25 years ago, Alan Rudolph’s Breakfast of Champions left theaters as quickly as it arrived, barely making a blip during a landmark year in American cinema save for a litany of negative reviews that all but celebrated its failure. (Luc Moullet might have been its sole admirer upon release.) Adapted from the Kurt Vonnegut novel of the same name, Breakfast captures a cross-section of American archetypes on the brink of a collective nervous breakdown; correspondingly, the film also feels like it’s also losing its mind. Rudolph, cinematographer Elliot Davis and editor Suzy Elmiger imbue Breakfast with a manic, comically grotesque […]
Sustainability and scarcity of opportunity have been predominant challenges of a documentary career since the early days of the form, but sustaining mental health has been a significant one as well. Launched in 2021 by a group of documentary filmmakers and mental-health professionals, DocuMentality evolved out of a series of revelatory presentations and conversations–first at IDA’s Getting Real conference in 2018, then a year later, over the course of a two-week online discussion entitled Mental Health and the Documentary Business, hosted by long-running global forum The D-Word. This past May, the DocuMentality team released its first report: The Price of […]
Jaclyn Bethany is an Emmy-award-winning filmmaker, writer and actor based in New Orleans, Louisiana. She has been committed to creating art and telling stories exploring complex women, the intimacy of female friendship, sisterhood and queerness from the female perspective. Some upcoming film projects include Delusion, a short film in collaboration with Adult Film NYC; In Transit, written by Alex Sarrigeorgiou and featuring Jennifer Ehle and Francois Arnaud; and All Five Eyes, which she co-wrote with Greta Bellamacina, featuring Bellamacina and Honor Swinton-Byrne. In this episode she talks about her role as the co-artistic director of The Fire Weeds, a female […]
The 27th edition of the SCAD Savannah Film Festival boasted a number of unexpected bonuses this year. First there was the eclectic,“Hollywood meets indie” mashup guest list to accompany the stellar program (much of which had recently premiered at the top tier fests). Actors in town to pick up awards at the sold out screenings included Amy Adams, Pamela Anderson, Kieran Culkin, Colman Domingo, Natasha Lyonne, Demi Moore, Lupita Nyong’o and Sebastian Stan among others; while the producers and directors attending to nab honoraries ran the gamut from Jerry Bruckheimer, Kevin Costner and Jason Reitman, to Richard Linklater, RaMell Ross, […]
Originally published February 27, 2024, just following the Berlin International Film Festival, this interview with No Other Land‘s directors Basel Adra and Yuval Abraham is being republished today, as the documentary opens at Film at Lincoln Center for a one-week run. — Editor Co-directed by an Israeli-Palestinian collective of four, No Other Land was filmed in the West Bank, in Masafer Yatta, where Israeli military and increasingly civilians have forced Palestinians out from their villages. Premiered at the 74th Berlinale, the debut feature won both the juried documentary award and the Audience Award in its section, Panorama—amply deserved honors for […]
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. If there’s one topic more troubling to me than catfiegory fraud — something we’ll get into in a future newsletter, I guarantee — it’s the notion of celebrating Halloween in November. But since Halloween falls on a Thursday this year, I’m afraid I’ll lose this battle; it’s looking like we’ll have two consecutive Halloween weekends this year and there’s nothing I can do about it but throw a side-eye to my friends’ upcoming Instagram posts. […]
When Josh Margolin first heard that his grandmother had nearly become the victim of a phone scam — in which someone pretending to be Margolin attempted to score thousands of dollars from the elder — he immediately felt ill at ease and violated on her behalf. But it didn’t take long for the writer-director to recognize a great story: What if his grandmother had given away her money and, upon realizing the scam, set out to get revenge? The result is Margolin’s feature debut Thelma, starring June Squibb in the eponymous role as a 93-year-old Los Angeles resident who doesn’t […]
Angelina Jolie will receive the Performer Tribute for her performance in Pablo Larraín’s Maria at the upcoming 2024 Gotham Awards, the Gotham Film Festival & Media Institute announced today. Jolie plays iconic opera singer Maria Callas in the Paris-set film that finds Callas, in her final days, processing her life and career on stage. It follows films by Larraín about other 20th century women icons, including Jackie Onassis (Jackie) and Princess Diana (Spencer). “Like the legendary figure she portrays, Angelina Jolie transcends mere performance to craft something extraordinary,” said The Gotham executive director Jeffrey Sharp in a press release. “Her […]
Uttering the words “artificial intelligence” in Hollywood right now elicits something of a Chicken Little response. From major studio IP franchises to small independent documentaries, there is no corner of the entertainment industry that artificial intelligence does not (or will not) touch and, with so much uncertainty surrounding the legality of AI, many industry stakeholders have taken to wringing their hands and proclaiming that the sky is falling. Despite artificial intelligence’s novelty, however, many of the issues surrounding its legality can be addressed by pre-existing copyright and First Amendment principles. Copyright Guidelines Governing “Human Authorship” For example, let’s examine the […]
It’s been nearly a decade since Athina Rachel Tsangari, the idiosyncratic Greek filmmaker who’s never one to repeat herself, has graced us with a new film. Tsangari is always looking for a new challenge: from the improvisational, genre-bending desolateness of The Slow Business of Going (2000), to her Greek Weird-Wave breakout Attenberg (2010) and game of hypermasculinity, Chevalier (2015), each new project takes on a whole different formal imagination. What links them together? Beyond their ostensible differences is Tsangari’s affinity for betweenness—that feeling of not belonging. This feeling is reflected in the films as much as in Tsangari’s life, bouncing […]