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“I Don’t Feel Comfortable Making Cinema That Gazes From Afar”: Tatiana Huezo on The Echo
Located within the Mexican municipality of Chignahuapan in the state of Puebla, the rural village of El Eco acts as a microcosm for various stages of life and the oft-small moments that herald them in filmmaker Tatiana Huezo’s documentary of the same name. The Salvadoran-Mexican filmmaker weaves together intimate scenes among three local families, exploring themes of gender, labor and generational shifts in attitude amid a sprawling and bucolic—yet unpredictably volatile—stretch of Mexico’s highlands. The Echo is Huezo’s fifth feature, marking her return to nonfiction storytelling after helming her 2021 debut narrative film Prayers for the Stolen. With this transition, […]
by Natalia Keogan on Mar 14, 2024 -
Back To One, Episode 282, Ben and Suzanne, A Reunion in 4 Parts star Anastasia Olowin On the 10-Year Journey to Bring the SXSW Hit to the Screen
The Brooklyn-based actor Anastasia Olowin stars in Shaun Seneviratne’s Ben and Suzanne, A Reunion in 4 Parts, which just had its world premiere at the SXSW Film Festival. She has such a command of the screen and brings so much life to her character, it’s hard to believe this is her first feature film. On this episode, she takes us back to her training at NYU’s Experimental Theater Wing, her eight years producing and acting in new work for the stage, and the 10-year journey to bring Ben and Suzanne to the screen. She talks about the collaborative process at […]
by Peter Rinaldi on Mar 12, 2024 -
“On Our First day It Was 100°, and It Basically Went Up From There”: Writer/Director Shannon Triplett On Her SXSW-Premiering Psychological Thriller, Desert Road
A woman, a car, a gas station and a factory — from this minimalist set of locations Shannon Triplett has crafted a surprising work of supernatural suspense in her writing and directing debut, Desert Road, which premiered this weekend at the SXSW Film Festival. Kristine Froseth is the woman, a 20-something would-be professional photographer on a solo trip. When her car’s tire blows out on the ribbon-like highway, she’s momentarily dazed before coming to and walking back to that gas station to call for help. In a chilling and quickly rendered series of events, she realizes that help is not […]
by Scott Macaulay on Mar 11, 2024 -
Watch: Devan Scott’s “The Holdovers, the ‘Film Look’, and Why it Matters” — The Video
One of Filmmaker‘s most popular articles last month was Devan Scott’s “The ‘Film Look’ and How The Holdovers Achieved It.” Of course, any discussion of cinematography and color grading is immensely aided by the actual visuals, and now Scott has made an hour-long essay video based on that article. Check it out above.
by Scott Macaulay on Mar 10, 2024 -
11 Films and VR Experiences We’re Looking Forward to at the 2024 SXSW Film Festival
With the SXSW Film Festival kicking off today in Austin, here are 11 works we’re particularly excited about and believe worthy of recommendation. The festival runs through March 16. Babes. Actress Pamela Adlon, especially beloved by this writer for voicing the endearingly “not right” Bobby on King of the Hill, world premieres her directorial debut at this year’s SXSW. From a script by Ilana Glazer and Josh Rabinowitz, Babes charts the unexpected (and perhaps actively resisted) growth of chronically single woman Eden (Glazer) when she discovers she’s become pregnant from a one night stand. Desperate for direction, Eden immediately seeks […]
by Scott Macaulay on Mar 8, 2024 -
“We Wanted the Film to be Available for Free”: Kris Bowers & Ben Proudfoot on the Oscar-Winning The Last Repair Shop
On an unassuming downtown block, the Los Angeles Unified School District (L.A.U.S.D.)’s Musical Instrument Repair has excelled for many years. A big fuss is never made by tireless employees (former musicians or quick learners who grew on the job) working long hours while tending to the wear-and-tear of damaged instruments public school students have relied on. Arts programs are severely neglected and underfunded in the United States; this repair facility—essentially a warehouse with minimal lighting but hundreds of tools and thousands of spare parts—provides an essential if underappreciated essential service. Hoping to enhance the visibility of these dedicated craftsmen, Ben […]
by Erik Luers on Mar 8, 2024 -
Exclusive Clip: Katie Mathews’s SXSW-Premiering Roleplay
Plenty of — and perhaps too many — nonfiction films today borrow from dramatic storytelling, but that synthesis of documentary and drama is the productive premise of Katie Mathew’s feature documentary debut, Roleplay. A group of Tulane University students collaborated with Mathews to create an immersive play drawn directly from their own experiences of, according to the press release, “sexual violence on college campuses, from the codes of silence, the isolation of people of color, the homophobia, the way Greek Life rules the social order, and the lack of guidance regarding issues like rape, racism, addiction, and trauma.” It’s project […]
by Scott Macaulay on Mar 8, 2024 -
“Any Independent Film Is a Miracle These Days”: Alice Lowe on SXSW 2024 Premiere Timestalker
World premiering at this year’s SXSW, writer-director-star Alice Lowe’s sophomore feature Timestalker certainly feels like it’s been a long time coming. Arriving eight years after Prevenge, her 2016 debut that she shot and starred in just weeks before giving birth to her eldest daughter, Lowe’s latest was stalled for a slew of reasons—motherhood, COVID, involvement in other projects—but Timestalker’s extended development served to sharpen Lowe’s filmic instinct while shooting, resulting in an ambitious, blood-spattered time loop rom-com more aesthetically and thematically assured than its 22-day shoot may have initially allowed for. Lowe stars as Agnes, an ordinary woman who we […]
by Natalia Keogan on Mar 8, 2024 -
The Sadean Horror of the Non-Profit Industrial Complex: Artist and Filmmaker Charles de Agustin on Mission Drift
The precarious and conflicted economics of non-profits — both material and libidinal — are the subject of artist and filmmaker Charles de Agustin‘s short narrative essay film Mission Drift, which, over the past year, has screened at festivals, art spaces and microcinemas in conjunction with panel discussions that are integral to the piece itself. (Writes D’Augustin on his website, “The medium of Mission Drift is described as ‘video and discussion:’ the work may only be publicly presented if it is followed by a robust audience discussion on the issues at hand, structured in consultation with the artist if he is […]
by Scott Macaulay on Mar 7, 2024 -
Los Angeles Festival of Movies (LAFM) Announces Inaugural Lineup for April 4-7, 2024
Co-founded by Micah Gottlieb and Sarah Winshall, the inaugural edition of the Los Angeles Festival of Movies is slated to take place this April 4 through 7 in venues across east Los Angeles. Today, the festival announced its inaugural lineup, including selections from former 25 New Faces of Film Lev Kalman and Whitney Horn (recently interviewed by Jordan Cronk about their new film, Dream Team) and Artemis Shaw and Prashanth Kamalakanthan. Below, find the full line-up with descriptions from the festival’s press release. Official Selection Dream Team, dir. Lev Kalman & Whitney Horn Gasoline Rainbow, dir. Bill Ross IV & […]
by Filmmaker Staff on Mar 7, 2024
