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“Day Car Work on Stage is Really Tough”: DP Larkin Seiple on Wolfs
It seems strange to call a $100-plus million dollar Brad Pitt and George Clooney movie a return to a director’s roots, but in a way that’s exactly what Wolfs is for Jon Watts. Like his breakthrough feature Cop Car—a spartan and sinewy 2015 neo-noir made for $800,000 that impressed Marvel enough to land Watts a trio of entertaining Spider-Man movies—Wolfs is a lean, propulsive story that unfolds in a single day with no use for superfluous exposition. Clooney and Pitt star as lone wolf fixers who reluctantly team up when a tough-on-crime district attorney (Amy Ryan) ends up with a […]
by Matt Mulcahey on Oct 4, 2024 -
Illness and Empathy: San Sebastian Film Festival 2024
If San Sebastian Film Festival director José Luis Rebordinos ever wanted to choose a poster child for how the new voices of today can become the established veterans of tomorrow, he could do a lot worse than Pedro Almodóvar, whose debut Pepi, Luci, Bom and Other Girls Like Mom played at the festival back in 1980. At this year’s 72nd edition, during which Almodóvar turned 75, he was back in the northern Spanish coastal city to receive a lifetime Donostia Award and show his latest film, The Room Next Door. At the award ceremony, Almodóvar was given the prize by […]
by Amber Wilkinson on Oct 2, 2024 -
“North Dakota is Trump Country Today”: John Hanson and Rob Nilsson on the 4K Restoration of Northern Lights
It would be easy to call 1979 a red letter Cannes for New Hollywood: Apocalypse Now got Francis Ford Coppola his second Palme d’Or (split with Volker Schlöndorff for The Tin Drum), Terrence Malick received Best Director for Days of Heaven. Outside of the spotlight of official competition, another American film playing in the International Critics’ Week walked away with the second ever Camera d’Or for best first feature. Directed by John Hanson and Rob Nilsson, Northern Lights returned the pair to their North Dakota roots by documenting 94 year-old Henry Martinson, a socialist organizer instrumental in the victory of […]
by Alex Lei on Oct 2, 2024 -
Cap’n Crunch and the Serial Killer: John McNaughton on His Career
Currently underway at the the Nitehawk Cinema in Prospect Park, “Portraits of Wild Things: The Films of John McNaughton” is a long overdue retrospective of the Chicago-based filmmaker of Henry: Portrait of a Serial Killer (1986). Like The Texas Chain Saw Massacre (1974), I’ve always felt that the most exploitative aspect of McNaughton’s film was its title—it sounds like something you shouldn’t take joy in watching even if you’re even depraved enough to seek it out in the first place. Critically praised upon its (much delayed) release, Henry provided McNaughton with a path to mainstream success, even as the filmmaker […]
by Erik Luers on Oct 2, 2024 -
The Gotham Pages: Community News
It’s that time of year again. Fall is setting in, with cooler temperatures and a flurry of exciting film and media events on the horizon. Chief among these is Gotham Week’s Project Market, the nation’s oldest and largest marketplace for film and TV creators, slated for September 30 to October 4. Mark your calendars and dive in below to learn more about some of the filmmakers joining us for a week focused on filmmaking, connecting and relationship-building. This issue, we’re highlighting the standout filmmakers and media creators of our first-ever Branded Storytelling Initiative. Amandla Baraka is a self-taught commercial director […]
by Filmmaker Staff on Oct 1, 2024 -
The Gotham Pages: Tahira White is Building an Accelerator for Branded Content Storytellers
19th & Park is a lot of things—a creative marketing hub, a branding and production powerhouse—but perhaps equally important is what it’s not. Tahira White, the agency’s co-founder and president, will be the first to tell you that 19th & Park isn’t interested in the linear approach of traditional agencies. Instead, it does its business holistically, taking a 360-degree approach to working with brands by offering creative direction, social media strategy, robust production and more—all while foregrounding underrepresented talent in front of and behind the camera. For White, who started her career in media at Hearst before segueing into production […]
by Dessane Lopez Cassell on Oct 1, 2024 -
The Gotham Pages: Lulu Wang on Creating Storytelling Ecosystems Abroad
Writer/Director Lulu Wang has been shooting film and TV overseas since her debut feature Posthumous (2014). The American-German co-production tells the story of a Berlin-based artist who finally finds his audience when the media mistakenly reports him dead. Wang then shot her sophomore hit, The Farewell (2019), between New York and Changchun. The themes and plot of that film—in which the obstinate individualism of a Chinese-American writer (Awkwafina) abrades her family’s collective sense of responsibility when she reunites with them in northern China—is reflected in the film’s co-production model, for which an American and Chinese cast and crew converged. These […]
by A.E. Hunt on Oct 1, 2024 -
“There’s a Lot about ‘The Watcher’ and This Third Party in What We Do”: Will Janowitz, Back To One, Episode 311
Straddling the line between outsider artist and full-fledged Hollywood sellout, Will Janowitz has always found solace working both sides of the industry. With work ranging from Troma films to Ang Lee’s Taking Woodstock to The Sopranos, he’s made a career of always doing the unpredictable. This year two films he produced, and one he wrote, will make their festival run; Bang Bang starring Tim Blake Nelson and the later, Train Dreams, starring Joel Edgerton and Felicity Jones directed by Clint Bently. On this episode he talks about his improvisational sweet spot and how it rests in the heart of danger […]
by Peter Rinaldi on Oct 1, 2024 -
Previewing the 2024 Gotham Week Project Market, Expo and Honors
Returning following a one-year hiatus precipitated by the WGA strike is the Gotham Week Project Market, which runs today through October 4 at the Brooklyn Navy Yards. (The final Expo day on branded content will take place at Soho Works.) Produced by The Gotham Film & Media Institute, Filmmaker’s publisher, the Gotham Week Project Market is the latest iteration of the non-profit’s annual event, which began as the Independent Feature Film Market in 1979, when the organization was known as IFP (the Independent Feature Project). Originally a showcase presenting finished films to buyers, the event has morphed several times over […]
by Scott Macaulay on Sep 30, 2024 -
Trailer Watch: Andrew Norman Wilson’s “It’s Not What the World Needs Right Now”
Earlier this year, filmmaker Andrew Norman Wilson (profiled as part of our 25 New Face of Independent Film list in 2021) published an essay in The Baffler about his struggles to get his work financed, made and seen. Entitled “It’s Not What the World Needs Right Now,” the (mostly) comic essay made enough of a splash that Wilson has subsequently presented it (in New York, Los Angeles and Locarno) as a live one-man show while dressed as Abraham Lincoln. Now the presentation form returns to New York’s Metrograph this Friday, and we’re pleased to share Wilson’s trailer for the event, […]
by Filmmaker Staff on Sep 30, 2024
