If I could’ve had 10 percent more of something on Chronic Town, I would have to say that it would’ve been 10 percent more length on our extension cords. That may sound odd, but when you have to plug in your production vehicles (which on our budget equaled two minivans) to prevent the oil in your car from freezing overnight, then every inch counts. During the winter in Alaska, you need to plug your car into an outlet to keep the oil in your engine from freezing (it’s advised to be plugged in when it’s below zero, which it was […]
With the Golden Globes having seemed to have been beamed in from some alternate universe, the timing is right for Jamie Stuart’s latest short, in which a friendly space alien tries to grok that red-carpeted human ritual known as the awards show.
Here are some posts that have caught my eye this week. Jon Taplin, probably the only professor at the Annenberg School for Communication who can also lay claim to producing one of the seminal films of the ’70s (Mean Streets), has a great blog that mixes his commentary on politics, economics and the film business. (Hat tip: Ted Hope.) The former Dylan tour manager and Merrill Lynch v.p. has written a two-parter entitled “Memo to Hollywood: Stop Making Movies.” He compares Hollywood’s battle for market share to players locked in the classic example of game theory, The Prisoner’s Dilemma. From […]
Joseph Menn has written an article for the Los Angeles Times demonstrating that the hype about new internet content start-ups during the WGA strike is more than just talk. From the piece: At least three start-ups, each with a different business approach, are unveiling their corporate monikers and the names of their founders as they intensify the search for venture capital and top management. With names such as Hollywood Disrupted and Virtual Artists Inc., these new ventures have lured investors such as the Oscar-winning writer of “Rain Man” and the Emmy-winning scribe behind “Homicide,” along with prominent software developers and […]
Lost creator and Cloverfield producer J.J. Abrams spoke at the TED conference about his creative process, which he symbolizes at one point by displaying a “mystery box” from New York’s Tannen’s Magic. Last April Abrams spoke to the New York Times about the “mystery box” and described it thusly: Prized possession: I have a mystery box from Tannen’s Magic in New York. It’s a cardboard box with a question mark printed on it. It’s one of those things you buy for $15 and they advertise that it has at least $20 worth of stuff inside. I’ve never opened it. I […]
The Los Angeles Times has a good follow-up to the Axium story today that spells out the ramifications of the company’s closure on those who have payroll funds deposited there. From the piece: “It’s a mess,” said writer-producer Jody Savin, who with her writer-director husband, Randall Miller, had “tens of thousands” of dollars frozen in an Axium payroll account for their upcoming feature film, “Bottle Shock.” Still, they consider themselves better off than some other Axium clients who were required to deposit a percentage of payroll amounts to be processed by the Los Angeles company. “We have a friend who […]
Filmmaker Lance Weiler, whose Workbook Project has, in a short while, become an indispensable source of information on independent film production and marketing, is launching a new event that employs his expertise in online distribution to help emerging filmmakers. Entitled “From Here to Awesome,” it is a multi-exhibition-platform film festival created in collaboration with two other filmmakers well known to the Filmmaker audience: Arin Crumley and M dot Strange. Here is more information about the festival from the press release, and look forward to news of its progress on the blog in coming weeks. NEW DISCOVERY AND DISTRIBUTION FESTIVAL “FROM […]
AN EXPECTANT MOTHER IN DIRECTOR ABBY EPSTEIN’S THE BUSINESS OF BEING BORN. COURTESY RED ENVELOPE ENTERTAINMENT. After years as a theater director, Abby Epstein has transitioned into being one of the most important new female voices in documentary film. Epstein began directing plays in the 1980s in Chicago where she started her own theater company, Roadworks Productions. In the late 1990s, she relocated to New York to helm the highly successful Broadway musical RENT. Notable amongst numerous other credits is her involvement with Eve Ensler’s seminal The Vagina Monologues, which she directed during its New York run as well as […]
In my initial post on the sudden bankruptcy filing of Axium Payroll Services, I commented on the potentially huge effect it would have on independent films currently in production and using Axium for their payroll. Typically, a small film will have posted some kind of payroll bond or advance that payroll monies are being drawn down against. Now, news is coming in from the production community about all of this. I received this email from NYC production accountant Joe Lombardi, currently working on a production affected by Axium’s shutdown, which I am reprinting with his permission: I have to say […]
Variety has posted its story on the Axium bankruptcy, which we wrote about in the blog post below. Their story has a couple of quotes from affected parties — a director, Charles Matthau, who says he is owed $75,000 of his director’s fee on an indie film, and a production executive who comments on the loss of the long-term accounting and record-keeping functions of Axium’s software. Earlier in the day I talked with an indie distributor who used Axium to pay SAG and DGA residuals on the company’s DVD releases. The DGA had called him and told him to cancel […]