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TIFF 2022: Walk Up, Dry Ground Burning and Other Festival Content
Unknown Wonders—a Bulgari ad (or, as the fashion house would have it, “brand film”)—was the second sponsor bumper before every public screening at this year’s TIFF. The first time I saw it, the credit “Anne Hathaway” was unsurprising enough, but being followed by one for Zendaya and “A film by Paolo Sorrentino” had a Family Guy mad libs quality. I laughed helplessly and instantly hated it, even though (or especially because) it’s a predictable commercial in which two stars vibe at a luxurious Italian villa. The assignment perfectly fits Sorrentino’s sensibility, down to a peacock entering the frame, and hence partially […]
by Vadim Rizov on Sep 19, 2022 -
IBC Show 2022: The Fresh Gear Filmmakers Should Know About
IBC Show was back in full swing with its familiar multi-day in-person event, with more than 37,000 smiling faces eager to attend the festivities. The Amsterdam gala is like no other trade show in the industry, pinning studios, media entertainment companies, tech innovators, software providers, filmmakers and creators under one roof. You can literally have a meeting with Google or Amazon AWS in the morning, then learn about the latest offerings from Canon, Sony or Avid in the afternoon. Similar to this year’s NAB Show and Cine Gear Expo LA, the future of technology was a buzzy topic on the […]
by Daron James on Sep 19, 2022 -
Filmmaker Hosts Conversations During Gotham Week Conference
Filmmaker is hosting four conversations next week at The Gotham’s Gotham Week Conference, all with filmmakers who have recent films we love and have covered extensively at Filmmaker. And, these talks are free to public. Three are in person at Brooklyn Navy Yards, and the fourth is on Zoom. RSVP by clicking on the links below. On Monday at 10:30 AM, I’ll be speaking with DEDZA founder Kate Gondwe, one of our 25 New Faces last year, about the distribution of Saul Williams’s and Anisia Uzeyman’s Neptune Frost, and particularly about the specialized techniques used to broaden the reach of this […]
by Scott Macaulay on Sep 16, 2022 -
IDA Selects 20 Fellows for Its Inaugural Getting Real Fellowship Program
The International Documentary Association (IDA) announces the 20 fellows selected for its inaugural Getting Real Fellowship program. This new initiative is specifically geared towards highlighting emerging and mid-career documentary professionals. The program provides fellows with the opportunity to attend the biennial Getting Real conference, the world’s largest industry conference for documentary practitioners. As part of the fellowship, IDA covers costs concerning airfare, lodging and registration. It also provides fellows a unique communal path through the conference. They will share meals together, attend a celebratory reception and participate in curated meetings with industry delegates. Even after the conference concludes, fellows continue […]
by Filmmaker Staff on Sep 16, 2022 -
“Emotional Heartbreak Can Be Dangerous”: Ti West on His Technicolor X Prequel Pearl
Pearl, Ti West’s prequel to the 70s slasher-inspired X, is a far more claustrophobic study of psychological ruin and bodily decay than it is a gory exercise in picking off victims one by one. Unburdened by the heavy prosthetics and dual role that defined her performance in X, star and co-writer Mia Goth, that film’s de facto villain, gives a gloriously unsettling performance as the now titular character depicted during her early 20s in 1918. Pearl lives under the domineering thumb of her German mother Ruth (Tandi Wright), cares for her Spanish flu-stricken father (Matthew Sunderland) and desperately yearns for […]
by Natalia Keogan on Sep 16, 2022 -
The Gotham Film & Media Institute Appoints Four New Members to Board of Directors
With the 2022 Gotham Week Conference and Expo just a few days away, The Gotham Film & Media Institute (formerly IFP, and Filmmaker’s publisher) has announced four new members to its Board of Directors. Joining the organization are actor Jonathan Majors, actor Stephanie March, entrepreneur and women’s advocate Dee Poku, and entertainment strategic marketing and PR executive Lisa Taback. “We are thrilled that these four brilliant media and entertainment veterans are bringing their unique perspectives and expertise to The Gotham’s board,” Jeffrey Sharp, Executive Director of The Gotham Film & Media Institute, said in a press release. “As we find […]
by Filmmaker Staff on Sep 16, 2022 -
Trailer Watch: Park Chan-wook’s Decision to Leave
South Korean director Park Chan-wook returns six years after The Handmaiden with Decision to Leave, a romantic thriller that won him the Best Director prize at the Cannes Film Festival earlier this year. A new trailer has been released ahead of the film’s forthcoming screening at the New York Film Festival. Thought plot details are best kept sparse, the trailer hints at palpable chemistry between a detective and a recently-widowed woman. When investigating the death of a man who has fallen off of a mountain, said detective (Park Hae-Il) decides to question the deceased’s “young, beautiful and foreign” wife (Tang […]
by Filmmaker Staff on Sep 15, 2022 -
“I Tried to Make the Film So Everyone Can Find Their Own Bowie”: Brett Morgen on Moonage Daydream
Documentary innovator Brett Morgen once again pushes the boundaries of creative non-fiction filmmaking with his latest doc, Moonage Daydream. Morgen was given access by the artist’s estate to over five million works in the archive — music, film clips, artwork, musings, interviews, photographs and recordings, some of which have never before been seen or heard. The resulting two hour and 20 minute-long film is a kinetic, sometimes euphoric tribute to Bowie and his multitude of stage personalities, career offshoots, and personal reflections. As with his other archive-based work (Jane, Cobain: Montage of Heck), Morgen’s approach is unconventional. Utilizing some of the alternative forms […]
by Tiffany Pritchard on Sep 15, 2022 -
“What if the Worst Thing That Could Happen Actually Happened?”: Director/Co-writer Christian Tafdrup on Speak No Evil
Two European families—one Danish, one Dutch—meet during a picturesque Italian vacation in Christian Tafdrup’s Speak No Evil. Their bond is immediate, and soon enough the Dutch couple enthusiastically invite the Danes to visit them in Holland. The gesture is friendly enough, but the sincerity of the statement isn’t necessarily taken at face value. Shortly after the Danes—Bjørn (Morten Burian), Louisa (Sidsel Siem Koch) and their daughter Agnes (Liva Forsberg)—return to their well-kept abode, they receive a postcard in the mail. As it turns out, the Dutch family was completely serious about their offer, inviting them to visit their home in […]
by Natalia Keogan on Sep 14, 2022 -
“It’s Not Funny if It’s Not Bright”: Greg Mottola on Confess, Fletch
I read Confess, Fletch for the first time in high school and, ever since, it’s remained a personal favorite. That often surprises people when I tell them that, not least because the name “Fletch” is less associated with Gregory Mcdonald’s genuinely funny novels than Chevy Chase’s considerably goofier incarnation of the journalist-sleuth in 1985’s Fletch and 1988’s Fletch Lives. The original Fletch adaptation essentially retains the structure and basics of Mcdonald’s original but changes the tone to better suit Chase. For better and worse, Mcdonald’s books string together often hilarious dialogue exchanges with aspirationally Hemingway-esque connective prose; they work better when the emphasis is on […]
by Vadim Rizov on Sep 14, 2022
