If you’re in New York you’ve got a few days left to catch Guy Maddin’s Brand upon the Brain, the director’s spectacular staging of his latest movie with a live chamber orchestra, castrato, three live foley artists and an assortment of guest narrators like Lou Reed, Laurie Anderson and Isabella Rossellini. Like all of Maddin’s work, the film immerses itself in the poetics of early cinema, applying the style this time to a storyline that seems a mix of Dickens and gothic horror. But what makes it a must-see is its rare event quality. When the musicians start, the foley […]
ULRICH THOMSEN IN CHRISTOFFER BOE’S ALLEGRO. COURTESY INTERNATIONAL FILM CIRCUIT. Christoffer Boe likes Cannes. After graduating from the Danish Film School in 2001, his student film Anxiety played at the 2002 festival, where it won a prize from French critics, and then Boe returned to the Croisette the following year with his debut feature, Reconstruction. A dazzlingly inventive and playful film, Reconstruction‘s tale of love and parallel universes in Copenhagen beguiled critics and was awarded both the Camera D’Or and the Prix Regards Jeune. Boe was celebrated as international cinema’s most precocious wunderkind, and his film played all around the […]
In 2005 Filmmaker selected Rachel Boynton as one of our “25 New Faces of Independent Film” based on the advance knowledge we had on her completely excellent doc Our Brand is Crisis, which was successfully released in theaters last year. Today came more great news for Boynton and her doc. Pamela McClintock and Adam Dawtrey report in Variety that Warner Brothers has picked up feature remake rights to the doc for George Clooney and his Smoke House production company. According the trade paper, the film will be “reimagined as a dark comedy,” which is not much of a stretch if […]
Brit Edgar Wright’s film career began when, straight out of college, he wrote and directed his ultra-low budget debut feature, A Fistful of Fingers (1994), an affectionate comedic homage to spaghetti westerns. The film played a few festivals, and was enough of a success to get Wright work directing sitcoms and sketch shows, where he worked with many of the best British comic performers around. His friendship with actors Simon Pegg and Jessica Stevenson resulted in the trio creating Spaced, a television series about the oddball residents of a house in London which achieved cult status. The show, which playfully […]
Below I posted about the upcoming IFP Rough Cut Lab I’m teaching with Gretchen McGowan and a group of fantastic advisors in June. The deadline is April 27 (find more info here) so we’re in the final rounds of accepting and looking at material. But if you have a project and have been on the fence about submitting it, here’s an email I received from Matt Manahan, who went through the lab last year with his feature The Book of Caleb (pictured). It might help you decide if the process is one that can help you and your film. The […]
A couple of years ago I worked on a new program with the Independent Feature Project: the Rough Cut Labs. The idea came, in part, from my realization that much of maintaining a filmmaking career involves making a series of mistakes and then remembering not to make them on the next film you do. But if you’re making your first film, what if somebody could tell you beforehand what mistakes you might be likely to make? Or, forget mistakes, what if people who have been through the trenches could let you know what to expect as your film moves from […]
MOLLY SHANNON (AND PENCIL) IN MIKE WHITE’S YEAR OF THE DOG. COURTESY PARAMOUNT VANTAGE. Chuck and Buck (2000), an incendiary examination of male sexuality, announced the film’s writer and star, Mike White, as an unusually daring and original talent. His next foray as a screenwriter, The Good Girl (2002), was another subversive take on American life, and all the more refreshing in that it was a studio movie which dared to ask difficult questions and featured a raft of indie stalwarts (plus star Jennifer Aniston). Though White’s subsequent films, Orange County, School of Rock and Nacho Libre (all starring Jack […]
Andrea Arnold’s beautifully crafted first feature, Red Road, the follow-up to her Oscar-winning short film, Wasp, was shot on digital video and exploits a fresh, bold palette in telling the story of Jackie (Kate Dickie), an alienated Glasgow policewoman whose job is to watch Glasgow’s banks on surveillance monitors. One day, she notices a man behaving unusually and, becoming fixated on him, crosses a line. Stepping out from behind her monitors, she follows him towards the dangerous housing project called Red Road… Why is she so obsessed with this figure, a man she first glimpses as a shadow, almost a […]
Dave McNary reports in Variety the exciting news that Bingham Ray, former head of October Films and United Artists, will head up a new theatrical distribution arm at Sidney Kimmel Entertainment. The piece is short on details, but the coupling of Ray, the distributor behind the U.S. releases of films by Mike Leigh, Todd Solondz and Lars von Trier, among others, with the production company behind such films as United 93 is very promising right off the bat. More to follow…
The folks at Axium, one of the leading film payroll companies, recently sent an email updating its mailing list of changes and new developments in the various state film rebate programs. With their kind permission, here it is: COLORADO is planning to again fund its incentive, originally called the “Defense against Canada Act.” Details will be available soon. FLORIDA’s legislature is evauating proposed major changes to its incentives, which will switch from a rebate to a transferable credit of 15% or 20%, with $75 million available over the next three years. Details to follow. IDAHO is considering a bill which […]