Both Sides of the Blade
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Back to One, Episode 210: Juliette Binoche
Read just a sample of Juliette Binoche’s credits — Mauvais Sang, Three Colors: Blue, Damage, The English Patient, Chocolat, Certified Copy, Clouds of Sils Maria, Let The Sunshine In — and one thing becomes clear: few actors have been as internationally respected for such a sustained period of time. In this episode, she speaks about the importance of acting from the body and learning to use “sensation” as a starting point. She tells a story about feeling lost on the set of John Boorman’s In My Country, and what set her free should be a lesson to all directors. She […]
by Peter Rinaldi on Jul 5, 2022 -
Berlinale 2022 Critic’s Notebook: The Novelist’s Film, Both Sides of the Blade, Robe of Gems
2020 got off to a fine start. In February I made my first visit to the Berlinale, where I interviewed a couple of filmmakers and indulged in the competition lineup, a King Vidor retrospective and the 50th anniversary of Forum. Like all of my festival trips, I considered it a working vacation—a chance to see friends, explore a city and escape for a few days from my suburban, white-collar life. At the last press screening I attended, another critic asked if I was Italian before taking a seat a few feet away. Even in the cloistered environment of the festival, […]
by Darren Hughes on Feb 19, 2022
