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“I Feel Like I’m Still Young Enough To Be a Fairly Humble, Malleable Student, and Old Enough To Be a Badass Teacher.” Mario Van Peebles, Back To One, Episode 280
Heartbreak Ridge put him on the map as an actor, New Jack City as a director, and with Posse, the 1993 hit Western he directed and stars in, Mario Van Peebles secured his place as a celebrated actor/director with countless credits, over the next 30 years, on the big and small screen. His latest is another star-filled, super fun western called Outlaw Posse. On this episode, he talks about the importance of discovering the tone of the project, how his love of learning leads to his desire to make “edutainment,” ways his acting experience informs his work as a director, […]
by Peter Rinaldi on Feb 27, 2024 -
“I Want All The Lesbian Experiences I Can See On Film”: Tricia Cooke on Drive-Away Dolls
Directed by and co-written with collaborator and husband, Ethan Coen, filmmaker and editor Tricia Cooke’ Drive Away Dolls (or Dykes, per the end credits) finds her doing sapphic donuts around classic movies like Kiss Me Deadly and even a little North By Northwest. As Jamie (Margaret Qualley) and Marian (Geraldine Viswanathan) decide to take a trip to Tallahassee, they’re dogged by inept criminals seeking a package and suitcase in the back trunk of the car the pair have rented. If the road trip movie and film noir have long been exercises to explore the American psyche and the landscape’s possible […]
by Kyle Turner on Feb 27, 2024 -
“We Always Sought Out Photos with Movement”: Klára Tasovská on Her “Nan Goldin of Soviet Prague” Doc I’m Not Everything I Want to Be
”The only way to survive is to take photos,” declares Libuše Jarcovjáková, the iconoclastic star/narrator/guide of Klára Tasovská’s visually arresting (and eye-catching titled) I’m Not Everything I Want to Be. Nominated for the Teddy Documentary Award at this year’s Berlinale, the all-archival film is a globetrotting, black and white trip back in time (primarily to the 80s and 90s) viewed entirely through the rebelliously inquisitive eyes of this “Nan Goldin of Soviet Prague” (in the words of curator Sam Stourdzé). And words. For not only did Jarcovjáková obsessively collect images of both her defiantly unglamorous self and her decidedly adventurous life, […]
by Lauren Wissot on Feb 24, 2024 -
Doc Fortnight 2024: The Axis of Big Data, Preemptive Listening, Small Hours of the Night, Silence of Reason
MoMA’s annual Doc Fortnight begins as the Berlinale winds down, allowing the fest to grab freshly premiered titles from there, Rotterdam and Sundance (from the latter, opening night selection Realm of Satan, Soundtrack to a Coup d’Etat and Black Box Diaries). This year’s 23rd edition has 13 features, six shorts and three “evenings with”; I was able to sample about half of the work one way or another. Days after Zhou Tao’s The Periphery of the Base Berlinale premiere, his conceptually immaculate The Axis of Big Data makes its North American premiere here. The milky grey background of the opening […]
by Vadim Rizov on Feb 22, 2024 -
Sundance Institute Announces 2024 Momentum Fellows
The Sundance Institute announced today the eight storytellers who comprise the 2024 Momentum Fellows cohort. Led by the Institute’s Women at Sundance and Artist Accelerator programs, the fellowship “specifically targets mid-career artists hailing from historically marginalized backgrounds, offering them tailored support and resources.” From the press release: The fellowship supports creators working in fiction or nonfiction who have recently achieved a noteworthy accomplishment, such as a highly regarded feature film or series. Momentum provides participants with a full-year program of customized support around current goals they identify for themselves to level up in their craft and career, including an unrestricted […]
by Filmmaker Staff on Feb 22, 2024 -
“My Endless Struggle is for Utter Honesty on Film”: John Magaro, Back To One, Episode 279
John Magaro has been delivering consistently stellar performances in films like Not Fade Away, The Big Short, Carol, First Cow, and Showing Up, to name a few. This past year he played Arthur, husband of Greta Lee’s character Nora, in Past Lives. On this episode he talks, spoiler-free, about the last scene of that film and why it makes people emotional. He explains how receiving books, music, photos from directors helps in his preparation. He makes the case for experience over academia, takes us back to a big breakthrough that came to him from the legendary acting teacher Howard Guskin, […]
by Peter Rinaldi on Feb 20, 2024 -
Rotterdam 2024 Critic’s Notebook: A Spoiling Rain, The Ballad of Suzanne Césaire, Under a Blue Sun and 102 Narra
The International Film Festival Rotterdam has always been something of a grab bag. This year, at the 53rd edition, the Dutch festival showed 424 films across its various programmes — a reduction from past years due to widespread budget cuts. Still, 424 films (including 183 world premieres) is a mammoth undertaking for any one film critic at a major festival lacking an intuitive method of whittling down a schedule. This is especially true for international press less interested in the trickle-down from Cannes or Venice — Agniezka Holland’s audience award-winner Green Border, Bertrand Bonello’s The Beast, and Alice Rohrwacher’s La […]
by Beatrice Loayza on Feb 19, 2024 -
“That Kid Running from the Fire”: Director Reinaldo Marcus Green on Destiny, Devotion and Bob Marley: One Love
On your way up. Take me up. On your way down. I won’t let you down. — Robert Nesta Marley As a form, the biopic and even more specifically the musical biopic, is an often fraught endeavor, one whose pursuit brings its makers along well-worn paths of pitfalls and dead ends. With his fourth feature, Bob Marley: One Love, Reinaldo Marcus Green meets this challenge head on, capturing a vision of Marley in a time of great upheaval. In the 1970s, Jamaica was embroiled in turmoil — a result of staggering levels of poverty and political rivalries. In ‘76, through gang […]
by Evan Louison on Feb 15, 2024 -
(Redband) Trailer Watch: The Zellner Brothers’s Sasquatch Sunset
“You know animals are hairy?,” sang the Talking Heads David Byrne. “They say animals don’t worry…” Well, in David and Nathan Zellner’s Sasquatch Sunset, forthcoming from Bleecker Street Pictures, the latter statement is definitely not correct as the filmmakers — Filmmaker 25 New Faces from back in 2008 — wring wonder and joy but also anxiety and fear of encroaching humankind in their story of a family of Sasquatch living undetected in the wilds of Colorado. Bleecker Street’s redband trailer leans hard into Sasquatch sex while cleverly underlining that there’s name talent (Jesse Eisenberg and Riley Keough) in this movie. […]
by Scott Macaulay on Feb 13, 2024 -
Trailer Watch: Bertrand Bonello’s The Beast
The U.S. trailer for Bertrand Bonello’s The Beast has arrived. The latest film from Bonello (Nocturama, Saint Laurent) marks his third collaboration with Léa Seydoux, who gives not one but three great performances across three different timelines. The Beast enters release on April 5, and our next issue will feature an interview with Bonello conducted by Michael Almereyda.
by Filmmaker Staff on Feb 13, 2024
