Over the years, many New York-based media arts organizations and the film festivals they produce have folded, or scraped by in spite of outdated approaches and rigid programming. Asian CineVision and its offspring, the Asian American International Film Festival, on the other hand, have proven to be the little engines that could. The secret to their success: a keen awareness of shifts in the zeitgeist and talent pool, without losing sight of the Asian American community they serve (with a value added outreach to non Asian American communities). They are masters of reinvention. The 37th edition of the AAIFF (July […]
by Howard Feinstein on Jul 23, 2014Some titles that blur the gray line between ideology and pleasure could well have been fodder for battle between the just-concluded New York Asian Film Festival (NYAFF) and the Asian American International Film Festival (AAIFF), which runs July 24-August 3. The former is larger and younger (b. 2002) and comprised almost entirely of entertaining generic fiction; the latter, smaller, older (b. 1978), and more diverse, a politicized showcase in which fiction, documentaries, and hybrids share pride of place. Yes, there is telling overlap in their respective agendas. The AAIFF divides its 26 features into six strands (44 shorts are branded separately): Triple […]
by Howard Feinstein on Jul 22, 2013