Documentary

CINEMATIC CASE STUDIES

Bill Condon may have turned sex researcher Alfred Kinsey into a mainstream movie figure, but underground filmmaker Bret Woods has turned to a slightly more esoteric source for his latest film. According to its new website, Psychopathia Sexualis “dramatizes case histories of turn-of-the-century sexual deviance, drawn from the pages of Richard von Krafft-Ebing’s notorious medical text. Among the cases are a sexually repressed man who discovers an unhealthy appetite for blood; a homosexual man who submits himself to a doctor who promises to ‘cure’ his condition; and a masochist who hires a pair of corseted prostitutes to enact a most […]
by Scott Macaulay on May 24, 2006
GIULIANI REVISITED

Newsweek has a good interview up with director Kevin Keating, whose documentary Giuliani Time opens in theaters this week. I saw the doc in Rotterdam a couple of years ago, and it’s a straightforward and worthwhile pic that tries to throw some balance on the public’s reckoning of Rudy Giuliani. Before 9/11, Giuliani was suffering a severe case of second-term lethargy, forgoing any sense of mayoral ambition and instead initiating regressive policies targeting welfare recipients and the homeless, among others. (For those who wonder how Giuliani cleaned up N.Y.’s “homeless problem,” this film tells you how, and it’s not pretty.) […]
by Scott Macaulay on May 13, 2006
SUNDANCE ANNOUNCES JUNE LAB PROJECTS

Indiewire has posted the writers and directors participating in the Sundance June Labs. Here’s the list and the descriptions of the projects: “A Breath Away”/Kit Hui (writer/director), U.S.A./ChinaAs a typhoon approaches Hong Kong, the residents of a high-rise apartment explore their need for human connection, family, and cultural identity in their increasingly isolated worlds.Born and raised in Hong Kong, Kit Hui immigrated to the United States at age 16. She received her MFA from Columbia University’s Graduate Film Program. Her short film “Missing” screened at the 2005 Tribeca Film Festival and the 2005 Cannes Film Festival, and she was recently […]
by Scott Macaulay on Apr 26, 2006
PRIVATIZE THIS!

Pat Aufderheide, Professor and Director for Center for Social Media at American University’s School of Communication, forwarded an email about potentially alarming news coming from the Smithsonian. She writes, “The Smithsonian recently announced an exclusive partnership with Showtime Networks to create ‘Smithsonian Networks’ as a joint venture with the Institution’s Smithsonian Business Ventures Unit. This arrangement could stifle the range of independent work on American history and culture that consistently brings new ideas, voices and perspectives to public attention.” Why? Because, she continues, “The Smithsonian Networks policy would preclude independent filmmakers from creating projects for other media outlets. According to […]
by Scott Macaulay on Apr 16, 2006
SCOTT WALKER RETURNS

An issue or so ago I put Scott Walker in our “Super 8” column, anticipating his new album, his first in ten years. Now it’s got a title — The Drift — and the musician Momus has an early review on his blog: Fuck me, this is terrifying! I’ve come by The Drift, the new Scott Walker album. Don’t ask me how. It’s on 4AD. I used to be on 4AD, but that’s by the by the by the by. But the thing is, this isn’t a pop record, it’s a nightmare. It’s a horror film, part Cocteau, part Jodorowsky. […]
by Scott Macaulay on Apr 7, 2006
PARALYZED BY FILM

In The Observer, director Julien Temple describes his nervous breakdown to Simon Garfield when he felt “paralyzed by film” while making a documentary on the Glastonbury Film Festival. After shooting 250 hours of footage at the 2002 edition, Temple realized that there was so much more about the festival’s history that he wanted to capture. So, he put out a call to anyone who had any footage of any one of the Glastonbury festivals, and the envelopes starting pouring in: ‘These padded envelopes kept arriving and you thought, “Oh my God,”‘ Temple recalls in his converted editing barn near Bridgwater, […]
by Scott Macaulay on Mar 26, 2006
HOW TO FIX TIME WARNER

I linked to Erick Schonfeld in the post below and now just see on Anne Thompson’s blog this link to a new piece of his, “5 Ways to Fix Time Warner.” It’s a very interesting piece with ideas that should be considered by anyone distributing media today. For example, Schonfeld advocates a move away from the blockbuster to the “nichebuster”: Once the businesses are organized around audience niches, creating blockbusters becomes less necessary. Instead, media businesses that are focused on narrow audiences will naturally give rise to the more cost-effective “nichebuster.” A nichebuster is any kind of content that becomes […]
by Scott Macaulay on Mar 23, 2006
THE POWER OF NARRATIVE

Green Cine notes this interesting piece by Andrew Tracy in Cinema Scope about the new director’s cut DVD of James Gray’s The Yards. He’s got a great opener, a provocative discussion of what he sees as the diminished respect given classical movie narrative today that winds up as a preamble for his discussion of Gray’s ’70s-inspired gangster pic. From the piece: As a means of telling us about our world, classical narrative cinema—that is, American narrative cinema—has been steadily losing ground. James Agee’s faith in the scenario seems somewhat quaint in the midst of our fascination with hybridity. Documentary, whether […]
by Scott Macaulay on Mar 22, 2006
JARECKI/DENBY DUST-UP

Ray Pride’s column over at Movie City News contains a long interview with Why We Fight director Eugene Jarecki in which he takes issue with David Denby’s recent review of his film: PRIDE: I’m not asking you to respond to this specific review, but I was floored by the incredibly jejune review that David Denby wrote in the New Yorker of Why We Fight. This is merely a collage film; this guy went in with a point to make; this is not true filmmaking. Does that trouble you when a reviewer is so obstinate, so resistant to whatyou’ve made? JARECKI: […]
by Scott Macaulay on Mar 14, 2006
THE FIRST $20 MILLION GROSSING SXSW HIT?

Over at the Movie City News “Hot Blog”, David Poland reports on what he predicts could, with the right distributor, become the first big hit to get picked up out of the SXSW Festival. The film is Behind the Mask: The Rise of Leslie Vernon, and here’s what Poland has to say about it: First time director Scott Glosserman was here with his entire family for the premiere of Behind The Mask: The Rise Of Leslie Vernon. Title sucks. Poster looks like a conventionally crappy cheapo horror film. The only two acting names you’re likely to recognize are Freddy Englund […]
by Scott Macaulay on Mar 14, 2006

Cookie	Duration	Description
cookielawinfo-checkbox-analytics	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics".
cookielawinfo-checkbox-functional	11 months	The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional".
cookielawinfo-checkbox-necessary	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary".
cookielawinfo-checkbox-others	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other.
cookielawinfo-checkbox-performance	11 months	This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance".
viewed_cookie_policy	11 months	The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data.

Cookie	Duration	Description
cfmrk_cic		Used by Cloudflare to route user traffic for this Site.
sparrow_id		Installed by Cloudflare. Used to identify individual clients behind a shared IP address and apply security settings on a per-client basis. It does not store any personal identifiable information.

Cookie	Duration	Description
OAGEO		Installed by the Revive Ad Server. Used to cache geolocation (session, deleted when closing the browser)
OAID		Installed by the Revive Ad Server to distinguish users.