of shorts and worked on television […]

by Nick Dawson on Jan 16, 2009

“CHAMELEON STREET” By Mike Plante

Mike Plante wrote about the DVD release of Chameleon Street in our Load & Play section in 2007. The film will screen at this year’s Sundance Film Festival in its Sundance Collection section. In Chameleon Street, the enigmatic Doug Street goes through a series of cons, sometimes to make money, sometimes to prove he can do more than what the world expects of him. In short time he goes from a simple extortion plot to complex impersonations, including as a reporter from Time, a Yale student, a lawyer and even a surgeon. Yes, a surgeon – who performed 36 successful […]

by Jason Guerrasio on Jan 16, 2009

“GRACE” writer-director, Paul Solet

[PREMIERE SCREENING: Friday, Jan. 16, 11:59 pm — Egyptian Theatre, Park City] The factor affecting cinema today most relevant to Grace is the prevalence of the filmmaking community’s faith in the shortcut. There’s an idea that we can make movies by checklist, that the way to write a successful script is by formula, and the way to make a successful film is by gimmickry or spectacle — that we just need to get in front of a camera and our computers will figure out the rest later. With Grace, we resisted that and put total faith in footwork. We just […]

by Jason Guerrasio on Jan 16, 2009

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