6295 Results for “Open ”
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“The Easiest Thing to Get People to Do on Film is the Sexual Stuff”: Scott Cummings on His Sundance Doc Realm of Satan
A decade after Buffalo Juggalos, which explored the Faygo-spattered milieu of the Juggalo subculture in his native Buffalo, N.Y., Scott Cummings returns with a full-length immersion into another misunderstood community, the Church of Satan. Realm of Satan, which premieres Jan. 21 in the NEXT section of the Sundance Film Festival, is a deeply collaborative endeavor that adapts the philosophy and practices of the church into a rigorous yet playful visual approach that also takes liberties with observational form through inspired use of VFX. Cummings, who began work on the film in 2016 and persisted through the pandemic, spoke with Filmmaker […]
by Steve Dollar on Jan 21, 2024 -
Sundance 2024: Between the Temples, Seeking Mavis Beacon
It’s rare to see a comedy immediately get going in its first shot as Between the Temples does—no credits, throat-clearing establishing shots or slow unveiling of protagonists, instead a slow zoom out introducing cantor Ben (Jason Schwartzman) being cornered at the dinner table by his moms Meira (Caroline Aaron) and Judith (Dolly De Leon). The two mothers lovingly hector him (this movie operates at dizzying levels of Jewishness), saying it’s time to seek out a doctor for his problem: following the death of his alcoholic novelist wife, Ben is a cantor who can’t sing. This gives Temples a surprisingly normal […]
by Vadim Rizov on Jan 20, 2024 -
“Retain the Depth and the Breadth of This Community”: Editor Nathan Punwar on Sugarcane
Tackling a timely but under-discussed contemporary issue in both the United States and Canada, journalists Julian Brave NoiseCat and Emily Kassie investigate a string of abuses and missing persons cases at an indigenous residential school in Sugarcane. The film, naturally, spends a great deal of time with indigenous peoples, and the filmmakers sought to maintain evidence of the deep culture and community of their subjects. Below, editor Nathan Punwar explains how they reconciled that goal with the need to keep the film moving. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up […]
by Filmmaker Staff on Jan 20, 2024 -
“Finding the Perfect Cottage to Film In” | Megan Park, My Old Ass
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? When I was writing the movie, I remember saying, “I want Elliott’s home to feel like the type of cottage where you are always hearing a screen door slam in the background.” That was such a familiar and memorable sound from my […]
by Filmmaker Staff on Jan 20, 2024 -
“An Unusually High Concentration of Boarding Schools” | Shuchi Talati, Girls Will Be Girls
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required ingenuity, or a map reference that inspired you personally, politically, or creatively? Our film Girls Will Be Girls (World Cinema Dramatic Competition) is a sexual awakening story set in the Indian Himalayan foothills, in an area which is known for its stunning views and an unusually high concentration of boarding schools. As a young girl, […]
by Filmmaker Staff on Jan 20, 2024 -
“Bringing Different Stories Together To Create an Exciting Narrative”: Editors Anne Juenemann and Lisa Zoe Geretschläger on Eternal You
The prospect of creating personal AI avatars to comfort loved ones after death is the premise of Eternal You, a film by co-directors Hans Block and Moritz Riesewieck premiering at the 2024 Sundance Film Festival in the World Cinema Documentary Competition. Below, co-editors Anne Juenemann and Lisa Zoe Geretschläger discuss how they divvied up the workload while being based between Berlin and Vienna, with Block and Riesewieck also splitting their time between the two cities. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your film? What […]
by Filmmaker Staff on Jan 20, 2024 -
“In Some Mysterious Way, the Material Itself Begins To Speak to You”: Editor Amrita David on Girls Will Be Girls
Girls Will Be Girls, the feature debut from writer-director Shuchi Talati, follows a teenage girl named Mira (Preeti Panigrahi) as she navigates her sexual awakening while attending boarding school in the Himalayan mountains. Her domineering mother (Kani Kusruti), however, wishes to put a stop to Mira’s exploration of her autonomous desires. Editor Amrita David, who also cut Alice Diop’s excellent 2022 film Saint Omer, discusses how her Indian heritage and editing intuition proved to be enormous boons to the film’s final form. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up […]
by Filmmaker Staff on Jan 20, 2024 -
“The Rhythms of the Film Mirror Their Artistic Spirit”: Editors Brendan Bellomo & Aniela Sidorska on Porcelain War
When Russia invaded Ukraine, artists Anya Stasenko, Slava Leontyev and Andrey Stefanov chose to stay behind and fight. Along with their friends Brendan Bellomo and Aniela Sidorska in the United States, they have made their feature filmmaking debut documenting their lives during wartime and their art. Below, Bellomo, who served as co-director and editor, and Sidorska, who also produced, explain how they came to shape the film’s narrative and built intimacy with the on-screen subjects while coordinating across three continents. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor […]
by Filmmaker Staff on Jan 20, 2024 -
“My Imagination Was Intimately Connected to the Countryside of My Birth” | Christopher Jenkins, 10 Lives
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? I’m from the U.K., but have lived in the States for 30-something years. And while I’m thoroughly glued into my life in Los Angeles, I’ve yet to go completely native. Still, to this day when writing, I unconsciously lean into the values I […]
by Filmmaker Staff on Jan 20, 2024 -
“The Audience Must Be Transported Here to Feel What It’s Like”: DP Andrey Stefanov on Porcelain War
Although artists by trade, Ukrainians Slava Leontyev, Anya Stasenko and Andrey Stefanov opted to help their countries fight off the Russian invasion. Their lives, their continued passion for their art and their country are now the subject of Porcelain War, co-directed by Leontyev and Brendan Bellomo, the latter of whom is based in the United States. Below, Stefanov, who also served as the film’s cinematographer, discusses making a film about war-torn Ukraine and the place of the filmmakers within it and how they managed to do it across two continents. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: […]
by Filmmaker Staff on Jan 20, 2024
