Coralie Fargeat
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The Monster You Become: Coralie Fargeat on The Substance
Even for the most callous horror-heads, Coralie Fargeat’s debut feature, Revenge (2017), stunned with its gruesome rape-revenge plot and blunt-force style, announcing the French director as a genre talent on the rise, capable of invoking her cinematic inspirations while departing from them on her own frenzied, feminist terms. The Substance, which won the award for Best Screenplay when it premiered at Cannes earlier this year, somehow cranks up the madness even further, unfolding a dark Hollywood fairytale about aging and feminine beauty standards that stands among the most adventurous in the body horror genre. Demi Moore plays Elisabeth Sparkle, a […]
by Beatrice Loayza on Sep 18, 2024 -
Cannes 2024: Awards, Anora, Emilia Pérez, The Substance, The Seed of the Sacred Fig
In my awards-wrap piece for last year’s Cannes, I complimented jury president Ruben Östlund and his deliberators on a deliberation well done. They chose to award mostly the films Vadim Rizov and I had already covered in prior dispatches, granting me the freedom to go longer on my thoughts about The State of the Festival, as well as highlights from the Quinzaine des cinéastes sidebar (a.k.a. The Directors’ Fortnight), which had just finished unveiling new artistic director Julien Rejl’s inaugural edition. No such luck this year—not because Greta Gerwig gave ungreat prizes (au contraire, her jury’s picks were about as […]
by Blake Williams on May 30, 2024 -
Hereditary, Horror and the Power of Choice
It was the closing night of the Overlook Film Festival and everyone was gathered at a mansion on the outskirts of town. I was coming out of the bathroom, spooked, because A24 had planted some Hereditary sound effects next to the toilet. Jesus. The film, which comes out today, had closed the festival earlier that night and had left everyone on edge — deliciously so. I grabbed a glass of wine, discussing the experience with a stranger who was leaning against a wall outside next to some friends. Why do we put ourselves through all this? There was a number […]
by Meredith Alloway on Jun 8, 2018
