production | Filmmaker Magazine

It All Comes Down

If you haven’t checked out the main page recently, please click over there and watch Jamie Stuart’s new short, 12.5 Seconds Later It’s goofy and charming and, to my mind, pretty much a miracle of no-crew production. Jamie shot and edited it himself and then, for the post, used new Final Cut Pro Studio software, including its new compositing program Motion. Jamie did the short at our request — we offered him use of a promo Apple system and in return he wrote a print review based on his experiences actually using the software to make a film. Both Jamie […]

by Scott Macaulay on Jul 19, 2007

Gerardo Naranjo, Drama/Mex

DIANA GARCIA IN GERARDO NARANJO’S DRAMA/MEX. COURTESY IFC FIRST TAKE. Not many people can genuinely claim that cinema is their savior, but Gerardo Naranjo is probably one of the few. Growing up in the small Mexican town of Salamanca, he frequently got into trouble and was forced to move from school to school as a result of his problems with authority, but managed to escape his difficulties while watching movies. He ended up studying at the Universidad Iberoamericana in Mexico City, where he founded a cinema club called Zero for Conduct, — named after the Jean Vigo movie, a favorite […]

by Nick Dawson on Jul 11, 2007

FILMMAKER HOSTS BEESLEY AT THE IFC

If you’re in NYC today, come check out the first of three evenings Filmmaker is hosting with the IFC of new work and personal appearances by idiosyncratic documentary filmmakers. The first is tonight and we’ll be screening the work of talking with Bradley Beesley. Here’s more info: Filmmaker and IFC Center are pleased to announce the debut of “Dialogues on Film,” a new series of screenings and discussions with directors, moderated by Filmmaker’s Scott Macaulay; the series launches Monday, July 9 at 7:30pm with “An Evening with Bradley Beesley.” The program includes Beesley’s cult classic documentary OKIE NOODLING, along with […]

by Scott Macaulay on Jul 9, 2007

Sundance Labs: “There is no end. Everything that’s happened will be carried forward.”

[ Filmmaker concludes its exclusive look inside the Sundance Directors and Screenwriters Labs (which wraps up at the end of the week) with a final entry from Filmmaker Braden King [pictured above], who’s been posting weekly stories on his experience at the Labs. His project is titled Here, co-written by himself and Dani Valent, and follows an American mapmaker charting the Armenian countryside who’s traveling with an adventurous landscape photographer revisiting her homeland. King has directed music videos and short films for Sonic Youth, Will Oldham and Yo La Tengo. He co-directed the film Dutch Harbor: Where The Sea Breaks […]

by Jason Guerrasio on Jun 25, 2007

John Dahl, You Kill Me

BEN KINGSLEY AND TÉA LEONI IN JOHN DAHL’S YOU KILL ME. COURTESY IFC FILMS. John Dahl has unquestionable cinematic flair and a genuine talent for telling unconventional stories, yet he never set out to be a film director. Growing up in Montana in the 60s and 70s, his great passions were art and music: he studied fine art in college, then dropped out to become a commercial artist and play in rock ‘n’ roll bands. Still uncertain of his place in the world, he ended up at film school where he focused on directing. After graduation, he worked as an […]

by Nick Dawson on Jun 22, 2007

THE TRIAL OF JT LEROY

Metafiction collided with the law in a New York court this week as Antidote Films, the production company of producer Jeff Levy-Hinte (Thirteen, Laurel Canyon), sued Laura Albert, the woman behind the fictitious author JT Leroy and the novel Sarah, for fraud. Reports Alan Feuer in The New York Times: This intricate game of hide-and-seek with its interlocking issues of identity, fame, money and the healing power of art has now leapt from the media to what is arguably the culture’s second most obsessive arena: the courts. A film production company has sued Ms. Albert for fraud, saying that a […]

by Scott Macaulay on Jun 16, 2007

Sundance Labs: “Like some kind of platoon, all of us here in the trenches together.”

[Beginning today Filmmaker Magazine will be taking an exclusive look inside the Sundance Directors and Screenwriters Labs. Every Monday Filmmaker Braden King will be posting a weekly story on his experience at the Labs until its conclusion on June 28. His project is titled Here, co-written by himself and Dani Valent, and follows an American mapmaker charting the Armenian countryside who’s traveling with an adventurous landscape photographer revisiting her homeland. King has directed music videos and short films for Sonic Youth, Will Oldham and Yo La Tengo. He co-directed the film Dutch Harbor: Where The Sea Breaks Its Back.] Friday, June 08 […]

by Jason Guerrasio on Jun 11, 2007

THE INTERNET KILLED THE ADULT MOVIE STAR?

Matt Richtel in The New York Times today looks at how the internet is transforming the adult entertainment industry. As the porn business has always been something of a trendsetter when it comes to adoption of new technologies and viewing patterns — the adult biz was instrumental in popularizing home video in the ’80s, for example — the article is worth reading for independent filmmakers. It discusses how the ‘net is now beginning to inflict record-industry-scale losses on the porn industry while also noting how the porn companies are responding to the threat. From the piece: After years of essentially […]

by Scott Macaulay on Jun 2, 2007

Cannes ’07: Wong Kar-wai on My Blueberry Nights

It’s a rainy mid-day in late August — the wetness welcome, following an intolerably hot week, even by New York City summer standards. At night during that unpleasant spell the postmodern auteur Wong Kar-wai — the master of lush visuals and unpredictable soundtracks, the absolute perfectionist concerned with memory, loss, loneliness, and the subjectivity of time — had been shooting scenes downtown on the West Side of Manhattan, on SoHo’s funky Grand Street, for My Blueberry Nights, his first movie in English and the out-of-competition opening night presentation at this year’s Cannes Film Festival (The Weinstein Company will release the […]

by Jason Guerrasio on May 15, 2007

CULTURE CZARS

The long-running French film journal Cahiers du Cinema recently launched an online English-language edition. In the current issue there’s a provocative article by the editors entitled “12 Objectives for Cinema in France” that I’ve been meaning to comment on. Written before Sarkozy’s victory — a prospect Cahiers clearly considered when drafting the article — the piece is interesting for what it says to some of us American fans of French cinema as well as for its implications on our own American indie film. (For more on the possible repercussions of Sarko’s win and what his promised “break with the past” […]

by Scott Macaulay on May 14, 2007

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6579 Results for “production”