Open | Filmmaker Magazine

BLOGLESS AND CLEARANCES

I haven’t been posting much recently due to an overall work crunch — the putting to bed of the new Fall issue of Filmmaker, and two new films my company is producing both going into production. Hopefully I’ll get back into the blogging swing of things in the next few days, but I couldn’t help posting this piece in Variety about Paul Dinello’s film Strangers with Candy. According to the trade, Warner Independent is not releasing the film, which was slated to open October 21, “out of concern that the producers didn’t secure all the needed rights, including for such […]

by Scott Macaulay on Oct 11, 2005

IMMUNE SYSTEM

One of my favorite artist/photographer/music video directors, Floria Sigismondi, has massively updated her website with news of her forthcoming photography book, Immune (click through the opening image to get to photos from the book), as well as streamed versions of many of her videos, including her recent clip for The White Stripe’s “Blue Orchid.

by Scott Macaulay on Sep 25, 2005

FACT-FINDING MISSION

Perhaps my favorite doc this year is Garrett Scott and Ian Olds’ Occupation Dreamland, which opened this weekend at the Cinema Village in New York along with screens in Portland, Boson, D.C., and Berkeley. It’s an essential piece of filmmaking for anyone wanting to learn more about the war in Iraq and its aftermath. Scott, who was one of our “25 New Faces” back in 2002, and Olds previously collaborated on Scott’s incredible short doc Cul de Sac. That earlier film used the story of one man’s mental breakdown (the tale of a San Diego man who stole a tank […]

by Scott Macaulay on Sep 25, 2005

TEENAGE WASTELAND

Evan Rachel Wood, who I think will be the current teen star to have the most substantive film career, has the pretty terrible Pretty Persuasion opening this weekend, but if you’re a fan I’d head over to Crooks and Liars where they are hosting a Sammy Bayer/Green Day video, “Wake Me Up When September Ends”. With classic Aerosmith and Nirvana videos, Bayer has made a career of glossily capturing the American teen experience. Here he does it again with Wood and Jamie Bell playing out a drama that is a new reality for many of today’s kids..

by Scott Macaulay on Aug 13, 2005

PARTY CRASHER

I’ve only recently glommed on to The Reeler, a new blog hosted by Indiewire, and I have enjoyed editor S.T. VanAirsdale’s (really!) funny and sometimes combative take on our industry. So I was sorry not to bump into him at our Filmmaker “25 New Faces” launch party last week. In his blog he asks readers to email him if they actually spotted a real live filmmaker at the soiree since he didn’t see one there other than a few friends of his. Well, S.T., sorry you didn’t make it to the V.I.P. room, but I was back there chatting with […]

by Scott Macaulay on Aug 11, 2005

IT’S HARD OUT HERE FOR A PIMP

I don’t do much Monday-morning box-offiice opinion on this blog because too many others do it far better and far more obsessively than I’d ever be able to. That said, I’m pretty surprised that in its second week Hustle and Flow, which is our cover story this month in Filmmaker, fell out of the top ten with an estimated 50% drop to $4 million from its only okay opening of $8 million last weekend. Honestly, I had Hustle pegged as a crossover mainstream hit, and when I hung out a couple weeks ago with a studio exec friend, we made […]

by Scott Macaulay on Aug 1, 2005

THE PUPPET MASTER

A few years ago I had the good fortune to be offered an amazing trip by the Italian Trade Commission. A half a dozen producers were invited to tour the Umbria region of Italy as well as Rome over the course of a week. There were great sights, great food, great hotels, great people. At one stop we were interviewed by a local paper who wanted to know our thoughts on Italian film. I riffed off my (somewhat obvious) favorites: Antonioni, Fellini, Pasolini, Argento and Leone. The latter two caused the journalist to laugh at my low-brow tastes. I was […]

by Scott Macaulay on Jul 30, 2005

TO WALK NEXT TO ONE’S SHOELACES IN AN EMPTY FRIDGE

I just returned from the opening of filmmaker Chantal Akerman’s new installation, To Walk Next to One’s Shoelaces in an Empty Fridge, at the Marian Goodman Gallery on 57th St. in New York. It’s a really beautiful work, and anyone interested in the Belgian filmmaker or autobiographical media art in general should make an effort to check it out. The installation takes place in two rooms. In the first, text fragments from an autobiographical writing Akerman published last year are projected on a scrim which scrolls inward within the space like a gossamer Richard Serra sculpture. In the second, a […]

by Scott Macaulay on Jul 8, 2005

THE SKIN GAME

Filmmaker has been on press the last week so that has meant that we’ve been slacking on the blog. But one of the things I’ve been meaning to post about is the government’s new “2257” regulations which, on the sheer basis of their audacity, should be provoking outrage in the independent world. Strangely, though, our indie sector has been quiet on this government intrusion on content creators, probably because it specifically targets adult entertainment. Anyway, this Newsday editorial does a far better job than I could have explaining why you should care about these new regulations. Here’s an excerpt: “Regardless […]

by Scott Macaulay on Jul 7, 2005

JOHN VANCO, FILM PROGRAMMER, OCCASIONAL CONTRACTOR

On the opening weekend of the IFC’s new IFC Center (which a friend reported was packed out for the opening of Miranda July’s Me and You and Everyone We Know), the folks at Gothamist have posted an interview with our friend John Vanco, the chief programmer for the theater. Vanco talks a lot about film and outlines an exciting vision for the theater, and he also reveals a past life as a carpenter when asked about the theater’s construction delays: “My background as a carpenter is an awfully obscure fact and fading memory — that was a long time ago. […]

by Scott Macaulay on Jun 18, 2005

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