Because the wheels of the movie machine turn slowly, timeliness is not among cinema’s primary virtues. Thus when a movie reflects an aspect of the cultural zeitgeist, it’s either an act of Nostradamian foresight or sheer luck. I don’t know which is the case with 10 Cloverfield Lane, but there’s something about this tense three-hander—which finds a paranoid middle aged white man (John Goodman) fighting to preserve his notion of American ideals inside a bomb shelter alongside a young woman (Mary Elizabeth Winstead) who refuses to accept his envisioned role—that feels right at home in a world where a President […]
by Matt Mulcahey on Mar 23, 2016There’s been a lot of talk lately about indie directors making the leap to studio productions, but few have handled the transition as skillfully as David M. Rosenthal does in the smart, funny, and scary thriller The Perfect Guy. In a way it’s the perfect studio assignment for Rosenthal, in that it takes full advantage of the skills he exhibited in his previous film, 2013’s richly atmospheric thriller A Single Shot, while also allowing him to explore new territory as an old-school genre director. The basic premise is nothing new – it’s the stuff of dozens of Lifetime “woman in jeopardy” […]
by Jim Hemphill on Sep 10, 2015The settings for Craig Zobel’s 2012 behavioral experiment Compliance and the director’s new post-apocalyptic tale Z for Zachariah couldn’t be more different. The former takes place almost entirely in the claustrophobic confines of a fast food restaurant’s employees-only areas. The latter unfolds amidst lush, bucolic tranquility. Yet at the heart of both films is a study of group dynamics. Set in an idyllic valley mysteriously immune to an extinction-level catastrophe, Z for Zachariah begins as a two-hander featuring Margot Robbie as a Christian farm girl who believes she’s the last person on earth until the arrival of an atheist scientist […]
by Matt Mulcahey on Sep 4, 2015