The Myth of the American Sleepover has seduced audiences from Austin to Cannes with the intimacy of its look at a group of teenagers during one long, magical summer night. Writer-director David Robert Mitchell and his team discuss the film’s journey to the screen. By James Ponsoldt
by James Ponsoldt on Apr 17, 2011One of the discoveries of the 2010 Cannes Film Festival was a film that actually premiered at SXSW: David Robert Mitchell’s Myth of the American Sleepover. Receiving its international premiere in the Critics Week section, Myth of the American Sleepover is a dreamy, romantic, and wistful take on the amorous longings of our teenage years. It’s set during one night in which Mitchell’s various teen characters crisscross their Michigan town between several sleepovers, all-night slumber parties, and general hang outs. Without stooping to farfetched plot elements or melodramatic contrivances, the film compels our viewing by nailing just the right tone […]
by Scott Macaulay on May 22, 2010