production | Filmmaker Magazine

“ANYWHERE, U.S.A.” co-writer-director, Chusy (Anthony Haney-Jardine)

The question isn’t fair as it relates to my production. I don’t wish I had 10 percent more of anything. I deliberately set out to make a film without expectations. Expectations are what thwarted any creative impulse I’d had in the past. Instead I relied on whatever I found before me. It is no accident that our production company’s name is Found Films. From the get-go we knew we had severe limitations: intellectual, financial, technological and with regards to professional talent; so instead, we embraced those limitations, almost with glee. No interchangeable lenses? No problem. Let’s embrace the aesthetic and […]

by Jason Guerrasio on Jan 18, 2008

“A COMPLETE HISTORY OF MY SEXUAL FAILURES” co-writer-director, Chris Waitt

I made a documentary where I tried to interview my ex-girlfriends to find out why they dumped me. I wish 10 percent more of them had agreed to talk to me. In fact I wish 50 percent more had talked to me. But they didn’t. So for a couple of months I wandered ’round, scratched my head and tried to think of ways to persuade them. When I couldn’t persuade them I tried to come up with other things to film. As a result I think I ended up doing a lot of naval gazing, or in my case, a […]

by Jason Guerrasio on Jan 18, 2008

“WHERE IN THE WORLD IS OSAMA BIN LADEN?” co-writer-director, Morgan Spurlock

If I could have had 10 percent more of anything it would have been days off! We worked 6 and 7-day weeks on this film ever since production started in May 2006 and haven’t stopped. And believe me, looking for the most wanted man on earth and traveling for months at a time to some of the most dangerous places in the world (all while having a pregnant wife at home), is not the best recipe for a stress-free job. [PREMIERE SCREENING: Monday, Jan. 21, 8:30 pm — Library Center Theatre, Park City]

by Jason Guerrasio on Jan 18, 2008

“AMERICAN SON” producer, Danielle Renfrew

A defining moment in the making of American Son was when the financing fell through four weeks before production. Six months of preproduction and planning evaporated with one phone call. That disappointment forced me to dig deeper and commit to making the film by whatever means necessary. In hindsight it was the best thing that could have happened. After digesting the initial disappointment, I was suddenly reconnected to the initial inspiration that was the genesis of the film. I felt like I was back in control of the creative process — it was from that moment on that the film […]

by Jason Guerrasio on Jan 18, 2008

“NORTH STARR” writer-director, Matthew Stanton

It took me a few moments to really find the most specific and significant answer to this idea. In my experience on this particular film, I have to respond by saying that if I had 10 percent more of anything, it would definitely be AVAILABILITY. Since I have the most sincere and genuine respect for all positions regarding the many aspects of filmmaking, it was my duty as a multiple player on this production to wear many different hats. Serving proudly as the screenwriter, director, actor and producer (among others) on this film had some serious consequences. The most important […]

by Jason Guerrasio on Jan 18, 2008

SLAMDANCE DIRECTOR AND PRODUCER INTERVIEWS: STEVE CLARK, MIKE LANDRY, AND CARLOS VELASQUEZ, FROST

Sat, Jan 19th, 8:30pmWed, Jan 23rd, 10am Interview by Brandon Harris Jack Frost’s playboy lifestyle in New York City is rocked by the news that his childhood love is engaged. Jack plunges into whiskey and self-destruction. until his eleven-year-old neighbor, Sophie, an unlikely mother figure, leads Jack back into himself, and out of the nostalgia and excess that consumed him. Interview with Steve Clark Where were you when you heard you’d been accepted to Slamdance and how did you react?I was in my apartment in NYC about to take a shower, when I picked up the phone, and one of […]

by Scott Macaulay on Jan 18, 2008

SLAMDANCE DIRECTOR INTERVIEW: EVA WEBER, CITY OF CRANES

Fri, Jan 18th 4:30pmTues, Jan 22nd, 7pm Interview by Brandon Harris Eva Weber’s doc short City of Cranes takes you on a journey high up in the sky, to look at London’s ever-changing landscape through the eyes and words of crane drivers. It is a glimpse into a world unnoticed by most of us, yet fundamental to our lives. What initially drew you to the world of cranes?I started making this film as I was fascinated by the fact that there is almost another world above London; yet most of us never look up to notice cranes or their drivers. […]

by Scott Macaulay on Jan 18, 2008

SUNDANCE: AN AIRBORNE PREVIEW

As I type this I’m on my way to the Sundance Film Festival, where the Filmmaker team will be filing coverage all week. I’ll be blogging along with Jason Guerrasio and Justin Lowe; Jamie Stuart will be shooting video – creating one of his own typically personal and idiosyncratic portraits of festival life as well as filming interviews with directors and actors which you’ll see in the months ahead; if all goes well, Brian Chirls will be shooting and posting video from the fest’s panels and programs; and, Brandon Harris will be covering Slamdance, blogging news and reviews from the […]

by Scott Macaulay on Jan 17, 2008

“KICKING IT” writer-director, Susan Koch

My first thought was I wished I had an additional 10 percent of everything! As an independent filmmaker, I don’t think you ever feel like there’s enough time or money or resources. You always feel like you need just a little more. In the end it’s about finding creative ways to make what you do have go that extra 10 percent… and it’s about making choices and compromises that hopefully don’t hurt the film. As we traveled around the world filming I never felt ready to leave one location and go on to the next. You can’t help but wonder […]

by Jason Guerrasio on Jan 17, 2008

“GOLIATH” writer-co-director, David Zellner

I suppose we always could have used 10 percent more daylight since we attempted to shoot as much of the film as possible during “the magic hour.” It seems that regardless of the production’s size, there’s never enough resources, financing, time. In spite of these obstacles our shoot went smoothly and was a really liberating, fun experience. This was in no small part due to our friends and collaborators who filled in the gaps otherwise created by our budget limitations. These limitations also forced us to be resourceful and creative in ways that positively contributed to the film’s overall aesthetic. […]

by Jason Guerrasio on Jan 17, 2008

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6579 Results for “production”