I’m editing now James Ponsoldt’s interview with Paul Thomas Anderson that will appear in our Winter issue, and I’ve seen There Will be Blood twice so far, once at a screening and once on a DVD screener. I’ll try to write a few thoughts about it in the coming days, but, for me, and definitely after the second viewing, upon which it gets even better, it is my #1 film of the year. Here’s Paramount Vantage’s internet clip announcing this weekend’s nationwide midnight sneaks. (Hat tip: Movie City News.)
In the midst of shopping, cooking and, yes, trying to close the next issue of the magazine, which ships at the end of this week, I want to take a second and wish all of our readers a great holiday and New Year. We really appreciate your readership and look forward to bringing you lots of great stuff, both in the magazine and online, in the coming year.
JENNA FISCHER AND JOHN C. REILLY IN DIRECTOR JAKE KASDAN’S WALK HARD: THE DEWEY COX STORY. COURTESY COLUMBIA PICTURES. Our perception of a director hinges heavily on the most recent film they’ve made. Jake Kasdan’s last movie, The TV Set, was a smart, sardonic satire of the process of creating a hit series that drew on Kasdan’s own bitter experiences in network television. Though Kasdan had enjoyed working for Judd Apatow on Freaks and Geeks (1999) and Undeclared (2001) — directing episodes for these in between making his first and second features, Zero Effect (1997) and Orange County (2002) — […]
In Denzel Washington’s second directing effort, the Oprah Winfrey produced The Great Debaters, he takes what he learned from his debut, Antwone Fisher, and uses it to make the inspirational true story of one small all-black school’s rise to the top of the college debating ranks in the Jim Crow South. Washington also stars in the film as the rebellious Melvin B. Tolson. Known for his American Modernist poetry and a contemporary of the Harlem Renaissance, in the ‘30s Tolson was a professor at Wiley College in Marshall, Texas. There he coached the debate team and in 1935 his team […]
Writing in Salon, Andrew O’Hehir captures what a lot of people are thinking: it wasn’t a bad year for movies, but when it comes to independents, the long-form theatrical experience may be on its way out. There are no grand conclusions here, but O’Hehir talks to the right people — IFC’s Jonathan Sehring, Killer Films’ Christine Vachon, Milos Stehlik of Facets — in his attempt to assess the healthiness of independents surviving on the other side of the mini-major divide. An excerpt: Milos Stehlik, director of the Chicago-based video distributor and art-house proprietor Facets Multi-Media (which occasionally dabbles in theatrical […]
I received an email from writer/director Maria Maggenti (Puccini for Beginners) announcing the launch of A Working Writer, a website that she and writer Michael Seitzman have launched during the midst of this current WGA strike. The site will feature short video interviews of writers discussing their work and their thoughts about being working writers. First up: Eva Saks.
I want to take a moment and tell you guys about a new website that Peter Bowen, Nick Dawson and I from Filmmaker are involved with. First, the history. In the late Spring of this year Peter and I had several conversations with Focus Features president James Schamus about film websites — what’s good out there, what’s not, and, most specifically, what’s missing from the film blogosphere. James talked to us about his vision of a site that would be dense with original content appealing to both cineastes as well as a more general audience enthusiastic about specialty film. Intrinsic […]
At the recent Monterey Jazz Festval, two film legends — Clint Eastwood and John Sayles — talked about about the blues in an onstage discussion. The clip is below. Eastwood’s love of jazz and blues music is well known and can be felt through his numerous film scores. Sayles’s take on the art form can be best seen in his forthcoming film, Honeydripper, which is one of his best and hits theaters this holiday season.
Sadly, this just in from Adrienne Jones, Treasurer and Membership Director of the Black Documentary Collective: We regret to inform everyone that St Clair Bourne, our founder, has passed away. Details of his passing will follow. Also, information about his memorial service will be sent as soon as we have it. Members have expressed interest in making donations to the family. We would like to contribute money through our BDC/St Clair Bourne fund. If you wish to make a donation, please forward payment to: BDCP.O. Box 610Hamilton Grange StationNew York, NY 10031. In the memo line please write BDC/St Clair […]
Filmmaker‘s Managing Editor, Jason Guerrasio, returned from the film festival in Dubai this weekend and, like most visitors, he was knocked out by the pace of construction there. (See his photo-essays, below). In fact, a discussion of Dubai’s explosive growth — the political, social and design repercussions of such — is a hot topic at the moment, and two very different takes on the build-up of Dubai can be found online. The current issue of Metropolis contains three articles on Dubai, one of seven states belonging to the United Arab Emirates. (Thanks to Bergen Swanson for the link.) The first, […]