Those of you in New York should come down to the IFC Center next Wednesday, January 10, for an evening Filmmaker is co-presenting featuring the very interesting work of animator and artist Brent Green. Coinciding with his solo show at the Bellwether Gallery, the evening will feature Green’s original animations, including his Sundance-bound Paulina Hollers (pictured at right), a Q and A between myself and Green, and films by special guest artists. The show starts at 7:30, and I’ll post more on it next week. For now, though, here’s what I wrote about Green in 2005 when we selected him […]
Indiewire is reporting that Arianna Bocco is moving to IFC. The former acquisitions exec at both Miramax and New Line has, for the last couple of years, been an agent at the Gersh Agency. She’s now been named IFC Entertainment’s New VP of Acquisitions and Production. From Brian Brooks’s report: In her newly appointed role, Bocco is charged with “identifying and pursuing finished feature films that support the company’s overall motion picture acquisition strategy of aggressively growing its theatrical release slate with larger, commercial films,” in addition to “new projects that contribute to a diverse new production slate.” Bocco will […]
William Triplett in Variety reports on a truly alarming development: the levying of fines by the FCC to broadcasters whose program content they deem not justified by story needs. The background: the FCC has issued $3.5 million in fines to 100 CBS stations for their airing of an episode of Without a Trace that included “two brief scenes suggesting a teen sex party, which the commission said was ‘unnecessary’ to the story.” CBS has filed a complaint, arguing “that this is a new assertion of authority that constitutes a ‘deep intrusion into the editorial process.’” The article continues: For the […]
Um, is anyone else out there following the very scary goings on at the FCC these days? I know there’s been a lot to write about — the Oscars, The Passion of the Christ — but the collective entertainment blogosphere has been awfully quiet when it comes to Congress’s proposed changes to the FCC charter. From the Howard Stern/Clear Channel ban to some of the measures detailed in this Washington Post article, risk-taking programming is under siege at the moment. Note the article’s last paragraph: by only one vote, a Senate provision sponsored by Senators Byron Dorgan and Trent Lott […]
Since the late 1990s, Lav Diaz’s cinema has explored the Philippines’ troubled history with colonization, authoritarianism, corruption, poverty, macho-feudalism and the tensions that animate and enliven the sociopaths of today. His durational works are simultaneously a test of patience and spirit and assertions that the stories of Filipinos deserve time and space to unfold in all of its complexities. Diaz’s works paint portraits of good men and women whose morals disintegrate along with their minds, poisoned by the pressures of the world, leading them to commit uncharacteristic acts of violence one would think they are too progressive or too intelligent […]
Andrés Arochi’s cinematic indoctrination began at a Blockbuster Video in Mexico City when he was 12-years old. Stuck at home for the summer after being grounded for his grades, Arochi spent those months binging the offerings in his local Blockbuster’s small section of American arthouse cinema. The next summer he worked for his uncle to save money for his first stills camera. By the time he was 17, Arochi was shooting music videos and beginning to direct experimental films. Now, he’s behind the lens on his first narrative feature Longlegs, the well-received box office hit about an FBI Agent (Maika […]
One of the evergreen questions of filmmaking is: Can cinema make a difference? Usually, the issue is raised in connection with specific movies, such as those championing change, including SeaWorld-skewering doc Blackfish, or better husbandry of the planet. Take one step back, though, and there’s another, perhaps more vital way that cinema can make a difference — by bringing a community together in shared experience and cause. This latter force for good is firmly in evidence at Greece’s Evia Film Project, which has just wrapped its third edition on the island nestled near the mainland a couple of hours from […]
BlackStar Projects, the organization celebrating visionary Black, Brown and Indigenous film and media artists, announced today the full program for its 2024 BlackStar Film Festival. This 13th edition of BlackStar takes place August 1 – 4 at Philadelphia’s Kimmel Center for the Performing Arts, with additional screenings, parties and events at various venues in Center City Philadelphia. Among the highlights are the Opening Night selection, Dreams in Nightmares, writer/director Shatara Michelle Ford’s feature follow-up to their acclaimed Gotham and Spirit Award-nominated debut, Test Pattern. Dreams in Nightmares tells the story of three Black queer femmes on a Midwestern road trip […]
Visit the website of Emmy-winning Milwaukee-based advertising and marketing company SRH, and you’ll be presented with a graphic extolling the firm’s concept of “empirical marketing.” In return for a mailing list signup, a free ebook download promises to teach you how to “burn fat & grow muscle” and to “trim flabby, underperforming campaigns.” And while many of the clients listed on its site hail from the health and wellness space, the lean, low-fat philosophy suggested by the company’s branding can extend to film as well, as Kurt Ravenwood—the “R” in SRH—has proven with the independent adventure comedy hit Hundreds of […]
In Civil War, the United States has splintered into four clashing factions, but if you’re expecting a treatise on the country’s ideological divide from British writer-director Alex Garland, this is not that movie. America’s dysfunction is secondary to examining the toll on the journalists covering the conflict. The story follows a quartet of correspondents (including jaded photographer Kirsten Dunst and green Cailee Spaeny) as they travel to the war’s front in Washington D.C. in hopes of landing an interview with the embattled president (Nick Offerman). Cinematographer Rob Hardy, who’s lensed all of Garland’s projects since the novelist/screenwriter turned to the […]