Avant Garde
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IN ROTTERDAM, AMERICAN FILMS THAT COULDN’T EXIST ANYWHERE ELSE
After the rush of sales in Park City this year, it seems the entire American cine-punditry is racing to declare this the beginning of a new golden age in American Independent Film. I sure hope they’re right. One wonders if March’s SXSW Film Festival in Austin will continue the trend and finally push that festival into true market status. Nearly 40 films were acquired in Park City and many more that premiered there will surely be acquired in the weeks and months to come. Yet for some of the most daring new American films, the sales rat race at Sundance […]
by Brandon Harris on Feb 4, 2011 -
CHICAGO UNDERGROUND FILM FEST LINEUP; HONORS JONAS MEKAS
The 2010 Chicago Underground Film Festival, to be held June 24-July 1, will be honoring experimental film guru Jonas Mekas with its Lifetime Achievement Award. Mekas will attend a number of festival screenings, including that of the new documentary Visionaries: Jonas Mekas and the (Mostly) American Avant-Garde, at which he will participate in a Q&A with director Chuck Workman. Here is the complete CUFF lineup: June 24 8:00 p.m.: The Wild Hunt, dir. Alexandre Franchi. A jilted boyfriend enters the strange world of medieval re-enactments in a desperate bid to win his girlfriend back. June 25 6:00 p.m.: World’s Largest, […]
by Jaimie Stettin on Jun 3, 2010 -
Azazel Jacobs, Momma’s Man
MATT BOREN, FLO JACOBS AND KEN JACOBS IN DIRECTOR AZAZEL JACOBS’ MOMMA’S MAN. COURTESY KINO INTERNATIONAL. Trying to make it as a director is difficult – and particularly so when your father is one of the most respected filmmakers in his field – however in the last few years Azazel Jacobs has made a name for himself in his own right with a string of individual and resonant films. Jacobs, the son of avant garde filmmaker Ken Jacobs and painter Flo Jacobs, grew up in New York City and studied film at Purchase University in upstate New York. His graduation […]
by Nick Dawson on Aug 22, 2008 -
THE BARNEY CHRONICLES
Paul Cullum has a great, out-of-nowhere piece in the New York Times on the unexpected collaboration between avant-garde publishing elder statesman Barney Rosset and Chicago-based filmmaker James Fotopoulos. Rosset ran for years Grove Press, publishing works by such authors as D.H. Lawrence, Henry Miller and William Burroughs, and then successfully defending these works from U.S. obscenity charges. When I was a teenager I picked up the Evergreen Review Reader, an anthology of works culled from his literary magazine, and it opened the door for me to a whole world of radical literature and theater. Cullum’s piece is one of those […]
by Scott Macaulay on Dec 4, 2005 -
MARK LAPORE, 53
The Boston Globe ran today this obituary for experimental filmmaker, documentarian, and teacher Mark LaPore, who died September 11 in Boston. LaPore’s newest film (pictured at right), Kolkata, will premiere next week at the New York Film Festival’s “Views from the Avant Garde.” From the piece: “Mark McElhatten, cocurator of the Views from the Avant-Garde program of the New York Film Festival, described Mr. LaPore’s films as ”unique, a form of visual anthropology but equally about the mystery of being and film as consciousness. These uncompromising films have enormous integrity and deserve a very important place within the entire history […]
by Scott Macaulay on Sep 25, 2005
