THE “PINK MUMMY” IN DIRECTOR NACHO VIGALONDO’S TIMECRIMES. COURTESY MAGNOLIA PICTURES. Nacho Vigalondo is part of an exciting new generation of Spanish filmmakers who are reinvigorating genre filmmaking with their creativity and invention. Born and raised in the insular town of Cabezón de la Sal, he grew up on 80s studio movies before discovering the work of cult directors like David Lynch and Peter Jackson, whose idiosyncratic visions inspired the teenage Vigalondo to eventually become a director himself. He studied Visual Communication at the University of the Basque Country, where he began making a series of playful and distinctive shorts […]
Virginia Heffernan’s column in the Sunday Times Magazine this week, titled “Content and its Discontents,” is a must-read, concise summation of the issues facing content creators today. (Yes, that means you, filmmakers.) What I like about the piece is that it deals with not only content but form, and, particularly, how it acknowledges the relationship between the form a piece of content is embodied within and the method by which it is delivered and, particularly, advertised. She discusses how, for example, a magazine article on volunteerism is shaped by not only the perceived reader base of its audience but also […]
LUKE FORD AND RHYS WAKEFIELD IN WRITER-DIRECTOR ELISSA DOWN’S THE BLACK BALLOON. COURTESY NEOCLASSICS FILMS. Since she was very young, Elissa Down has been honing her skills as a director. Admittedly, it wasn’t strictly conscious when she was writing, acting in and masterminding little drama projects as a kid growing up in Australia, or bossing her parents around when they were reading her bedtime stories. However, her vocation as a filmmaker became ever clearer as she grew older and by the time she was a film and television student at Perth’s Curtin University, she had her eye on cinematic success. […]
Steven Soderbergh and his RED camera-shot Che is our cover story this month, and here, MovieCityIndie’s Ray Pride captures three minutes of the director talking about his work with the camera. Check it out… … and also check out Brian Chirls’s piece on Che‘s post-production in the current issue online.
Sundance has just released the remaining titles for this year’s festival. There are a lot of movies I’m excited to see on the list. I’ll write more about them in the next few days, but, for now, here’s the official spam: PREMIERES500 Days of Summer / USA. (Director: Marc Webb; Screenwriters: Scott Neustadter, Michael H. Weber)—When an unlucky greeting card copywriter is dumped by his girlfriend, the hopeless romantic shifts back and forth through various periods of their 500 days ‘together’ in hopes of figuring out where things went wrong. Cast: Zooey Deschanel, Joseph Gordon-Levitt. World Premiere Adventureland / USA […]
The first wave of Sundance selections has just been announced by the festival with this list of filmmakers who will appear in the fest’s New Frontier program. (Congrats to Filmmaker contributor Mike Plante, whose Lunchfilm series made the cut!) Said Sundance programmer Shari Frilot, “New Frontier is best understood both as a physical space and a metaphor for discovery. It is a convergence of art, film, and technology where creative alliances are formed around innovative methods of cinematic storytelling, and where audiences are drawn in to a story through visual, aural, and tactile stimuli.” This year’s films and filmmakers are […]
A few weeks ago we blogged about Killer Film’s 50% equity sale to venture capital fund GC Corp., a deal that will see Killer developing and producing larger-budgeted properties. Today, Jones reports on one such project. From Variety: GC Corp. has bought rights to Israeli TV series “Danny Hollywood,” assigning it to the venture capital fund’s production unit, Killer Films. Story follows three time-traveling journalists investigating the mysterious death of a pop star. Killer will reset the skein in 1960s America.
I moderated a panel this rainy Sunday afternoon in New York with the five nominees for the Gotham Breakthrough Director Award: Lance Hammer (Ballast), Dennis Dortch (A Good Day to be Black and Sexy), Barry Jenkins (Medicine for Melancholy), Antonio Campos (Afterschool) and Alex Rivera (Sleep Dealer). I’m not a big fan of reading (and writing) panel conversation blow-by-blows, but it was a good talk and some interesting contrasts and comparisons between the directors emerged during the conversation. I’ll note them here. 1. Independent films can take a long time to make. Four out of the five directors spend several […]
Expertly timed to premiere today, on so-called “Black Friday” when many parents rush to the stores to buy the latest must-have gifts for their sons and daughters is Lauren Greenfield‘s documentary Kids + Money. Greenfield is the photograher and author of the seminal Girl Culture, a book chronicling the reality of being a teenage girl in America today. Visit any filmmaker, screenwriter, production designer, of costume designer who has worked on a teen film and you’ll find this book on their shelf of reference materials. Next Greenfield made Thin, a photo essay and also documentary film about girls with eating […]
The Talented Mr. Ripley by way of Somerset Maugham, Henry May Long is a drama about two men, Henry May and Henry Long, set in the upper crust and under belly of 1887 New York City. Long is obsessed with the golden child May, and via constant surveillance has come to know his secret debt and drug addiction. He convinces May to care for him for three months, as an illness takes his toll, in exchange for money to repay May’s debts. Hiding out, along together, their friendship expands and May begins to find meaning in his own limited life […]