I had a dream the other night, and all my filmmaking heroes were there. Young, full of vision, light in their eyes. A party at a swanky bar. Then last call was called. And the lights came up. And Orson Welles was drunk, huge, exhausted. And Nicholas Ray, with an eye patch, was chain smoking. And Hal Ashby was haggard, mumbling to himself in the corner about someone taking away his final cut. The horror stories of my heroes haunt me. What is it that happened to them? Did they bring it on themselves with youthful hubris and defiance? Were […]
by Noah Buschel on Jul 29, 2014Like most working independent film producers, I’ve pitched my projects to more potential financiers than I can remember. I’m always relieved when they’re seasoned film investors because then I can focus on the creative aspects of the project, the production and distribution plan, and the recoupment structure. When I pitch to someone who hasn’t invested in film before, most of my time is spent explaining how film investment works, the typical life cycle of a film, and the current industry landscape (often with historical context!). I genuinely love educating people about “how film works.” It’s great to shatter the US Weekly version of the […]
by Mynette Louie on Aug 20, 2012