Another vampire flick? For her debut film, A Girl Walks Home Alone At Night, Ana Lily Amirpour shrugged off suggestions that the genre’s been tapped one too many times in crafting a Lynch and Leone mash-up that gets to the root of our fascination with the timeless character. Shot in black and white and set to a distinctive soundtrack, A Girl Walks Home Alone At Night unfolds in the depraved (and fictional) Bad City, where a vampiric young woman and loner forge an unlikely love story. Filmmaker spoke with Amirpour about the stylistic influences and flourishes in the film, as well as its […]
by Sarah Salovaara on Jan 19, 2014Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? It’s funny because […]
by Filmmaker Staff on Jan 18, 2014