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Nominees Announced for Inaugural Gotham TV Awards
The Gotham Film & Media Institute, Filmmaker‘s parent organization, announced today the nominations in seven competitive award categories for the inaugural Gotham TV Awards, recognizing a range of series, including Baby Reindeer, Ripley, The Curse, Shōgun, Bodkin, Mr. & Mrs. Smith, and Black Twitter: A People’s History as well as performances from Emma Stone and Nathan Fielder in The Curse, Andrew Scott in Ripley, Kristen Wiig in Palm Royale, Richard Gadd in Baby Reindeer, and Lily Gladstone in Under The Bridge, among others. “In a historic moment for The Gotham, we’re thrilled to recognize an extraordinary collection of TV series […]
by Filmmaker Staff on May 14, 2024 -
Watch: An Exclusive Clip from Alison O’Daniel’s Independent Lens Premiere, The Tuba Thieves
Artist and filmmaker Alison O’Daniel appeared on Filmmaker‘s 25 New Faces list in 2019 as her feature The Tuba Thieves, screening next week on Independent Lens, moved from stop-and-start production — she had been shooting the film in “bits and pieces” since 2013 — to a finishing sprint. Inspired by a news story about a rash of tuba thefts from Los Angeles marching bands, the film is an impressive and wholly original expansion of O’Daniel’s overall project. As I wrote in the 25 New Face piece, “Sound — as subject matter, metaphor, and structuralist organizing principle — is at the […]
by Scott Macaulay on May 14, 2024 -
“You Can’t Go Into Your Hometown and Not Shoot Cinemascope”: Writer/Director Adam Rehmeier on His Early ’90s Nebraska-Set Comedy, Snack Shack
The logline for Snack Shack—two teenaged best friends spend the summer of 1991 working at a community pool food stand and get up to shenanigans—suggests a hyper-generic “one crazy summer”-type coming-of-age flick, but the film distinguishes itself with specifics almost immediately. It opens with AJ (Connor Sherry) and Moose (Gabriel LaBelle) at an off-track betting parlor intently watching the races with lit cigarettes dangling from their mouths. They exchange gambling strategies and profane insults before deciding to bet their new winnings on one more long-shot race. They hit big, but upon leaving they see someone swipe their cab, making it […]
by Vikram Murthi on May 14, 2024 -
Critic’s Notebook: Monica Sorelle’s Miami-Set Debut, Mountains
Monica Sorelle’s debut feature Mountains is currently screening at the Seattle International Film Festival, with its final screening tomorrow, May 14, and then on the festival’s streaming platform from May 20 – 27. Mountains, the debut feature by Miami-based filmmaker Monica Sorelle, opens with a Haitian proverb: Dèyè mòn gen mòn—behind mountains are mountains. We hear the brutal clamor of a towering demolition crane—perpetually under construction, Miami, where Mountains is set, has no mountains but these—as it rakes the shingles off a roof. The patriarch of the family at Mountains’ center is Xavier (Atibon Nazaire), a construction worker who’s been […]
by Monica Uszerowicz on May 13, 2024 -
“How Do I Capture the Storytelling That is Quintessential to South America, and Marry It to the Experience of Living Here in Florida?”: Director Kevin Contento on His Vimeo Staff Pick, From Fish to Moon
In The Conference of the Birds, the famous Persian epic written in 1177 by Sufi poet Farid ud-Din Attar, a group of birds gather and discuss their collective journey to meet their king, the Simurgh, a mythical winged creature. In this allegory for the human search for enlightenment and wisdom—despite our flaws—a sparrow cowers, hoping to avoid the quest altogether. “I do not wish to begin such a toilsome journey for something I can never reach…I shall be content to seek here my Joseph in the well,” she says, in one translation. “If I find him and draw him out, […]
by Monica Uszerowicz on May 13, 2024 -
Jeonju 2024: Walker, A Chronicle in Spirals, Puan
“I’m so happy,” producer Park Tae-joon said at the Jeonju Cinema Project awards, one of the ceremonies indicating the festival was drawing to a close. “Every day I drank […] festival drinking.” Park’s admission was funny and honest, the kind of thing no one on-stage at an American festival would say even/especially if it were true (bad optics). But in fact, Jeonju was one of the most temperate festivals I’ve ever attended, with official parties ending by 10:30 or 11 and many choosing to go back and sleep after that. They could, if they liked, go to Soseul, unofficially dubbed […]
by Vadim Rizov on May 13, 2024 -
MEMORY Announces Summer Theatrical and Digital Release Dates for Microbudget Pandemic Comedy New Strains
MEMORY, the L.A.-based production and now distribution company featured in Filmmaker‘s 2016 25 New Faces list announced today the release plans for New Strains, a microbudget, camcorder-shot pandemic comedy from a pair of filmmakers, Artemis Shaw and Prashanth Kamalakanthan, also featured on our list. The film will screen at the Roxy Cinema in New York (June 13), Nitehawk Cinema Williamsburg (June 15 & 16), and Los Angeles’ Now Instant Image Hall (June 21 & 22), with a North American digital release to follow on Friday, July 19. In New Strains, a pandemic — not necessarily COVID-19 — strands a couple, Kallia […]
by Scott Macaulay on May 10, 2024 -
“When We First Started It Was a Variation of the Salon des Refusés…”: Slamdance President Peter Baxter on Accessibility, Community and Moving to L.A.
Slamdance announced last week that the Slamdance Film Festival will move from Park City, Utah, where it’s been since its founding in 1995, to Los Angeles beginning with next year’s edition. The dates will shift slightly to February 20-26, and the move will afford the festival bigger and more professional screening facilities, including at Landmark Theatres and the DGA Theater complex. As Slamdance co-founder and President Peter Baxter notes in our interview below, Slamdance has long had a Los Angeles presence, through both its year-round office but also through its summer AGBO+Slamdance Summer Showcase. About the move, filmmakers and AGBO […]
by Scott Macaulay on May 10, 2024 -
“Dolly and Slider Inside, Steadicam Outside”: DP Mac Fisken on The Last Stop in Yuma County
In The Last Stop in Yuma County, an empty pump at an isolated desert gas station strands a collection of characters (including a pair of bank robbers and knife salesman Jim Cummings) at the adjoining roadside diner. Written around the standing sets available at Four Aces Movie Ranch in Palmdale, California, the feature debut from director Francis Galluppi was partially funded by the sale of producer James Claeys’ house. That provided enough budget for a 20-day shooting schedule, a cast of familiar genre faces (including Richard Brake, Gene Jones and Barbara Crampton), a few epic needle drops and one talented […]
by Matt Mulcahey on May 10, 2024 -
Jeonju International Film Festival: Cutting-Edge Films in an Ancient Capital
Jeonju International Film Festival, which has become over the last two decades one of the must-go fests in East Asia, prides itself on its innovative curation. The 25th edition in 2024 was packed with film folk, especially from East and Southeast Asia. They were making their way through a thicket of information on 232 films, almost half of which were Korean. (Translators helped with Q&A sessions, and with interviews, and films were typically subtitled in English.) In their spare time, attendees were wandering through historic streets (Jeonju is the origin city of Korea’s great Joseon empire, familiar to viewers of […]
by Patricia Aufderheide on May 9, 2024
