Alice Diop
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“I Don’t Know How To Be a Product”: Saint Omer Star Guslagie Malanda (Back To One, Episode 236)
To say Guslagie Malanda plays Laurence Coly in Alice Diop’s Saint Omer feels incorrect; she becomes her. It’s a performance that holds such subtle power and authenticity that it’s easy to take it for granted. On this episode, Malanda explains why she turned down countless acting jobs after her first film, My Friend Victoria. She talks about the year-long pre-production period that she needed to prepare for the role, the nightmares that plagued her during that time, the breakthrough of learning to breathe, and much more. Back To One can be found wherever you get your podcasts, including Apple Podcasts, […]
by Peter Rinaldi on Jan 17, 2023 -
After the Tide Went Out: Isabel Sandoval Interviews Saint Omer Writer/Director Alice Diop
“Whereof one cannot speak, thereof one must be silent” is how the Austrian philosopher Ludwig Wittgenstein closes his early work The Tractatus Logico-Philosophicus. In Alice Diop’s Saint Omer, Laurence Coly (played by Guslagie Malanda) is a Senegalese immigrant to France on trial for the murder of her 15-month-old daughter, who she left on a beach to be washed out to sea by the outgoing tide. A student, Coly is writing her thesis on Wittgenstein, an academic detail she’s shamed for at the trial. (Why didn’t she write on the work of “someone closer to her own culture,” a professor wonders […]
by Filmmaker Staff on Dec 15, 2022 -
“Not Just a Formal Thing, But a Political Ethic”: Alice Diop on We
Alice Diop’s Nous begins with images of a white family looking through binoculars at an apparently uninhabited landscape, then cuts to a shot of the landscape itself, as if inhabiting their point of view. Immediately, then, the film suggests that the act of looking is one worth paying attention to. The question of who gets to look and how the looker reacts to what they see is inscribed, almost wordlessly, onto the film. I thought immediately of W.J.T. Mitchell’s Landscape and Power, which examines the artistic depiction of landscape as a politically charged one central to the formation of national […]
by Forrest Cardamenis on Jun 29, 2022 -
Six Favorites from the Just Concluded 2021 New Directors/New Films Festival
After moving its 2020 edition to December and shifting to online-only viewing, New Directors/New Films returned to its usual springtime slot for its 50th iteration in 2021, combining virtual screenings with in-person ones at the Museum of Modern Art and Film at Lincoln Center. The fest celebrated its golden anniversary with a streamable selection of films that played at ND/NF in years past — early work by luminaries such as Chantal Akerman, Charles Burnett, Lee Chang-dong, Christopher Nolan, and Humberto Solás. However, this well-deserved victory lap was just a sidebar to the main program: 27 new feature films, along with […]
by Nelson Kim on May 14, 2021
