production | Filmmaker Magazine

SELF LINKAGE

A bunch of new, mostly cinematography-related stuff has just been been posted on our main page, and I want to draw your attention to it. First there is our article in which four cinematographers discuss the creative and production decision-making behind their latest features. The dps are Ellen Kuras (currently in production on Sam Mendes’s new film for Focus Features), Tim Orr, Andrij Parekh and Sean Kirby. On the same page: Damon Smith on Ellen Kuras’s documentary, Nerahahoon. Next is a feature called “Illuminating” in which six directors — Miguel Arteta, Pete Sollett, Miranda July (who is beginning her new […]

by Scott Macaulay on May 15, 2008

FROM THE ARCHIVES: INTELLIGENT SCREENPLAY DEVELOPMENT

Recently I was talking to the script readers in my production office about script reading and development and remembered an article we published years ago by filmmaker and former development exec Barbara Schock. It was a great piece that looked at the screenplay development process with a critical eye, examining why the traditional method so often fails to generate great work. Along the way she offered a series of sensible tips on how to make that process better. I went home and rummaged through my old issue of Filmmakers trying to find it and then thought to try the web. […]

by Scott Macaulay on May 13, 2008

MADONNA AND THE UNCANNY VALLEY

Jason Kottke has a fascinating entry today at his Kottke.org entitled “Approaching the Uncanny Valley from the Other Direction.” In case you haven’t heard about the “uncanny valley,” it’s a term originally created to apply to robotics that can now, Kottke says, refer to the human visage in the age of plastic surgery. First, from Dave Bryan at Glimpses: Japanese roboticist Doctor Masahiro Mori is not exactly a household name—but, for the speculative fiction community at least, he could prove to be an important one. The reason why can be summed up in a simple, strangely elegant phrase that translates […]

by Scott Macaulay on May 13, 2008

IFP ANNOUNCES ’08 DOC LAB PARTICIPANTS

Created to support high-quality, independent projects at the rough cut stage of production prior to submission to film festivals, IFP announced today the films that will take part in its May Documentary Lab that connects first-time feature filmmakers with leading industry mentors, which this year includes filmmakers Doug Block (51 Birch Street), Liz Garbus of Moxie Firecracker Films (The Farm: Angola, USA) and editor Keiko Deguchi (Cats of Mirkitani). Excerpts from the films will then screen at IFP’s Independent Film Week in New York City this September. The 10 selected films include: Burning in the Sun – A young entrepreneur […]

by Jason Guerrasio on May 13, 2008

HOW TO BEHAVE IN CANNES

Over at Variety‘s The Circuit, Mike Jones digs up a very helpful article by a director who travelled to Cannes to pitch his project… that happened to appear a couple of years ago in Filmmaker. Producers and directors about to make the trip over would do well to check it out. An excerpt from Richard Press’s Cannes Diary: A week before I leave for cannes to participate in L’Atelier du Festival, the co-production market of the Cannes Film Festival, I receive an e-mail from the festival reminding me to bring my black tie; without it I will not be allowed […]

by Scott Macaulay on May 10, 2008

OUTFITTING THE RED CAMERA

Roberto Quezada-Dardon’s article on the Red One camera is one of our most widely read articles on the website this month. If you want to read about the Red from a different angle, check out Steve Tammi’s piece, “Beta Sight: Red Digital Camera Red One,” in the current Millimeter, which is online at their Digital Content Producer site. Here’s his lede: I have been shooting with the Red Digital Cinema Red One Camera for almost six months now. Although I have been asked to write about my first impression of the camera, it is important to realize that shooting with […]

by Scott Macaulay on May 9, 2008

PICTUREHOUSE AND WIP SHUT DOWN!!!

Variety is reporting the stunning news that Warner Bros. is shutting down both Picturehouse and Warner Independent. Speculation has been running in the indie community about the fate of the companies following the demise of New Line (which was a co-owner, with HBO, of Picturehouse) as a standalone studio and distributor. Observers had imagined a variety of scenarios, but I don’t think anyone thought that both companies would be folded. Here’s Warner prez and COO Alan Horn’s statement: “With New Line now a key part of Warner Bros., we’re able to handle films across the entire spectrum of genres and […]

by Scott Macaulay on May 8, 2008

YOUR MONEY, YOUR MOVIE?

Over at his CinemaTech blog, Scott Kirsner writes about the new Seattle-based IndieShares, which is another one of those “democratize the process” companies that has sprung up around some aspect of the film business. Democracy, of course, is (mostly) good. Filmmaker‘s mission statement even includes the goal of democratizing the production process for beginning filmmakers. And last week I interviewed Lance Weiler and learned more about his From Here to Awesome festival (which I’ve concluded is a really cool and good thing, and I’m not just saying that because I know Lance and he’s a writer for the magazine), and […]

by Scott Macaulay on May 4, 2008

HOLLYWOOD OR BUST

The Hollywood Reporter hosts a roundtable on the economics of independent production with five noted players: Newsweek film critic David Ansen; Kirk D’Amico, president and CEO of Myriad Pictures, a production and sales company; Cassian Elwes, co-head of William Morris Independent; Mark Gill, CEO of finance and production company the Film Department; and Avi Lerner, co-chairman and CEO of Nu Image/Millennium Films. Stephen Galloway leads a conversation that, by my read, offers a pretty accurate and succinct take on the American independent film market at the moment. They discuss overproduction, the demise of New Line, foreign markets, the plight of […]

by Scott Macaulay on May 3, 2008

Garth Jennings, Son Of Rambow

WILL POULTER AND BILL MILNER IN DIRECTOR GARTH JENNINGS’ SON OF RAMBOW. COURTESY PARAMOUNT VANTAGE. When you meet Garth Jennings, it is immediately apparent where much of the energy, enthusiasm and imagination in his films comes from. The effervescent Jennings, born in Essex, England in 1972, attended the Central St. Martin’s College of Art & Design in London where he met Nick Goldsmith with whom he formed the creative partnership Hammer & Tongs. Though the pair have always collaborated closely on everything, over time Goldsmith has taken on production duties while Jennings now directs. The pair are most famous for […]

by Nick Dawson on May 2, 2008

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