As a woman/feminist, I put little stock in the Bechdel Test. Yes, it’s a quick means of exposing the macho-centric ways of Hollywood, but the picture grows hazier in independent and experimental film. Kevin B. Lee addressed this in a recent video essay, where he makes the case that Jem Cohen’s Museum Hours contains a richly drawn female character, despite the fact she confides in a gay man and not another woman. In a follow-up of sorts, Lee considers sexploitation films in the context of the Bechdel Test, noting that questionable motives can nonetheless earn a passing grade. While Doris Wishman’s bold melange of genres frequently downplays […]
by Sarah Salovaara on Aug 1, 2014One of the clever recent innovations at the subscription streaming service Fandor is the ability to filter films using the Bechdel Test. Created by cartoonist Alison Bechdel, the Bechdel Test applies three criteria to judge the quality of female representation in a motion picture: 1) it has to have at least two [named] women in it; 2) who talk to each other; 3) about something besides a man. In a new video essay, “Beyond Bechdel: Testing Feminism in Film,” Lee interrogates the Bechdel Test using films from the Fandor library, asking whether the test is a meaningful criteria when considering […]
by Scott Macaulay on Jul 9, 2014