Open | Filmmaker Magazine

“BIGGER, STRONGER, FASTER*” co-writer-director, Christopher Bell

This film is an exploration into why people use steroids, but we live in a time where steroids are an extremely taboo subject. As we were making the documentary, we were frustrated because we kept hitting roadblocks with people not wanting to talk honestly about their relationship with steroids. Even one of my best friends lied to me on camera. While we were shooting interviews for the film we would have liked 10 percent more honesty from many of the people involved in the steroid issue. However as we were editing the film, we realized that the fact that people […]

by Jason Guerrasio on Jan 15, 2008

WINTER ISSUE AND SUNDANCE AROUND THE CORNER

For those who just read the blog, check out the main page all this week as we’ll be highlighting the responses we got from many of the filmmakers with features at this year’s Sundance Film Festival as they answer the question: if you had 10 percent more of anything, what would it be and why? The responses are also in our Winter issue, which will premiere at Sundance (hits newsstands a week later) and also includes interviews with Paul Thomas Anderson on There Will Be Blood, Alex Gibney talks about his latest doc Taxi To The Dark Side and author […]

by Jason Guerrasio on Jan 14, 2008

THE HERMENEUTICS OF THE MYSTERY BOX

Lost creator and Cloverfield producer J.J. Abrams spoke at the TED conference about his creative process, which he symbolizes at one point by displaying a “mystery box” from New York’s Tannen’s Magic. Last April Abrams spoke to the New York Times about the “mystery box” and described it thusly: Prized possession: I have a mystery box from Tannen’s Magic in New York. It’s a cardboard box with a question mark printed on it. It’s one of those things you buy for $15 and they advertise that it has at least $20 worth of stuff inside. I’ve never opened it. I […]

by Scott Macaulay on Jan 10, 2008

A WHOLE LOT OF GREEN

Filmmaker, performer and musician Brent Green, one of Filmmaker‘s 2005 25 New Faces of Independent Film, sent an email with all of the exhibitions and performances he’s planned for the next couple of months. If you haven’t seen his intense and theatrical live performances, in which he collaborates with musicians for a live score and, in the process, comes up with a different model of independent film exhibition, I highly recommend you check one of them out. A recent performance clip is embedded below, and here’s the email: On Jan. 11th I’ll be screening all of my films with live […]

by Scott Macaulay on Jan 7, 2008

Juan Antonio Bayona, The Orphanage

THE GHOSTLY TOMÁS (ÓSCAR CASAS) IN DIRECTOR JUAN ANTONIO BAYONA’S THE ORPHANAGE. COURTESY PICTUREHOUSE. Though he looks and dresses like he’s still a teenager, behind Juan Antonio Bayona’s youthful appearance hides a mature and sophisticated cinematic sensibility. The 32-year-old Barcelona native has a passion for movies that first led him to become a precocious journalist, and then to study directing at film school. Since graduating, he has built a formidable reputation making a series of acclaimed commercials, pop promos for Spanish artists such as Hevia, Ella Baila Sola, Camela and OBK, and two short films, Mis Vacaciones (My Holidays) (1999) […]

by Nick Dawson on Dec 28, 2007

Rising Voices

In Denzel Washington’s second directing effort, the Oprah Winfrey produced The Great Debaters, he takes what he learned from his debut, Antwone Fisher, and uses it to make the inspirational true story of one small all-black school’s rise to the top of the college debating ranks in the Jim Crow South. Washington also stars in the film as the rebellious Melvin B. Tolson. Known for his American Modernist poetry and a contemporary of the Harlem Renaissance, in the ‘30s Tolson was a professor at Wiley College in Marshall, Texas. There he coached the debate team and in 1935 his team […]

by Jason Guerrasio on Dec 21, 2007

SALON RECAPS THE INDIE YEAR

Writing in Salon, Andrew O’Hehir captures what a lot of people are thinking: it wasn’t a bad year for movies, but when it comes to independents, the long-form theatrical experience may be on its way out. There are no grand conclusions here, but O’Hehir talks to the right people — IFC’s Jonathan Sehring, Killer Films’ Christine Vachon, Milos Stehlik of Facets — in his attempt to assess the healthiness of independents surviving on the other side of the mini-major divide. An excerpt: Milos Stehlik, director of the Chicago-based video distributor and art-house proprietor Facets Multi-Media (which occasionally dabbles in theatrical […]

by Scott Macaulay on Dec 20, 2007

WITNESSING HISTORY

As today is Human Rights Day, the 49th anniversary of the U.N.’s adoption of the Universal Declaration of Human Rights, it’s a good time to link to Witness.org, the organization founded by musician Peter Gabriel that, as it explains on its home page, “uses video and online technologies to open the eyes of the world to human rights violations. We empower people to transform personal stories of abuse into powerful tools for justice, promoting public engagement and policy change.” Witness recently launched The Hub, which it calls “the first global platform dedicated to human rights media and action.” This section […]

by Scott Macaulay on Dec 10, 2007

DUBAI INTERNATIONAL FILM FESTIVAL: THE BEGINNING

It’s my first day here in Dubai and my initial observations are the obvious ones: beautiful sights, impeccable service and construction (I mean a lot!). For those who don’t know a lot about this jewel of the United Arab Emirates, imagine Las Vegas before it became the tourist trap it is now, but instead of it built on mob money, this playground for adults is blossoming from the wealthy sheiks whose palaces are buried behind high gates along the coast. The picture above (not taken by me, but my images will appear in future posts) highlights the coast with Dubai’s […]

by Jason Guerrasio on Dec 10, 2007

Jennifer Venditti, Billy The Kid

BILLY PRICE, THE STAR OF DIRECTOR JENNIFER VENDITTI’S DOCUMENTARY BILLY THE KID.COURTESY ELEPHANT EYE FILMS. You might say that Jennifer Venditti is a people person. After starting out as a fashion stylist, she moved on to casting where she distinguished herself as someone with an eye for the unconventional as well as the beautiful. In 1998, she started JV8inc, a New York-based casting company working in fashion, commercials and film, which has become known for its use of street scouting, finding “real” people for campaigns or movies by going out and pounding the pavements. Since starting JV8, Venditti has worked […]

by Nick Dawson on Dec 7, 2007

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