The Toronto Film Festival doesn’t start until later this week, but already its new doc blog is off to a great start. It’s both an online destination to update yourself on festival news as well as a place for Festival filmmakers to write about everything from the making of their films to other films at the festival they’ve been compelled by. There are a bunch of great pieces already up. Here, for example, is Sophie Fiennes on her Pervert’s Guide to Cinema, a three-part documentary in which Slavoj Zizek analyzes films by such favorite directors as Hitchcock, Lynch and Tarkovsky: […]
by Scott Macaulay on Sep 4, 2006Astra Taylor, one of our “25 New Faces” this year, passed on information about a new media activist and documentary organization, Lens on Lebanon, currently seeking donations and support. From the group: Lens on Lebanon is a grassroots documentary initiative formed in response to the devastating Israeli bombardment of 2006. As filmmakers, journalists, and activists from Lebanon, Europe, and North America, we are pooling our resources to deliver film and video equipment into communities in south Lebanon, and to bring out documentary evidence as well as photo narratives, and video diaries of daily life under siege. With its infrastructure destroyed, […]
by Scott Macaulay on Aug 16, 2006Several years ago I selected for our annual “25 New Faces” feature filmmaker Jonathan Weiss, who had just finished a many-years-in-the-making adaptation of J.G. Ballard’s great novel The Atrocity Exhibition. The film is full of amazing sequences, has a truly unique and disquieting tone, and embodies a keen understanding of the ideas that course through Ballard’s most radical novel. (Yes, more radical than Crash.) I spoke to Weiss a few weeks ago and it seems like he’s looking for a U.S. video deal for the film. I hope he’s secured one by now, but in the meantime, here’s Tim Lucas […]
by Scott Macaulay on Jul 19, 2006Co-director Keith Fulton reveals how to create an unlikely filmic Frankenstein like Brothers of the Head, welding a bizarre story of conjoined rock stars onto a fake-documentary framework. HARRY TREADAWAY AND LUKE TREADAWAY IN KEITH FULTON AND LOUIS PEPE’S BROTHERS OF THE HEAD. Ever heard of Tom and Barry Howe, conjoined twin frontmen from seminal seventies punk rock band Bang Bang? Remember “Two Way Romeo,” their signature live hit, when Barry would pull up his shirt and display the shared flesh-band that forever connected them at the midsection? No recollection? Then what about the British band “Spinal Tap,” with the […]
by Jason Guerrasio on Jul 16, 2006The guys over at Other Music have noted the DVD re-release of Ron Dorfman and Peter Nevard’s 1970 documentary, Groupies. A rarely seen cult film on the ’60s rock scene, Groupies is now out from Cherry Red Records and is described by their catalog like this: A classic sixties documentary, “Groupies”, finally gets its release on DVD. “Groupies” is the ultimate expose of back-stage shenanigans. At times hilarious, at times almost tragic, the documentary follows the fortunes and dilemmas of various real life groupies, a supremely hedonistic bunch of rock fans, on their relentless search for a new kind of […]
by Scott Macaulay on Jul 15, 2006Many filmmakers lately have been interested in blending documentary with drama, mixing real people and places into classically structured stories. Perhaps the best of these recent attempts is also the most timely and vital; Michael Winterbottom and Mat Whitecross’s The Road to Guantanamo, which tells the true story of three British Muslims who, traveling to Pakistan for a wedding, haplessly wind up captured by U.S. military and sent to Guantanamo Bay. Winterbottom and Whitecross shoot on DV and blend talking-head interviews with the real “Tipton Three” — who have since been released — with incredibly dramatic scenes with actors that […]
by Scott Macaulay on Jun 23, 2006With The Outsider, cinematic badboy James Toback gets in front of the camera for first-time filmmaker Nicholas Jarecki. “Who is James Toback?” That’s the question documentary filmmaker Nicholas Jarecki poses in The Outsider, a freewheeling and highly watchable portrait of the director of idiosyncratic films like Fingers and Black and White. Jarecki introduces his subject, the Oscar-nominated screenwriter of Bugsy, on the set of a 2004 film for which Toback had high hopes. When Will I Be Loved, which starred Neve Campbell as a young woman on the make, would, like many of Toback’s films, be a minor presence […]
by Jason Guerrasio on Jun 16, 2006The director of Head-On investigates the rich musical culture of his homeland. DIRECTOR FATIH AKIN. The soundtrack and score of the critically acclaimed, adrenaline fueled doomed romance Head-On was a fusion of punk, European electronica, hip-hop, British new wave and traditional Turkish laments, so it’s no great surprise that the Turkish-German director Fatih Akin’s new movie is a documentary about the vibrant and diverse music community in Istanbul. It’s the city where Head-On music composer Alexander Hacke, better known as a member of the avant-garde band Einstuezende Neubauten, recorded a few songs for Head-On — and became fascinated by the […]
by Jason Guerrasio on Jun 16, 2006Over at his blog Self Reliant Filmmaking, filmmaker Paul Harrill is beginning a two-part series discussing books on productivity and their effectiveness for artists. He starts with David Allen’s Getting Things Done, which is the bible-of-the-moment for productivity seekers. It has even spawned a website, 43 Folders, which applies its principles to computer organizational systems and various lifehacks. Harrill starts by summarizing some of the key points of Allen’s simple system: Something comes across your desk. What now? First, you process it: If you can’t act on it, you trash it, file it away for later, or you save it […]
by Scott Macaulay on Jun 11, 2006Taking a cue from Elizabeth Kubler-Ross, Al Gore discusses the five stages of coming to terms with global warming in this long interview with Ray Pride (pictured with Gore) about the excellent documentary An Inconvenient Truth. From the interview: GORE: First of all, David Guggenheim, in my opinion, has done a spectacular job of making a really entertaining movie out of a slide show! [laughs] It was his idea to use the short biographical pieces, not mine. He convinced me that on film it’s important to provide a basis for the audience to connect personally to a character or characters…. […]
by Scott Macaulay on Jun 5, 2006