Acting
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“Those Guidelines, Those Gates, Those Boundaries, Can Free You to Find the Infinite Within Them”: Shrinking’s Luke Tennie, Back To One, Episode 307
To be a standout on a show featuring Jason Segel and Harrison Ford is quite a feat, but that’s exactly what Luke Tennie did in his breakthrough role as Sean in the hit Apple TV+ series Shrinking. On this episode, the seemingly effortlessly-talented young actor takes us back to his early days and details how football played a pivotal part in helping him with the disciplines required for acting. He explains his belief that there can be no real “play” without massive preparation; talks about coming to a place of understanding that auditioning is simply a “demonstration of my capabilities;” […]
by Peter Rinaldi on Sep 4, 2024 -
“Eventually What I Realized I Was Doing Was Trying to Create an Empathy Machine”: Will Brill, Back To One, Episode 306
He was in The OA, The Marvelous Mrs. Maisel, and played Roy Cohn in Fellow Travelers, but the stage is where Will Brill has found the most satisfaction and success recently, in A Case For The Existence of God, Uncle Vanya, and, just this year, as Reg in Stereophonic on Broadway, for which he received a Tony Award. On this episode he talks about building Reg by starting with his voice, why following playwright David Adjmi to a bar was a pivotal move, the importance of directorial affirmation, how his pre-show ritual has changed, and much more. Back To One […]
by Peter Rinaldi on Aug 27, 2024 -
“That’s What Lights Me Up the Most, This ‘Dance’ with the Writer”: Marianne Rendón, Back To One, Episode 304
Marianne Rendón’s performance in Summer Solstice, Noah Schamus’ “modern twist on the buddy comedy from a queer and trans perspective,” is special in such a rare way that makes shinning a light on it actually detrimental to its effect on the new viewer. Its revelations are small and imbedded in the nuances of the character. It’s how they seem rooted and not created, “lived” and not “played,” that make them extraordinary. On this episode, Rendón takes us back to her training, and how being fed great experimental theater before the classics resulted in a kind of “reverse engineering” of her […]
by Peter Rinaldi on Aug 13, 2024 -
“I’m Learning to Give Over to the Fear a Little More”: Dylan Arnold, Back To One, Episode 303
Still in his early career, Dylan Arnold has already built a diverse catalog of roles, including a breakout one in season three of Netflix’s You, reprising a fan-favorite for the Halloween franchise in Halloween Kills, and last year, of course, playing Frank Oppenheimer, holding much more than his own, opposite Oscar-winner Cillian Murphy. Now he goes a good bit darker in Alma Har’el’s Apple TV+ series The Lady In The Lake. On this episode, he talks about the differences between these two incredible actor’s directors, Har’el and Christopher Nolan, and what works best for him. He explains the importance of […]
by Peter Rinaldi on Aug 6, 2024 -
“There’s Never Any Trust Until You Just Do It”: Jimmy Tatro, Back To One, Episode 301
Jimmy Tatro is an actor, director, writer, and comedian best known for the popular YouTube channel he created over a decade ago, LifeAccordingToJimmy. His career expanded into the mainstream with roles in movies like 22 Jump Street and the Netflix series American Vandal, all while he continued to expand the content on his channel. His latest project is The Real Bros of Simi Valley: The Movie, a continuation of his popular mock-reality show web series. The film delves deeper into the absurd lives of friends navigating the quirks of suburban Southern California while preparing for their high school reunion. Tatro’s […]
by Peter Rinaldi on Jul 23, 2024 -
“The Hardest Thing Is To Get Out of Your Own Way”: Lady In The Lake‘s Y’lan Noel, Back To One, Episode 300
Y’lan Noel played Daniel in the HBO series Insecure starred in The First Purge, and now he plays Officer Platt in Lady in The Lake, Alma Har’el’s eagerly anticipated new series for Apple TV+ that drops on July 19th. On this episode, he discusses his unique approach to the work, which starts with, and centers on, daydreaming and the avoidance of aiming to do “the right thing.” He talks about allowing for “an energy that’s not me to make certain decisions;” the importance of solitude, space, stillness; how Har’el’s willingness to leave room for the mystical served his process; and […]
by Scott Macaulay on Jul 16, 2024 -
“It Was a Deeply Loving Set. Very Intimate. Very Small. Lots of Women”: Janet Planet Star Julianne Nicholson, Back To One, Episode 297
There are few actors more well respected than the preternaturally gifted Julianne Nicholson. Recent notable credits include August: Osage County, Dream Scenario, Mare of Easttown (which won her an Emmy award), and, her latest, playwright Annie Baker’s first film, Janet Planet. In this episode, she talks in-depth about playing Janet in that remarkable film, her elusive preparation process, getting the environment to settle into her body, actually learning how to do acupuncture, why she lets her instinct lead the way, and much more. Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and Spotify. […]
by Peter Rinaldi on Jun 25, 2024 -
“That’s What’s Thrilling about Acting—Recreating Private Moments”: John Early, Back To One, Episode 296
John Early is an actor, comedian, writer, and wearer of many hats. His latest as a comedian and writer is the HBO special Now More Than Ever. His latest as an actor is the independent film Stress Positions. On this episode he talks about how these two projects came about, the differences between the John Early character and himself, the pleasure of working on the series Search Party, why he relishes straight-up acting, the comedy breakthrough he made in his new special, and much more. Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google […]
by Peter Rinaldi on Jun 18, 2024 -
“I’m a Good Director’s Actor”: Clive Owen, Back To One, Episode 295
When you look at the illustrious career of Clive Owen, you see choices made based on the depth of the roles (Closer, Children of Men, Hemingway and Gellhorn, The Knick), not on trajectory or star power. His two latest projects, Monsieur Spade and A Murder At The End of The World, are quality television series where he’s able to settle in and deliver the grounded, nuanced work we’ve come to expect from him. On this episode, he explains why he needs time to prepare a role, and the “marination” process that is required. He talks about the qualities found in […]
by Peter Rinaldi on Jun 11, 2024 -
“The Most Human Part of Acting is the Moment In-Between When You Don’t Know What To Do”: Betsy Aidem, Back To One, Episode 294
Betsy Aidem has been in over 80 plays, off Broadway, on Broadway, and around the world. Recent titles of note: All The Way, where she played Lady Bird Johnson, Mama’s Boy, where she played Lee Harvey Oswald’s mother, Tom Stoppard’s Leopoldstadt, and Prayer For The French Republic, for which she is nominated for her first Tony Award. On this gold-filled episode, she talks about her love of extensive research, why she doesn’t think the people she plays are just one person, the “golden moment when your character is unsure,” the importance of a director’s patience and willingness to let her […]
by Peter Rinaldi on Jun 4, 2024
