17709 Results for “”
-
Film & Television Areas of Study at Full Sail University (Sponsored Post)
If you’re considering a career in film or television, it’s important to understand that there are many different roles in the field, so there are lots of opportunities where your interests and skills can be a good fit. Perhaps you enjoy directing others to perform a certain way. Maybe you’re a wordsmith who wants to pursue work in scriptwriting. Or you might like to design animated characters. Full Sail University offers many different areas of study that could lead to careers in the realm of film and television. While they focus on different aspects, all of Full Sail’s courses are […]
by Filmmaker Staff on Sep 23, 2024 -
“Made by Five People Who Love Cats”: Mary Dauterman on Booger
After the sudden death of her best friend and roommate Izzy (Sofia Dobrushin), Anna (Grace Glowicki) starts to act strange. At first, her odd behavior seems easily attributable to intense grief, but soon she begins to recognize physical abnormalities she can’t quite explain. Granted, she was bitten by her and Izzy’s fluffy, inky-black cat (the eponymous Booger) just before he fled via the fire escape. But Anna begins to suffer from far more than just cat-scratch fever and a gnarly hand wound: coarse, dark hairs begin to sprout, her movements become increasingly delicate yet uncanny, and could that actually be […]
by Natalia Keogan on Sep 20, 2024 -
“I Always Write for Places Where They Won’t Kick Me Out”: Kazik Radwanski on Matt and Mara
Matt and Mara presents a familiar premise—two old friends with an unresolved romantic connection reconnect years after their lives have diverged—but Canadian writer-director Kazik Radwanski turns this potentially contrived narrative into an organic examination of interpersonal dynamics that’s tailored to the strengths of his performers and longtime creative collaborators Deragh Campbell and Matt Johnson. When Matt (Johnson) grabs the attention of creative writing professor Mara (Campbell) right before she’s about to start class, it’s clear both are looking to break out of their ruts. Mara is out of sync with her musician husband Samir (Mounir Al Shami) amidst the daily […]
by Vikram Murthi on Sep 20, 2024 -
Venice Film Festival 2024: Before the Revolution
I was trying to make sense of my notes on Happyend when I noticed him. Arms akimbo, left hand drumming his gun holster, the cop was patrolling the press room looking equal parts annoyed, bored, and baleful. I glanced away; when I looked up again, another colleague had joined him in inspecting the crowd of journalists typing at their laptops like exam invigilators. For a festival as militarized as Venice, the sight might not be front-page news: Ever since my first trip in 2014, the security corps deployed across the Lido have grown almost exponentially, reaching near-Orwellian levels in 2020, […]
by Leonardo Goi on Sep 19, 2024 -
Fall 2024
by Vadim Rizov on Sep 18, 2024 -
Angalis Field
Set in New York City’s Chinatown, Bust follows plainclothes police officer Flora (Lux Pascal), who has been given the assignment of incriminating a ketamine dealer, Ruby (Nicky DeMarie). While the arrest goes off without a hitch, what fills Angalis Field’s film with tension is that the customer and dealer are both trans women. Ruby, who has lost a friend to a recent overdose and is selling to raise the necessary funds for a future medical procedure, shares with Flora her personal woes. Listening to these struggles, Flora appears close to succumbing to crippling internalized guilt. Is Flora a sellout for […]
by Emily Huse on Sep 18, 2024 -
Emma D. Miller
“I am interested in how we perform our identity, how we heal and connect with one another and the construction of self,” says producer and now director Emma D. Miller about the kinds of documentary projects she’s drawn to. With Elizabeth Lo’s Mistress Dispeller having just premiered in Venice and her own directorial debut in the latter stages of production, Miller says she embraces films “where there’s some sort of journey happening, a process of inquiry and discovery. Ultimately, I want to find a way to understand who we are and how we relate to one another a little better.” […]
by Emily Huse on Sep 18, 2024 -
Masha Ko
Masha Ko had many jobs in the Los Angeles film industry—reality TV story PA, producer, production designer, music video casting director—before she decided to get a master’s degree at USC. But she didn’t study film, obtaining instead a M.S. in applied psychology, a program “where you study consumer and organizational psychology, which you can then apply to any discipline.” The discipline Ko chose was, naturally, film, and as part of her course work she did “a big study on horror film consumers from a psychological lens. I feel like I truly got a deep insight into what fear is. When […]
by Emily Huse on Sep 18, 2024 -
The Future Looking Back At Us: Joanne McNeil on Cyberpunk
This year is the 40th anniversary of William Gibson’s classic novel Neuromancer. It’s a work of singular brilliance that arrived as part of a new vanguard. Back in 1984, in the Washington Post, author and editor Gardner Dozois identified Gibson as part of an emerging trend: new science fiction authors who had eschewed formulaic space operas for “bizarre hard-edged, high-tech stuff.” Dozois called these authors the “cyberpunks,” and the label caught on. Key works of cyberpunk like Neuromancer were produced in the ’80s alongside the boom in personal computers, and again in the ’90s as subscriptions to online services and […]
by Joanne McNeil on Sep 18, 2024 -
25 New Faces of Independent Film 2024
by Filmmaker Staff on Sep 18, 2024
