Documentary

Abby Epstein, The Business Of Being Born

AN EXPECTANT MOTHER IN DIRECTOR ABBY EPSTEIN’S THE BUSINESS OF BEING BORN. COURTESY RED ENVELOPE ENTERTAINMENT. After years as a theater director, Abby Epstein has transitioned into being one of the most important new female voices in documentary film. Epstein began directing plays in the 1980s in Chicago where she started her own theater company, Roadworks Productions. In the late 1990s, she relocated to New York to helm the highly successful Broadway musical RENT. Notable amongst numerous other credits is her involvement with Eve Ensler’s seminal The Vagina Monologues, which she directed during its New York run as well as […]
by Nick Dawson on Jan 9, 2008
A WHOLE LOT OF GREEN

Filmmaker, performer and musician Brent Green, one of Filmmaker‘s 2005 25 New Faces of Independent Film, sent an email with all of the exhibitions and performances he’s planned for the next couple of months. If you haven’t seen his intense and theatrical live performances, in which he collaborates with musicians for a live score and, in the process, comes up with a different model of independent film exhibition, I highly recommend you check one of them out. A recent performance clip is embedded below, and here’s the email: On Jan. 11th I’ll be screening all of my films with live […]
by Scott Macaulay on Jan 7, 2008
POULTRY POWER

The below was posted on Filmmaker‘s Facebook page by John Fiege, director of the documentary Mississippi Chicken, which was one of our five “Best Film Not Playing Near You” Gotham Award nominees this year. As it’s a general call for support, I’m taking the liberty of posting it here. It’s the holiday season, and in the spirit of Christmas a major poultry company fired one of MPOWER’s board members in what appears to be a retaliatory action for his active involvement in fighting several cases of race discrimination at the plant. MPOWER is the workers’ center that was in the […]
by Scott Macaulay on Jan 5, 2008
Andrew Piddington, The Killing Of John Lennon

JONAS BALL AS MARK CHAPMAN IN DIRECTOR ANDREW PIDDINGTON’S THE KILLING OF JOHN LENNON. COURTESY IFC FILMS. After spending the majority of his career working in television, 54-year-old Brit Andrew Piddington has committed the rest of his career to being an independent film director. He began his career working with poetic filmmaker Brian Lewis in 1980, and directed his first solo project as a writer-director, D.H. Lawrence as Son and Lover, that same year. Over the course of the 80s, he distinguished himself with his television work, most notably more biographical dramas about significant cultural figures, such as Under the […]
by Nick Dawson on Jan 2, 2008
Rising Voices

In Denzel Washington’s second directing effort, the Oprah Winfrey produced The Great Debaters, he takes what he learned from his debut, Antwone Fisher, and uses it to make the inspirational true story of one small all-black school’s rise to the top of the college debating ranks in the Jim Crow South. Washington also stars in the film as the rebellious Melvin B. Tolson. Known for his American Modernist poetry and a contemporary of the Harlem Renaissance, in the ‘30s Tolson was a professor at Wiley College in Marshall, Texas. There he coached the debate team and in 1935 his team […]
by Jason Guerrasio on Dec 21, 2007
FILM IN FOCUS LAUNCHES

I want to take a moment and tell you guys about a new website that Peter Bowen, Nick Dawson and I from Filmmaker are involved with. First, the history. In the late Spring of this year Peter and I had several conversations with Focus Features president James Schamus about film websites — what’s good out there, what’s not, and, most specifically, what’s missing from the film blogosphere. James talked to us about his vision of a site that would be dense with original content appealing to both cineastes as well as a more general audience enthusiastic about specialty film. Intrinsic […]
by Scott Macaulay on Dec 17, 2007
ST. CLAIRE BOURNE, RIP

Sadly, this just in from Adrienne Jones, Treasurer and Membership Director of the Black Documentary Collective: We regret to inform everyone that St Clair Bourne, our founder, has passed away. Details of his passing will follow. Also, information about his memorial service will be sent as soon as we have it. Members have expressed interest in making donations to the family. We would like to contribute money through our BDC/St Clair Bourne fund. If you wish to make a donation, please forward payment to: BDCP.O. Box 610Hamilton Grange StationNew York, NY 10031. In the memo line please write BDC/St Clair […]
by Scott Macaulay on Dec 16, 2007
Esther Robinson, A Walk Into The Sea: Danny Williams And The Warhol Factory

ANDY WARHOL AND DANNY WILLIAMS IN DIRECTOR ESTHER ROBINSON’S A WALK INTO THE SEA: DANNY WILLIAMS AND THE WARHOL FACTORY. COURTESY ARTHOUSE FILMS. Esther Robinson has an effusive passion for cinema that is infectious, and has led her to dedicate her career to helping artists and filmmakers. She studied film and television at NYU’s Tisch School for the Arts, and at the age of only 24 produced Alive TV, a television show for PBS about alternative and experimental film. In 1998, she started Wavelength Releasing, a company established to explore new ways to make, distribute and show movies, which was […]
by Nick Dawson on Dec 14, 2007
SLAMDANCE PREVIEW: MY MOTHER’S GARDEN

Cynthia Lester’s film My Mother’s Garden has been selected for the Slamdance Documentary Competition and will premiere at Park City in January. The film has a MySpace page which streams the extraordinary show reel (also embedded below) and contains this summary of the film: My Mother’s Garden explores one woman’s extreme attachment to material objects and her emotional struggle to let go of them. My Mother’s Garden is the story of Eugenia Lester whose hoarding disorder has entered a dangerous and life threatening stage. Directed by her daughter Cynthia, it documents how one family comes together to cope with their […]
by Scott Macaulay on Dec 9, 2007
ANOTHER WAY OF THINKING

Last winter in a Filmmaker article recapping 2006’s most notable trends in independent film, I used as my lede a discussion of metrics — how, in every business, there’s some kind of unit of evaluation, but how in independent film that yardstick is often hopelessly confused. First-time filmmakers exorcising personal demons or doc makers espousing outside-the-mainstream viewpoints are later shocked and disheartened when their films don’t get picked up by a mini-major and gross Michael Moore numbers. Why don’t, I wrote, filmmakers consider things like the importance of transmitting the film’s message and their own enjoyment and personal growth as […]
by Scott Macaulay on Dec 9, 2007

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