Second #5922, 98:42 Second # 5969, 99:29 Second # 6016, 100:16 In honor of Andrew Sarris, who passed away yesterday, three frames from Blue Velvet. Although Sarris’s essay “Notes on the Auteur Theory in 1962” (which appeared in the Winter 1962-63 issue of Film Culture) is best-known for its argument that “over a group of films, a director must exhibit certain recurring characteristics of style, which serve as his signature,” the essay also grapples with a more difficult, elusive, less discussed aspect of the auteur theory, what Sarris called a film’s “interior meaning”: The third and ultimate premise of the […]
by Nicholas Rombes on Jun 21, 2012