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“Playing in the Best Sandbox Ever”: DP Chris Teague on The Acolyte
Set a century before The Phantom Menace, The Acolyte follows a Jedi master (Squid Games star Lee Jung-jae) and his former apprentice (Amandla Stenberg) as they hunt for a killer who’s dispatching Jedi. The new series holds a distinction that no other live action Star Wars saga can claim—not the half dozen Disney Plus shows or the eleven feature films, not the Star Wars Holiday Special, not even that Ewok movie with Wilfred Brimley. The Acolyte is the first live action story set in the heretofore unseen High Republic era that served as the zenith of Jedi influence and power. […]
by Matt Mulcahey on Jul 31, 2024 -
“We’ve All Gone a Bit Broke Making It”: Lucy Walker on Mountain Queen: The Summits of Lhakpa Sherpa
Nearly twenty years ago, Lucy Walker was making a film on the slopes of Everest following a group of blind teenage Tibetan climbers. While on the mountain, she heard of an incident that had taken place when a male guide attacked his wife and climbing partner, a Nepalese woman named Lhakpa Sherpa. Lhakpa’s cursed expedition was the focus of a damning book published a couple of years later, as well as a feature in Outside Magazine. At that point Lhakpa had summited Everest seven times but was living in a cramped apartment in Connecticut as an illiterate single mother, still […]
by Carol Nahra on Jul 30, 2024 -
“I Wanna Experience the Feeling, Fully”: David Garelik, Back To One, Episode 302
David Garelik was in Trey Edward Shults’ Waves, Peter Berg’s Mile 22, and recently finished a run of an Off-Broadway 2-hander at the WP Theater, co-produced with Colt Coeur. Now you can see him as the bad guy/enucleator, opposite Liana Liberato, on this season of Criminal Minds: Evolution on Paramount+. On this epic episode, he recounts his journey from moving to New York with zero acting experience and “being a bad auditioner,” to making naivety work for him and “changing the game” by refusing to play it. It’s a story of perseverance, endurance, and growth, fueled by focus on the […]
by Peter Rinaldi on Jul 30, 2024 -
Jessica Oreck Kickstarts a Traveling Museum
Back in 2021, filmmaker Jessica Oreck (Beetle Queen Conquers Tokyo), who appeared on Filmmaker‘s 25 New Faces list in 2009, launched her Office of Collecting and Design, which she describes as “part wonderland, part library, and part nostalgia machine, devoted to the diminutive, the misplaced, the unusual, and the forgotten.” A truly unusual endeavor, the Las Vegas-based tiny museum is exhibition space, animation studio and prop house — in short, a physical extension of the enthusiasms that have powered Oreck’s filmmaking. From my print issue profile of the project: A cinematic sensibility permeates the whole endeavor, not just in the […]
by Scott Macaulay on Jul 29, 2024 -
“Everybody Passed on It”: Sean Wang on Dìdi
If having your first feature premiere at the Sundance Film Festival is an accomplishment, being nominated for an Academy Award the same week is pretty much unheard of. Nonetheless, that’s what writer-director Sean Wang experienced last January when his coming-of-age narrative feature, Dìdi, premiered to glowing reviews (and a distribution deal with Focus Features) while his nonfiction portrait of his two grandmothers, Nai Nai & Wài Pó, was nominated for the Oscar for Best Documentary Short. Still in his 20s, Wang’s career has skyrocketed over the past year, and now Dìdi “younger brother” in Chinese) opens in theaters riding a […]
by Erik Luers on Jul 26, 2024 -
Trailer Watch: Zach Clark’s The Becomers
At Filmmaker we’ve long been a fan of Zach Clark, director of such witty and genre (and genre-adjacent) work as Little Sister, Vacation! and White Reindeer. He always brings real style and subversive smarts to his pictures, which often apply ingenious tonal twists to familiar situations and set-ups. For his latest, The Becomers, Clark fuses an Invasion of the Body Snatchers-type tale with a classic rom-com set up. Reviewing the film out of Fantasia, Erik Luers wrote: In depicting two shape-shifting entities who arrive separately on Earth searching for their misplaced mate, Clark’s film provides his Midwest cast the opportunity […]
by Scott Macaulay on Jul 23, 2024 -
Ten Takeaways from Hundreds of Beavers‘ Success
Each Friday I send out a free email newsletter with an original Editor’s Letter along with viewing recommendations and festival deadlines. The Editor’s Letter is usually not reposted here on this site. As a way of encouraging sign-ups — you can join for free here — I’m posting here a slightly edited version of last week’s edition, in which I draw some production and distribution conclusions from the success of the Mike Cheslik’s independent hit Hundreds of Beavers, drawing info from linked interviews, now unpaywalled, from our current print edition. — Editor Because I edit Filmmaker and am supposed to […]
by Scott Macaulay on Jul 23, 2024 -
“There’s Never Any Trust Until You Just Do It”: Jimmy Tatro, Back To One, Episode 301
Jimmy Tatro is an actor, director, writer, and comedian best known for the popular YouTube channel he created over a decade ago, LifeAccordingToJimmy. His career expanded into the mainstream with roles in movies like 22 Jump Street and the Netflix series American Vandal, all while he continued to expand the content on his channel. His latest project is The Real Bros of Simi Valley: The Movie, a continuation of his popular mock-reality show web series. The film delves deeper into the absurd lives of friends navigating the quirks of suburban Southern California while preparing for their high school reunion. Tatro’s […]
by Peter Rinaldi on Jul 23, 2024 -
Three Weeks in July: Greg Kwedar on Sing Sing
The first and best reason to see Sing Sing, the new feature from Transpecos director Greg Kwedar, is for the lead performance of Colman Domingo. One year after receiving an Academy Award nomination for his title role in Rustin, Domingo is even better as John “Divine G” Whitfield, a wrongfully incarcerated inmate of Sing Sing Correctional Facility. An accomplished author, Divine G was a member of Rehabilitation Through the Arts (RTA), a program founded at Sing Sing in 1996 that “helps people in prison develop critical life skills through the arts, modeling an approach to the justice system based on […]
by Erik Luers on Jul 18, 2024 -
David Lynch on (Just) Making the Day
“Did you make the day?” That’s the first question financiers and production execs will ask after a first day — or, really, any day — of shooting. “Making the day” means completing all the scenes on the call sheet so that the production isn’t falling behind, something that can led to dropped scenes, budget overruns and more. But beyond the “making the day” question lies a deeper one: how is a production making the day? Rushed scenes, abandoned coverage and quickly made decisions can result in an on-time shooting schedule but diminished artistic results. That’s why this behind-the-scenes video of […]
by Scott Macaulay on Jul 17, 2024
