The cinema world was quick to juxtapose an image from the climax of this year’s award ceremony—where Iranian director Jafar Panahi took home the Palme d’Or for his generously-received It Was Just an Accident—alongside one in which this year’s jury president Juliette Binoche protested Panahi’s 2010 arrest and imprisonment while she accepted her Best Actress prize for Certified Copy. The latter image, one of the most indelible of recent Cannes history, also circulated a bit after the lineup was announced several weeks before the festival began, as many doubted Binoche’s capacity for impartiality. Whether or not Panahi’s film needed only […]
by Blake Williams on May 26, 2025After his road movie Kaili Blues became an international success, writer and director Bi Gan turned to the film noir genre for his follow up, Long Day’s Journey into Night. The layered, dreamlike plot follows Luo Hongwu (played by Huang Jue) as he returns to his hometown, looking into the past for clues about what happened to Wildcat (Lee Hong), a lost love he last saw more than a decade ago. Set in the bars, alleys and seedy hotels of Gan’s home province, the film is divided into two parts. Elliptical scenes and a fractured timeline give the first half […]
by Daniel Eagan on Mar 14, 2019As a singer, actress, writer, and director, Sylvia Chang has been at the forefront of Asian culture since the 1970s. She has worked with directors like King Hu, Tsui Hark, Johnnie To and Jia Zhangke, and directed several of her own features. Chang is the subject of a 15-movie retrospective at the Metrograph running May 18–27. Along with films she directed, including Murmur of the Heart and 20 30 40, the series includes Shanghai Blues; That Day, on the Beach; Mountains May Depart, and Office, a musical based on her stage play Design for Living. Chang spoke with Filmmaker Magazine after the New York […]
by Daniel Eagan on May 23, 2018