Since the advent of YouTube and Vimeo, filmmakers have rolled the dice, releasing their shorts online for free in the hopes that their work will court the right set of eyeballs. Nowadays, even at banner institutions like The New York Times and The New Yorker, more and more curated short-form distribution opportunities are cropping up online that hint toward visibility and prestige for the films, along with, sometimes, financial returns for the filmmakers. Last December, The New Yorker introduced “The Screening Room,” a streaming platform where they rolled out three shorts acquired at the 2014 Sundance Film Festival: Person to […]
by Sarah Salovaara on Jul 23, 2015SXSW has announced their complete 2012 feature film slate. Over 90 films will screen across the festival’s ten categories, including the already announced opening night premiere of Joss Whedon’s Cabin in the Woods and a special preview screening of Lena Dunham’s new HBO series Girls. New additions include the sixteen films premiering in narrative and documentary competition. The eight films competing on the narrative side include Booster, directed by Matt Ruskin, Eden, directed by Megan Griffiths, Gayby, directed by Jonathan Lisecki, Gimme the Loot, directed by Adam Leon, Los Chidos, directed by Omar Rodriguez Lopez, Pilgrim Song, directed by Martha […]
by Jane Schoenbrun on Feb 1, 2012