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  • Trailer Watch: Megalopolis
    A man looks over a city landscape through a telescope at sunset while a woman stands behind him.

    Taking a page from Lost Highway‘s long-ago trick of using “Two Thumbs Down” as a blurb for the poster, the trailer for Francis Ford Coppola’s Megalopolis pullquotes many of the negative responses to his work over the years, some from long-dead critics like Andrew Sarris and John Simon. (Here’s Vadim Rizov’s review from Cannes.) The film opens September 27 from Lionsgate. UPDATE: Lionsgate has pulled the Megalopolis trailer originally included in this post after critics and outlets pointed out that the negative blurbs contained in the trailer could not be sourced from the original reviews and may be fabricated. In a […]


    by Filmmaker Staff on Aug 21, 2024
  • “I Just Turned 50 and I Feel Like I’m Just Getting Started”: Simon Rex, Back To One, Episode 305

    He was a model and MTV VJ, and then Simon Rex transitioned to acting, becoming widely recognized for his comedic roles in the Scary Movie franchise, where his sharp timing and parody skills made him a fan favorite. But more substantial parts were on the horizon. On this episode, he talks about the job that changed everything, Sean Baker’s Red Rocket, which won him wide acclaim, an Independent Spirt Award, and a fresh chapter in his career. He talks about the interesting new place he finds himself now at the intersection of “not caring and caring SO MUCH.” He explains […]


    by Peter Rinaldi on Aug 20, 2024
  • “Cinema Forever” (?): Locarno Film Festival 2024
    Two people are seen I silhouette shaking hands against the large windows of an upper-floor skyscraper.

    The biggest headline of the 77th Locarno Film Festival wasn’t a movie but a man: Bollywood megastar Shah Rukh Khan, who attended to receive a career achievement award as a reminder (none is needed) of the role red carpet celebrity plays in drawing money and attention to festivals which can then, aspirationally, redirect both towards smaller title. But even as the whole idea of “cinema” requires increasingly vigilant caretaking, those festivals themselves are nearly all in financial trouble. When I got this job at Filmmaker a decade ago, companies who’d invested a lot of time and money in VR were […]


    by Vadim Rizov on Aug 19, 2024
  • Shorenstein Center Announces Fall 2024 Cohort of Documentary Film Fellows

    The Shorenstein Center announced today the Fall 2024 cohort of Documentary Film Fellows. From the press release: The group joins the Center under the auspices of the Documentary Film in the Public Interest Initiative and will spend the semester conducting research and engaging with the HKS community about the challenges facing the field and its impact on civic life. The Documentary Film in the Public Interest Initiative is designed to support new research, analysis, innovation, and provocation around core issues facing the documentary film sector. Through the Fellows’ projects, the Shorenstein Center will engage in examinations of public impact and […]


    by Filmmaker Staff on Aug 19, 2024
  • Film in San Antonio, Texas: A Diverse & Vibrant Undiscovered Gem (Sponsored Post)

    Looking for the most competitive film incentives in Texas? Searching for a treasure trove of unique locations? On the hunt for a filming destination that will prioritize your project and welcome you with open arms, while providing untold added value, famous hospitality and film friendly support every step of the way?  Look no further than San Antonio, Texas—a best kept secret among filmmakers where history shines just as brightly as the city’s boundless future. Enjoy rolling Hill Country landscapes just a quick drive from the city’s European-influenced downtown or trek a few hours in either direction to access coastal or […]


    by Filmmaker Staff on Aug 19, 2024
  • Color in Black and White: DP Robert Elswit on Ripley
    A man stands in the center of two staircases leading left and right outside an old building.

    “It’s the light! Always the light!” exclaims a priest to the murderous Tom Ripley (Andrew Scott) as they bask in the glory of a Caravaggio painting in Netflix’s new adaption of the Patricia Highsmith novel The Talented Mr. Ripley. There are a multitude of exquisite facets to cinematographer Robert Elswit’s work on the series, including the formal compositions that embrace the Italian setting’s architecture. But, more than anything else, it’s the light as Elswit harkens back to classic noirs, 1960s Italian cinema and the canvasses of the great masters of chiaroscuro. Elswit earned an Oscar nomination for his black and […]


    by Matt Mulcahey on Aug 16, 2024
  • Movies with Sand Under Your Feet: Previewing The Seventh Annual Rockaway Film Festival

    “It’s interesting, more filmmakers this year are asking for laurels,” says Sam Fleischner when we spoke just a few days before the opening of the seventh annual Rockaway Film Festival. Fleischner’s the festival’s co-founder and artistic director, Courtney Muller is co-founder and program director, and the two, along with their small team, have grown the festival to the point where the schedule boasts more premieres, U.S. and world, than ever and, with that growth, directors wanting to add the Rockaway selection to their posters and websites.  “We never wanted to make a laurel,” admits Fleischner. “So it was like, alright, […]


    by Scott Macaulay on Aug 16, 2024
  • “America is Desperate for a Narrative”: Courtney Stephens and Callie Hernandez on Invention
    A glass device of some sorts against a red background.

    Following a decade of work in experimental and documentary cinema, director Courtney Stephens steps into fiction for the first time with Invention, a remarkably resourceful microbudget drama that nonetheless resists strict categorization. Starring and co-conceived by Callie Hernandez, the film draws upon the actress’s real-life relationship with her late father, a medical doctor turned small-time huckster who made a name for himself on local television talk shows and public access programs in the ’90s and 2000s. In this fictionalized telling set in the Berkshires, VHS footage of those TV appearances weave through a story in which Hernandez, playing a version […]


    by Jordan Cronk on Aug 15, 2024
  • Gotham Awards Adds Best Director & Breakthrough Performer Categories

    The Gotham Film & Media Institute, Filmmaker’s publisher, announced today the opening of its 2024 submissions plus the addition of two competitive categories. For the first time, there will be a Best Director award. Returning this year will be a Breakthrough Performer award, which was last presented in 2022. The other categories are: Best Feature, Best Documentary Feature, Best International Feature, Breakthrough Director, Best Screenplay and Outstanding Lead Performance, Outstanding Supporting Performance. Missing this year are the various TV award categories, which will now be presented in a separate Gotham TV Awards ceremony on June 2, 2025. From the press […]


    by Filmmaker Staff on Aug 13, 2024
  • “That’s What Lights Me Up the Most, This ‘Dance’ with the Writer”: Marianne Rendón, Back To One, Episode 304

    Marianne Rendón’s performance in Summer Solstice, Noah Schamus’ “modern twist on the buddy comedy from a queer and trans perspective,” is special in such a rare way that makes shinning a light on it actually detrimental to its effect on the new viewer. Its revelations are small and imbedded in the nuances of the character. It’s how they seem rooted and not created, “lived” and not “played,” that make them extraordinary. On this episode, Rendón takes us back to her training, and how being fed great experimental theater before the classics resulted in a kind of “reverse engineering” of her […]


    by Peter Rinaldi on Aug 13, 2024
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Videos

  • Watch: As IFC Center Turns 20, Joe Stankus's Short Film, Marquee Video
  • "If I Get Specific About What I’m Doing, Why I’m Doing It, the Humor Will Be There”: Tim Bagley, Back To One, Episode 346 Video
  • The Los Angeles Film School: Where Your Next Chapter Starts (Sponsored) Video

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