It’s a golden era for “forgotten musical acts of the ’60s and ’70s” docs. While Malik Bendjelloul’s Searching for Sugar Man took home the BAFTA and an Academy Award for Best Documentary earlier this year, following a wave of acclaim after its Sundance premiere, films like Jeff Howlett and Mark Christopher Covino’s A Band Called Death, Jay Bulger’s Beware of Mr. Baker and Morgan Neville’s Twenty Feet from Stardom have ridden the festival circuit praise to their own well-received releases in recent months. Next in line is Drew DeNicola and Olivia Mori’s Big Star: Nothing Can Hurt Me, an assured, rather handsome look at the […]
by Brandon Harris on Jul 5, 2013If you recognize the name Big Star, chances are you’re already a fan. Considered by many grandfathers of indie-rock, the band formed in Memphis, Tennessee in 1971. A precarious time for music, Big Star released their first two albums (the dual pop masterpieces #1 Record and Radio City) just as the major labels were riding the post-60s hangover away from creative ingenuity and towards corporate rock excess. Beleaguered and disheartened by their lack of mainstream success, Big Star went on to release one more album, the frustrated and nihilistic chronicle of artistic disintegration Third / Sister Lovers. Co-founder Chris Bell […]
by Jane Schoenbrun on Mar 15, 2012SXSW has announced their complete 2012 feature film slate. Over 90 films will screen across the festival’s ten categories, including the already announced opening night premiere of Joss Whedon’s Cabin in the Woods and a special preview screening of Lena Dunham’s new HBO series Girls. New additions include the sixteen films premiering in narrative and documentary competition. The eight films competing on the narrative side include Booster, directed by Matt Ruskin, Eden, directed by Megan Griffiths, Gayby, directed by Jonathan Lisecki, Gimme the Loot, directed by Adam Leon, Los Chidos, directed by Omar Rodriguez Lopez, Pilgrim Song, directed by Martha […]
by Jane Schoenbrun on Feb 1, 2012