The release of a new vocal album of songs by Brian Eno — his first such solo “non-ambient” recording since 1977’s Before and After Science (I’m not including albums that mixed songs with instrumental pieces like 1997’s Nerve Net) — would be significant enough to post about on this film blog even if Eno wasn’t an artist whose work has been massively influential to filmmakers. But from the glam rock art songs of his that appeared on the Velvet Goldmine soundtrack to instrumental pieces that have played significant roles in films like 28 Days Later and Heat to his video […]
by Scott Macaulay on Jun 3, 2005