production | Filmmaker Magazine

BRION’S CUES

The composer Jon Brion, who has done scores for directors such as Michel Gondry, David O. Russell, and Paul Thomas Anderson, has been getting a lot of ink this week for his producing and arranging work on the new Kanye West album. Here’s Rob Mitchum in Pitchfork Media, who compiles a 70-minute mixtape designed to update you on Brion’s eclectic body of work. From the piece: “The most talked about man in music right now is Kanye West, whose recently-released Late Registration album is already one of the most prominent critical battlefields of 2005. It’s no shocker that an expert […]

by Scott Macaulay on Sep 6, 2005

MOUNTAIN MAN

First assistant camerman and blogger John Ott emailed to tell us about the the blog he’s been keeping on the production of Rain in the Mountains, an indie feature written by Joel Metlen and co-directed by Metlein and producer Christine Sullivan. Ott blogs on everything from day-to-day production issues to “poor man’s ADR” to the stroke that affected one the leads just days before the film wrapped just last Tuesday. (The actor is recovering and Ott is regularly updating his progress.) Ott even links to Peter Jackson’s “making of King Kong diary so you can compare the difference between making […]

by Scott Macaulay on Aug 28, 2005

THE END OF RENAISSANCE

Via this article in Variety comes sad news: Renaissance, the London-based sales company, has shut down, declaring bankruptcy and pinkslipping its employees. A company that mades its name as a producer of such films as The Madness of King George and Wings of a Dove, Renaissance was one of the international sales companies that took an active interest in the American independent sector. It invested production coin in films like Rose Troche’s The Safety of Objects and was sales repping such films as We Don’t Live Here Anymore, Todd Louiso’s upcoming Macbeth, Gregg Araki’s upcoming Creeeps and two 2005 Sundance […]

by Scott Macaulay on Jul 7, 2005

THE BROKEN WINDOW THEORY PART TWO

Below we linked to a Hollywood Reporter article about the momentum in the industry towards collapsing the traditional theatrical/home video/pay television windows that have governed when new motion pictures are released to the public. Today on his blog, Mark Cuban, whose 2929 Productions and HDNet films are at the forefront of this experimental distribution, has a cogent explanation of his strategy. Make sure to read the postings from readers below his blog as well. Hollywood may not like it, but it’s clear that he is on to something. From the piece: “Why not price a DVD or the PPV at […]

by Scott Macaulay on Jun 5, 2005

CONTENT IS KING

While James Marsh’s film The King plays at the Festival de Cannes, the Hollywood Reporter relays this odd bit of news regarding ContentFilm, Ed Pressman and John Schmidt’s company that produced the pic: “Edward R. Pressman, co-chief executive officer of London-based ContentFilm PLC, and co-chief executive officer John Schmidt are going their separate ways after four years together. The board of directors of ContentFilm, which went public in December 2003, has voted to abandon film production and continue forward as a library acquisitions company. Schmidt will run the company, which has agreed to buy Fireworks International’s film and television library […]

by Scott Macaulay on May 17, 2005

OUT OF AFRICA

Ever since he made the independent classic Killer of Sheep Charles Burnett has had more than his share of tough times finding financing for his films. But this news story in Variety may detail his strangest career moment yet: the crew shut-down of his latest feature, Where Others Wavered due to lack of payment by the government of Namibia, where the film is shooting. From the article: “Principal photography started April 25 in the capital of Windhoek on the movie about former freedom fighter Sam Nujoma ( played by “Alias” thesp Carl Lumbly), who helped Namibia gain independence from South […]

by Scott Macaulay on May 12, 2005

THE GUATEMALAN HANDSHAKE

Here’s a novel promotional e-mail we received today from Todd Rohal, director and sound engineer of The Guatemalan Handshake. We can’t vouch for the accuracy of the story, but we thought you might find it of interest: “As the news of Tom DeLay’s misuse of funds is talked about daily here in the nation’s Capital, we at The Guatemalan Handshake would like to clear the air about our involvement… “Early on in our search for funding we were set up to meet with a high-profile Washington lobbyist. I bought a brand new pair of pants for the occasion. This lobbyist […]

by Jason Guerrasio on May 5, 2005

NEVER MIND THE DOLLAR MENU

One thing about the film business that has really sunk home recently is just how long movies take to move from development to production. And sometimes a project you think is dead in the water, or one that seems like pure folly, suddenly receives a high-profile resurrection. Take Fast Food Nation, the film version of the best-selling expose. All around cultural provocateur Malcolm McLaren has been pitching this project for years, and today from Variety there’s news that it is one of the big titles on London-based foreign sales company HanWay’s Cannes slate. Rick Linklater will direct, and Maria Full […]

by Scott Macaulay on May 1, 2005

SUNDANCE LAB PROJECTS ANNOUNCED

If you pick up the new issue of Filmmaker, you’ll notice by reading our cover articles on Miranda July and her first feature, Me and You and Everyone We Know, the large role the Sundance Institute had in developing that film and supporting its production. July’s film was a Summer 2003 Sundance Lab project and it went to become a hit at the Sundance Film Festival and will open from IFC Films this June. And then there’s another Lab project I’m very interested in — David Jacobson’s Down in the Valley, which I thought was an amazing script and which […]

by Scott Macaulay on Apr 27, 2005

FOLLOW THE MONEY!

I met with a young filmmaker the other day who told me that she couldn’t decide whether she should try to make her film for $2 million, $1 million, $500,000 or even do it no-budget at $150,000. She said she wanted to make sure that whatever she did, her film would make its money back. My response was to recommend that she construct her budget based on the creative and production needs of the film as well as the resources she’s able to tap into. But to bring in the specter of profitability? Well, as I explained, a $150,000 film […]

by Scott Macaulay on Apr 27, 2005

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6560 Results for “production”