Distribution

MYOPIAWOOD

I have an informal ban on the word “Indiewood” in Filmmaker. It’s just too cutesy for me. But maybe I’ll pick up Bill Mechanic’s “Myopiawood,” coined in this opinion piece posted over at the Movie City News site. In “Welcome to Myopiawood,” the producer and former Fox head criticizes suggestions floating out there by folks like Mark Cuban that the various “windows” separating theatrical exhibition of films from their release on home video and pay television formats should be collapsed or even eliminated. And for those of you who think this is an esoteric argument, well, the folks at CNN […]
by Scott Macaulay on Aug 20, 2005
THE GLOBAL FAMILY

Writing in the New York Press, Matt Zoller Seitz (who recently spoke with Jeremiah Kipp for Filmmaker about his own debut feature, Home) uses the occasion of Jet Li’s trip to the U.S. to promote the Rogue Pictures release of Unleashed to pen a lengthy and thoughtful appraisal of the various martial arts genres in the age of globalism and the Internet. From the piece: “In the past decade, the rise of the internet and cheap DVD authoring technology made it harder for repressive governments to regulate pop culture’s ebb and flow. When a noteworthy new release comes out in […]
by Scott Macaulay on May 12, 2005
U.S. DISTRIBUTORS IN CANNES

Anne Thompson files a fairly exhaustive survey of the American companies and their business objectives going into the Cannes Film Festival and Market. And even if you’re not headed to the Croisette, it’s worth reading as a summary of the state of the indie distribution business. Among the topics Thompson covers are the potential business partners of the Weinstein Brothers, the road ahead for Bob Berney in his new HBO/New Line theatrical distribution outfit, and the strategies of the smaller companies like ThinkFilms and Roadside Attractions. She also comments on likely pick-ups. From the piece: “Distributors who saw advance screenings […]
by Scott Macaulay on May 10, 2005
EMERGING PARTICIPATES WITH PARTICIPANT

From a press release we received today: “Emerging Pictures announced today that it will launch its Digital Cinema Network with an investment by Los Angeles-based Participant Productions. This digital cinema initiative will establish a nationwide network for the distribution and exhibition of specialty films in such venues as prestigious museums, performing arts centers, science & technology institutions, and restored movie palaces. These venues will screen independent and international films, both dramatic and nonfiction, as well as alternate content such as film festivals, dramatic performances, concerts, and other mission-appropriate programming. “Participant Productions, founded in 2004 by eBay pioneer and philanthropist, Jeff […]
by Scott Macaulay on Feb 7, 2005
THE LONG ARM OF LONG TAIL

Checked out the Cyan Pictures site and discovered several new postings, the most interesting of which is the announcement of Long Tail Releasing, the Manhattan-based production company’s new distribution arm. Long Tail plans to release from 15 to 25 films in its first year and gear up to the release of an astounding 250 films annually, all by economizing and compacting the costs of distribution. Writes Cyan’s Josh Newman: “Long Tail started from a simple question: what costs make up that $250,000 [the initial releasing costs of a low-budget arthouse film], and how can we drastically reduce, share or eliminate […]
by Scott Macaulay on Feb 7, 2005
YARI DISTRIBUTES?

Anne Thompson, whose “Risky Business” ran in Filmmaker for the past year, recently moved over to The Hollywood Reporter where her identifiable and accessible brand of smart industry reporting has already garnered a number of scoops and interesting pieces. Her latest is an intriguing piece on indie mogul Bob Yari, which implies that the producer is holding off on a deal for Mike Mills’ well-reviewed Sundance entry Thumbsucker so he can self-distribute it through a new distribution venture. Writes Thompson: Yari isn’t thrilled by how his films have performed so far. Most distributors, he finds, use the domestic release as […]
by Scott Macaulay on Feb 4, 2005
GIMME A (TAX) BREAK

It’s pretty unusual to wake up in the morning and read entertainment industry news detailing benefits specifically targeted towards independent filmmakers. But that’s what this (subscription-only) Variety piece does as it explains provisions in the just-signed American Jobs Creation Act of 2004 that make it more advantageous for investors to invest in independent film. Writes Susan Crabtree and Ian Mohr, “After years of lobbying, independent filmmakers scored a major victory Friday when President Bush signed a bill that gives a sweeping tax break to movies made in the U.S. Producers believe the measure may draw substantial fresh funds into indie […]
by Scott Macaulay on Oct 25, 2004

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