A few weeks ago my Twitter feed abruptly devolved into a long argument about The Canon: is it just an ossified collection of movies made by white men that should be junked? I don’t think The Canon is a fixed, immutable body of work, never to be added or subtracted to — it’s being constantly reshuffled, with films and filmmakers rising and falling in prominence. Repertory houses have a major part to play in that process, which I note while in the position of wanting to commend a smattering of series and screenings kicking off this weekend in NYC, none of […]
by Vadim Rizov on Apr 26, 2018Here are a few of the articles in my Instapaper this week. At Bad Lit, Mike Everleth has his usual excellent selection of Underground Film Links, including this link to “Foreign Cinema: Whither San Francisco’s Experimental Film Legacy,” by Kimberly Chun at the Bold Italic. She visits Canyon Cinema and and various local filmmakers, looking for scene described in the Pacific Film Archive’s first book, Radical Light. Chuck Tryon watches (and likes) The Fighter with his Massachusetts-born fiance and notes the reference to the documentary High on Crack Street: Lost Lives in Lowell: A look back at the documentary shows […]
by Scott Macaulay on Feb 13, 2011