Over at indieWIRE check out their guide of the best spots to eat, drink and shop while in Austin. Updating the list from last year, they also have contributions from people who know the lay of the land: Matt Dentler, Janet Pierson, and Austin native, director Bryan Poyser. (And head over to our SXSW page to read a guide to follow SXSW through social media.) Here’s a few of my favorite picks from the iW guide. BEST TEX MEX: Overall the top place for Mexican food was the highly recommmended Manuel’s (310 Congress Ave). A local noted that it’s, “Not […]
Announced earlier today, the 9th annual Tribeca Film Festival announced their Competition roster and films in their Showcase category for this year’s fest, which takes place April 21 – May 2 in New York City. Some of the highlights include Alex Gibney‘s work-in-progress screening of his doc on Eliot Spitzer and (get this) Vincent Gallo lending his voice in the animated film, Metropia. Full list of films are below. World Narrative Feature Competition “Buried Land,” directed by Geoffrey Alan Rhodes and Steven Eastwood, written by Geoffrey Alan Rhodes, Steven Eastwood, and Dzenan Medanovic. (USA, UK, Bosnia and Herzegovina) – World […]
At Filmmaker we’ve been on top of the DSLR story — the use of small digital SLR still cameras by filmmakers — in a series of articles beginning last year. (See “Shutterbugs” in Spring, 2009, and “Pimp your DSLR” in Summer.) That said, Ryan Bilsborrow-Koo has just posted an astonishingly detailed and useful article on his No Film School site called “The DSLR Cinematography Guide.” It’s got a huge amount of information in it with tons of hyperlinks to other articles, posts on user forums, and the blogs of various d.p.’s working with the format. I highly recommend it if […]
Leading up to the Oscars on March 7, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Jason Guerrasio interviewed The Imaginarium of Doctor Parnassus co-writer-director Terry Gilliam for our Winter 2010 issue. The Imaginarium of Doctor Parnassus is nominated for Best Art Direction (Art Director: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith) and Best Costume Design (Monique Prudhomme). An elderly man pulls his carriage to the curb and prepares to put on a show. Onlookers watch with a mixture of bewilderment and vague familiarity; the […]
Leading up to the Oscars on March 7, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Jason Guerrasio interviewed Food, Inc. director Robert Keener for our Spring 2009 issue. Food, Inc. is nominated for Best Documentary. As the grill sizzles in the background a waitress rattles off the specials of the day when a voice interrupts her. “I think I’ll have a hamburger,” says the man looking up from his menu. Sitting at a diner counter in Anywhere, USA, the order comes from the most unlikely of […]
Television has been blamed for the dumbing down of the American public since the ascendance of the boob tube in the 1950s. But in Italy, where scandal-plagued prime minister Silvio Berlusconi controls the flow of information through his monopolistic holdings in that nation’s biggest media conglomerates, there is a more insidious aspect to the chronic press muzzling at RAI and trashy tits-and-ass programming that predominate on his Mediaset channels. If you want to get a sense of how the billionaire entrepreneur’s televisual imagination has transformed the political and mass-media landscape in Italy, Erik Gandini’s cunningly choreographed documentary Videocracy provides plenty […]
Indie film champions are often fond of comparing what we do to indie music. If bands can tour, why can’t we? If bands can sell merch, then we should too. If recording artists can form boutique labels, then why can’t film distributors? Like, for example, Oscilloscope, the film label of Beastie Boy Adam Yauch. At Flavorwire, Judy Berman takes this assumption to task in a piece called “Why is Indie Film Dying While Indie Music Thrives?” She bases her assessment of indie film’s slow-motion death on Edward Jay Epstein’s “Can Indie Movies Survive?”, which I found to be a pretty […]
In the new issue of Filmmaker, Esther Robinson penned “The Big Art/Little Debt Plan,” which discusses the relation of filmmakers to risk, their films, and their money. She reached out to several filmmakers by email, and their responses helped shape her article. We are running several of the responses Esther received here on the blog. Here is Jonathan Goodman Levitt’s. What strategies did you employ to stay no/low debt during your production? I’ve had to take on a lot of more roles myself than would be ideal for the film, or for me personally. Life has been pretty much on-hold […]
In the new issue of Filmmaker, Esther Robinson penned “The Big Art/Little Debt Plan,” which discusses the relation of filmmakers to risk, their films, and their money. She reached out to several filmmakers by email, and their responses helped shape her article. We are running several of the responses Esther received here on the blog. Below is the one from Dan Cogan of Impact Partners. What drives most filmmakers, and especially documentary filmmakers, is their deep passion to tell a story. It’s not about money or about a career for many filmmakers — it’s about the story. This is very […]
In the new issue of Filmmaker, Esther Robinson penned “The Big Art/Little Debt Plan,” which discusses the relation of filmmakers to risk, their films, and their money. She reached out to several filmmakers by email, and their responses helped shape her article. We are running several of the responses Esther received here on the blog. Below is the one from Mynette Louie, producer, Children of Invention. With the current environment/budgets you are seeing, do think there will be more financing gaps than usual? If yes, do you think this might create an uptick in personal debt (both for you and […]